Francesco Barsanti Sonatas for Recorder and Basso Continuo by Ensemble Electra Ensemble Electra : Francesco Barsanti Sonatas for Recorder and Basso Continuo.
Electrifying music from the italian baroque.


Francesco Barsanti was one of many Italian musicians who ventured to the cold northern European climes in the early 1700s. He arrived on London's lively musical scene in 1714, together with Francesco Geminiani, fourteen years after Corelli's orchestra had, according to historian Roger North, "cleared the ground of all sorts of musicke whatsoever." Geminiani, Barsanti and their contemporaries brought with them the sizzling Italian playing manner that soon became so popular. Barsanti made a decent living as flutist and oboist in the orchestra of London's Italian Opera Theatre. During these years, the six recorder sonatas were written, to be published in 1724 by Walsh on Catherine Street.

The recorder during this era was called simply "flute", or flauto, not to be confused with the "flauto traverso", or German flute. Barsanti's sonatas were published at a time when the transverse flute was beginning to overtake the recorder in popularity, but they are intended for the recorder. They are important not only because they are original compositions for the instrument, as opposed to transcriptions or arrangements, but also in that they represent some of the last works for the recorder before the instrument essentially went into hibernation for 175 years.

Barsanti's compositional style is flamboyantly expressive, often eccentric, and full of passion and wit. Clearly he was familiar with Handel's works, yet his harmonic language, frequent use of 9-8 suspensions, and enharmonic cadential clashes are unique and daring; his use of slurs in both the melodic line and the bass line are innovative and at times downright quirky. The energy and spirit of Barsanti's fast movements coupled with his ardent emotive slower movements create masterful pieces of lasting quality. We hope you enjoy listening to these sonatas as much as we enjoy playing them!


Songs:

1. Sonata II In C Major- Adagio (Francesco Barsanti)
2. Sonata II In C Major- Allegro (Francesco Barsanti)
3. Sonata II In C Major- Largo (Francesco Barsanti)
4. Sonata II In C Major- Presto (Francesco Barsanti)
5. Sonata V In F Major- Adagio (Francesco Barsanti)
6. Sonata V In F Major- Fugue (Francesco Barsanti)
7. Sonata V In F Major- Siciliana largo (Francesco Barsanti)
8. Sonata V In F Major- Minuet (Francesco Barsanti)
9. Sonata VI In Bb Major- Adagio (Francesco Barsanti)
10. Sonata VI In Bb Major- Non Tanto Allegro (Francesco Barsanti)
11. Sonata VI In Bb Major- Sostenuto (Francesco Barsanti)
12. Sonata VI In Bb Major- Allegro (Francesco Barsanti)
13. Sonata IV In C Minor- Adagio (Francesco Barsanti)
14. Sonata IV In C Minor- Con Spirito (Francesco Barsanti)
15. Sonata IV In C Minor- Siciliana Largo (Francesco Barsanti)
16. Sonata IV In C Minor- Gavotta allegro (Francesco Barsanti)
17. Sonata I In D Minor- Adagio (Francesco Barsanti)
18. Sonata I In D Minor- Fugue (Francesco Barsanti)
19. Sonata I In D Minor- Grave (Francesco Barsanti)
20. Sonata I In D Minor- Allegro Assai (Francesco Barsanti)
21. Sonata III In G Minor- Adagio (Francesco Barsanti)
22. Sonata III In G Minor- Allegro (Francesco Barsanti)
23. Sonata III In G Minor- Largo (Francesco Barsanti)
24. Sonata III In G Minor- Gavotta (Francesco Barsanti)
25. Sonata III In G Minor- Minuet (Francesco Barsanti)

Listen to: the entire album.


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Release date: 3/22/2011
Ensemble Electra lives in Washington USA

Tagged as: Classical, Baroque, Instrumental, Composer: Francesco Barsanti, Cello, Harpsichord, Recorder


Recommended albums:
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  2. Biber Violin Sonatas by SCD: Baroque trio
  3. German Viola da Gamba Sonatas by Ernst Stolz: Renaissance and Baroque beautiful music revealed by Dutch gambist and multi-instrumentalist
  4. Ludwig Senfl by Farallon Recorder Quartet: renaissance recorder ensemble
  5. Commusicare by Commusicare: musical conversation from the Renaissance to the Baroque
  6. Canarios by James Edwards: baroque guitar music
  7. Sister Awake by Jeni Melia: Elizabethan lute and folk song
  8. Soliloquies by Gonzalo X Ruiz: baroque oboist extraordinaire
  9. Vihuela Duets of Valderrabano by Duo Chambure: Spanish renaissance vihuela duets
  10. Music of the Spheres by Music of the Spheres: small Baroque chamber ensemble
  11. A Baroque Mosaic by The Sarasa Ensemble: Lively, bright Baroque
  12. JS Bach Inventions and Sinfonias by Janine Johnson: Harpsichord and fortepiano classics
  13. 5 and 6 part Fantasies of William Lawes by Oberlin Consort of Viols: renaissance viol music
  14. Boismortier (Harpsichord music) by Kathleen McIntosh: delicious harpsichord rarities
  15. The Last of Old England by Jeni Melia: Elizabethan lute and folk song
  16. The Fantastics by Music of the Spheres: small Baroque chamber ensemble
  17. JS Bach on Solo Mandola by Daniel Estrem: colorful classical guitar
  18. Dolci Miei Sospiri by Ensemble Carpe Diem: Early music featuring Italian affetti from Switzerland
  19. Scenes of Travel by Eleanor Hodgkinson: beautifully crafted individual playing

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