Andy Condon lives in a self imposed exile in the wilds of north Essex,
and has worked as the glimmer room since the turn of the century.
After many years building a career predominantly in the live music
scene, Andy grew tired of all the travelling and general upheaval that
life in a busy band entails, and thereafter retreated into the safety
of the studio, where he worked as part of a short-lived experimental
dance collective called Neesh.
After weeks of programming, the first Neesh album was finalised in a
marathon 3 day studio session that was more like a 3 day party, with
folks dropping in, hanging out and maybe even contributing to the
recording, and the 5 track EP, called simply Neesh, was eventually
released through the sadly now defunct Landscape Recordings label. All
this talk of studio parties and collectives is a mile away from the
glimmer room, but for one thing, so please, bare with me.
In amongst all the 909-rhythms and thumping 303-basslines was a small
track called Still Waters, which quickly became something of a
turning-point for Andy - a laid-back, down-tempo piece, that hung on a
processed Enya sample, a slowed down break-beat, all held together by a
young rapper who left shortly afterwards, and ended up in the US
working with De la Sole. This track also turned out to be the end of
Neesh and the start of the glimmer room because Andy had finally found
his true path, in a mode of music he wanted to explore more deeply.
That was early 1997 and, five years later, the first glimmer room
album, Tomorrows Tuesday, was released in early 2002 on the then
Sheffield electronic music label Neu Harmony. The thirteen tracks that
make up Tomorrow's Tuesday evolved from chopped-up breaks and beats,
via lush synthesiser melodies, which characterise Andy's trademark
atmospheric, layered soundscapes and drew favourable comparisons with
acts as diverse as Moby, Enigma and Mike Oldfield's Songs of Distant
Earth.
Grey Mirrors followed in 2004. Released on Andy's own A-frame Media
label, Grey Mirrors began as an experiment after Andy had read about
how the KLF had recorded their classic Chill Out album in just one
weekend. Andy set himself the goal of doing just the same, and the
result was a remarkable album consisting of just one 42 minute piece
that quickly became an ambient classic. In composing Grey Mirrors, Andy
used the view from his window as inspiration, taking in as many
influences as possible, and the resulting album is a musical
exploration of a time and place that has a feeling highly reminiscent
of an old English black and white film.
Grey Mirrors was released to overwhelming critical acclaim, receiving
world-wide radio play and establishing a genuine personal connection
with people from all corners of the globe. The release of this album
also saw Andy's return to the stage, with an appearances at the Alpha
Centuri electronic music festival in Holland, and later, at a special
appearence in the Awakenings series of concerts in the UK.
Moving on from Grey Mirrors, 2007 saw the release of the limited
edition album, Now We Are Six, also on the A-Frame label. NWAS is a
collection of tracks recording first 6 years of the glimmer room's life
and which featured on various magazine cover disks and compilations but
were otherwise unavailable.
| |

![A Diary of Occurrences by the glimmer room [A Diary of Occurrences by the glimmer room]](http://he3.magnatune.com/music/the%20glimmer%20room/A%20Diary%20of%20Occurrences/cover_200.jpg)
A Diary of Occurrences
![grey mirrors by the glimmer room [grey mirrors by the glimmer room]](http://he3.magnatune.com/music/the%20glimmer%20room/grey%20mirrors/cover_200.jpg)
grey mirrors
![I remain by the glimmer room [I remain by the glimmer room]](http://he3.magnatune.com/music/the%20glimmer%20room/I%20remain/cover_200.jpg)
I remain
![now we are six by the glimmer room [now we are six by the glimmer room]](http://he3.magnatune.com/music/the%20glimmer%20room/now%20we%20are%20six/cover_200.jpg)
now we are six
|