Vox Nostra : Assumpta est Maria.
Gorgeously complex and rich vocals using manuscripts from the middle ages.
"Assumpta Est Maria" is a collection of ceremonial vocal
music connected to the high feast day of the Assumption of Mary. With
Latin plainchant and polyphonic compositions, the sequence is based on the
structure of a late medieval mass.
The music of the proper (lat. proprium), always occasion-specific, contains
texts directly relating to the feast held on August 15th. The elements of the
proprium include the Introitus, Graduale, Alleluia, Offertorium, and Communio.
The ordinary (lat. ordinarium) refers to mass elements in which the text is
fixed. The Kyrie eleison (track 3) and Gloria (track 4) are taken from Marian
masses, while the Sanctus (track 12) and Agnus Dei (track 13) come from other
sources. The Agnus Dei, with its three-part trope Lux lucis from a unicum
Scottish manuscript, demonstrates the richness of sound in the 13th century. It
also functions as a bridge to the three-part Gloria (track 4) tropes from the
Burgos Monastery, and to the three- and four-part Notre Dame conductus (track
1,11) Both of the four-part conductus and the two-part Alleluia (track 9) are
attributed to the only composers of Notre Dame repertory known by name, Magestri
Leonin and Perotin.
On this recording, the alternation of Gregorian chant and elaborate three-part
music creates an effective heightening of intensity within the musical
dramaturgy. Providing space for reflection upon the significance of the ritual,
the paraliturgic conducti are not part of the order of the mass and thus do not
have a specific location within it. Two examples are heard from the monastic
Liturgy of the hours of the Assumption of Mary: the Antiphon Quae est ista
(track 8), which presents Psalm 113, In exitu Israel, and the 14th century
reading, Jube Domine: Consurge induere fortitudine (track 6). The mass concludes
with the Benedicamus Domino (track 15).
VOX NOSTRA conducted independent musicological research to produce this
recording. All music is performed using original notation, including neumes and
modal notation.
Songs:
1. Deus Misertus Hominis - Conductus (Magister Perotin)
2. Gaudeamus Omnes In Domino - Introitus (Anon)
3. Kyrie Eleison (Anon)
4. Gloria In Excelsis Deo - Spiritus Et Alme (Anon)
5. Propter Veritatem - Graduale (Anon)
6. Jube Domine - Consurge - Lectio (Anon)
7. Ave Maris Stella - Conductus (Anon)
8. Quae Est Ista - Psalm 113 In Exitu Israel - Antiphon (Anon)
9. Alleluia - Hodie Maria Virgo - Organum (Magister Leonin)
10. Assumpta Est Maria - Offertorium (Anon)
11. Mundus Vergens In Defectum - Conductus (Magister Perotin)
12. Sanctus (Anon)
13. Agnus Dei- Lux Lucis (Anon)
14. Optimam Partem Elegit - Magnificat - Communio (Anon)
15. Benedicamus Domino - Deo Gratias (Anon)
Listen to: the entire album.
License Gorgeously complex and rich vocals using manuscripts from the middle ages by Vox Nostra for your project.
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Release date: 12/24/2010
Vox Nostra lives in Berlin Germany
Tagged as: Classical, Vocal, Medieval, Classical Singing, Choral
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