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Grounds for Pleasure by Colin Booth Colin Booth : Grounds for Pleasure.
Solo harpsichord music.


Most of this album consists of grounds. Some were written during the reign of the first Queen Elizabeth, around 1600, and others after the Restoration of the monarchy in 1660, following the English Civil War and the Protectorate. The pieces by William Croft, a devotee of Henry Purcell, are even later, and some, like those by Thomas Tomkins, who had studied with William Byrd but lived into the middle of the seventeenth century, can be said to bridge the gap between the English Renaissance and the Baroque.

This beautiful new recording, made in 2014, is the first album recording on a newly-restored original 17th century harpsichord.

Those who are particularly interested will enjoy the upper manual (played with the left hand here) being at 4 foot pitch (i.e. an octave higher than notated).

Full liner notes are available with the artwork download to members.


Songs:

1. My Lady Carey's Dompe (Anon)
2. My Ladye Nevell's Grownde (William Byrd)
3. A Short Verse (Thomas Tomkins)
4. Grounde (Thomas Tomkins)
5. A New Ground (Henry Purcell)
6. Mortlack's Ground (John Blow)
7. The Leaves Bee Greene (William Inglot)
8. Italian Ground (Orlando Gibbons)
9. Pavan- Lord Salisbury (Orlando Gibbons)
10. Suite in D minor- Ground (John Blow)
11. Suite in D minor- Hornpipe (John Blow)
12. Suite in D minor- Minuet (John Blow)
13. Fantasia (Orlando Gibbons)
14. Ground (Orlando Gibbons)
15. Chacone (Henry Purcell)
16. A Ground in Gamut (Henry Purcell)
17. Suite in A major- Ground (William Croft)
18. Suite in A Major- Minuett (William Croft)
19. Ground in Gamut Flatt (John Blow)
20. Ground in D minor (Henry Purcell)
21. Hornpipe (Henry Purcell)
22. A Grounde (William Byrd)

Listen to: the entire album.


License Solo harpsichord music by Colin Booth for your project.
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Release date: 11/23/2014
Colin Booth lives in Wells England

Tagged as: Classical, Baroque, Renaissance, Instrumental, Composer: Henry Purcell, Composer: John Blow, Composer: Orlando Gibbons, Composer: Thomas Tomkins, Composer: William Byrd, Composer: William Croft, Composer: William Inglot, Harpsichord


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  2. Assumpta est Maria by Vox Nostra: gorgeously complex and rich vocals using manuscripts from the middle ages
  3. JS Bach Six Motets BWV 225-230 by Bach Collegium San Diego: Bach, historically informed, vibrantly performed
  4. Biber Violin Sonatas by SCD: Baroque trio
  5. Commusicare by Commusicare: musical conversation from the Renaissance to the Baroque
  6. Bach Goldberg Variations by Janine Johnson: Harpsichord and fortepiano classics
  7. Schumann Romances by Gonzalo X Ruiz: baroque oboist extraordinaire
  8. Vocal music of the Cathedral Notre-Dame de Paris in the year 1200 by Vox Nostra: gorgeously complex and rich vocals using manuscripts from the middle ages
  9. Soyes Loyal by Asteria: late-medieval vocal and instrumental music
  10. Own the Pow'r of Harmony! - hidden vocal and instrumental gems of Handel by Jennifer Lane: rare cantatas and arias by Handel
  11. German music for Viols and Harpsichord by Les Filles de Sainte Colombe: viol & harpsichord music
  12. A Celebration of Robert Burns by Shira Kammen: early folk and celtic music.
  13. Chopin Preludes for Piano by Eric Zivian: virtuoso fortepianist plays Chopin
  14. Il Rossetto, Domenico Bianchini's Lute Book (1546) by Richard MacKenzie: Virtuoso English Lutenist and Guitarist
  15. Ciaconna by Ernst Stolz: Renaissance and Baroque beautiful music revealed by Dutch gambist and multi-instrumentalist
  16. Bach and His Teachers by Paul Boehnke: Heartfelt music for harpsichord
  17. The Dawn of Joy by Shira Kammen: early folk and celtic music.
  18. Tau Ceti by Robert Otto: Ambient Electronic and Neoclassical Soundscapes
  19. Handel on Guitar Volume 1 by Daniel Estrem: colorful classical guitar
  20. Influenza Italiana by Ensemble Mirable: rare and extraordinary music of the Baroque

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