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James Akers : Thesaurus Harmonicus.
Lively, refined lute playing and questing musicianship.
Jean-Baptiste Besard (c.1567-c.1620) published the Thesaurus Harmonicus in
Cologne in 1603. It is an almost encyclopaedic collation of early 17th century
lute music containing pieces by twenty-one credited composers from throughout
Europe, along with many un-credited and anonymous works. These are organised
into ten books, according to genre, and there is also a manual on lute playing,
suggesting the publication had a didactic purpose. Most of the music is for solo
lute, though there are also pieces for lute and voice and lute ensemble.
Although he composed roughly one tenth of the pieces in the Thesaurus
Harmonicus, Besard was not a professional musician. Educated in law and medicine
at the Universities of Dôle and Heidelberg, by around 1600 he had established
himself as a lute teacher in Cologne, while continuing to practice as a lawyer
and doctor. It has been suggested that he paid for the publication of the
Thesaurus by working as an editor of legal texts for his publisher Grevenbruch.
Besard later moved to Augsburg where in 1617 he published a second book of lute
music, Novus partus, and an expanded edition of his lute tutor in German.
Nothing further is known of Besard after this date.
Attempting to condense a collection of music as vast as the Thesaurus Harmonicus
into a one hour length recording is a seemingly quixotic endeavour and this in
no way claims to be a comprehensive survey of the text. The pieces were chosen
for purely personal reasons as being the most interesting, moving and
outstanding works I discovered while exploring the book. Much more has been left
out than is included in this collection, my intention being to create an
expressive musical programme rather than an academic overview.
The Thesaurus Harmonicus contains some of the best-known lute music along with
some of the most obscure. Both are presented here. The pieces by Dowland are
probably the most famous works for lute, though they contain subtle variations
that should make them interesting to even the most experienced listener. Many of
the pieces in the collection are extremely short, especially the dance tunes.
Tracks 2 and 14 are both formed of three shorter pieces put together to create a
longer structure, using one of the dances as the theme in a rondo-esque
structure.
Songs:
1. Praeludium (Lorenzino Romanus)
2. 3 Branles a corde avallee (anon)
3. Canaries (anon)
4. Fantasia (Lorenzino Romanus)
5. Allemande (anon)
6. Courante (anon)
7. Galliarda (Pomponio da Bologna)
8. Praeludium (Lorenzino Romanus)
9. Fantasia (Lachrimae Pavan) (John Dowland)
10. Galliarda (Captain Digorie Piper's Galliard) (John Dowland)
11. Fantasia (John Dowland)
12. Preambel (Lorenzino Romanus)
13. Passamezzo (Jean-Baptiste Besard)
14. 3 Voltes
15. Allemande (Une Jeune Fillette) (Jean-Baptiste Besard)
16. Branle (Jean-Baptiste Besard)
Listen to: the entire album.
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Release date: 03/21/2015
James Akers lives in Epsom England
Tagged as: Classical, Renaissance, Instrumental, Composer: Jean-Baptiste Besard, Composer: John Dowland, Composer: Lorenzino Romanus, Lute
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