Magnatune: renaissance gamba, new age cello & guitar, pop, ambient

This week's 6 new albums:

  • Carey Clayton: Oak - Alt Rock
    Meditative yet Pulsing, Textural yet Driving, Future Americana music

  • Alison Crum and Roy Marks: A Spagna in the Works - Classical
    Ethereal, enigmatic and exhilarating renaissance miniature masterpieces for viol and lute

  • Francois Couture: Dal Segno - New Age
    Canadian composer, musician, orchestrator, arranger and sound designer

  • Kalyan and Sambodhi Prem: Cello Circles - New Age
    Celebrating the Sound of the Cello

  • Kyven: Summer 2014 - Electro Rock
    80s Pop with Modern Chops

  • Philipp Weigl: Prisma - Ambient
    austere electronica with melancholy vocals

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-john

 



Description:austere electronica with melancholy vocals
Genre:Ambient
Artist:Philipp Weigl
Album:Prisma

"Prisma" is pure sound. Some elements are improvised, some are structured and arranged. The album is not just a piece of ambient music, it is an attitude, even a promise. Let the sound take control of you and find out, where it is going to take you.



Description:80s Pop with Modern Chops
Genre:Electro Rock
Artist:Kyven
Album:Summer 2014

Kyven's Summer 2014 album is a nonstop energy rush full of memorable vocal hooks and catchy synth leads. The songs are all full of passion, determination, and drive. The creative pop lyrics share a story of blazing one's own trail while the beats keep you dancing and craving more.

Strong songwriting and production come to life in Kyle and Steven's work, exemplified in the slick vocal harmonies by Kyle and Steven's piano and keyboard playing throughout every song.



Description:Celebrating the Sound of the Cello
Genre:New Age
Artist:Kalyan and Sambodhi Prem
Album:Cello Circles

Cello Circles is an album of improvised cello and acoustic guitar with rich musical textures and beautifully crafted original compositions. Hear the many colors and nuances of the cello, the Emperor of the Orchestra.

Kalyan's playful approach to the cello merges with eight compositions that celebrate the music and sound of one of the most loved instruments of the classical orchestra. With tones of depth, beauty and joyous spontaneity, Kalyan's cello soars higher and higher on the rich textures of Sambodhi Prem's guitar.

Recorded between 2001 and 2008 Cello Circles has taken its own time to come to a point of completion. Started as a fun project between friends living on opposite sides of the globe, this album organically grew into a richly orchestrated ode to the many colours and nuances of the cello.

Sambodhi Prem has been a recording artist with releases dating back to the mid-eighties, mostly guitar-based instrumental music and introspective titles for relaxation.

Kalyan is a classically trained cellist and multi instrumentalist, with skills on stringed and wind instruments. This album has his cello in the main role, but there are also plenty of minor roles for a host of interesting instruments that he plays.

The Indian dilruba is heard on two pieces, plucked on the intro of 'Leaving Space' and bowed on the last piece 'Spring Water', the Japanese kyotaku flute can be heard on 'This Moment'. And there are the more familiar sounds of the fretless bass and the recorder, all played by Kalyan.

By no means is this an album of world-music mishmashes, the tone is focussed on the cello but there's enough breathing space for many other sounds to have a place. Most pieces are 'down-tempo', but with a constantly changing landscape of sounds.

The compositions were written by both players - Sambodhi did most of the production and the recording of the backing tracks. You can hear that lots of thought went into the compositions, as the music is never repetitive and it holds your interest even after repeat listenings.

Sambodhi Prem says:

"My collaboration with Kalyan has been a wonderful journey of reaching across physical oceans, but with a musical closeness and creative richness - resulting in 8 compositions where the sound of the cello merges with my guitar, the textures of my studio, and the range of other instruments that Kalyan plays.

During the recording of Cello Circles I was mostly living "down-under" in Australia and New Zealand, while Kalyan lives in Canada. We collaborated from afar, working together for the love of music, for our own entertainment, until we found that music had emerged which we felt to share with more people than just our closest friends.

At the heart of this music is improvisation - the starting point that guides us when we create. Add a little bit of musical luck and a few blessings from the gods of technology, plus a heavy dose of work to bring things to completion - making music is a bit like cooking - timing and tasting is everything.

Over the course of this recording, which started in 2001 and was released in September 2008, I've fallen in love with the sound of the cello. Kalyan's approach towards the instrument is playful, yet deep. His meditative energy makes the instrument the perfect vehicle for his musical expression. Being an experienced musician on Indian instruments like the dilruba and the rudra veena gives him a point of reference very few cellists have. He brings so much to the instrument and to this project, I feel truly honored to be working with him.

I love the cello because it's able to express great depths of sadness and is equally able to reach the heights of joy - expressing a special kind of joy - a joy that has a depth unique amongst musical instruments.

I also want to mention that I've been fortunate having Sandipa help me with the delicate process of making music long-distance and receiving her great support. She created a beautiful painting, Harmony in Lily Flat Major, while this album was being recorded which you can see on the cover.

One of the best things in my life is to create music with a friend and feeling the connection and shared understanding when all the pieces fall into place and there is an expression of both our uniqueness, merged into one flow. I have experienced this while playing in a live setting, but to have that same feeling on a recording has been a most wonderful gift."

What people are saying about Cello Circles:

"A big and hearty congratulations on your orchestral and sonic triumph of sound and soul with your gifted as well colleague Kalyan. You are both genius of creating a sonic tapestry that is masterful. Each of you give us so many voices to listen to and as a cellist I would have to say that Kalyan is a first rate modern jazz and world music cellist and like you exhibit gifts as a multi instrumentalist. You are both stunning and profound, congratulations."
David Darling, Grammy Award Winning Composer and Cellist and Founder of Music For People, USA



Description:Canadian composer, musician, orchestrator, arranger and sound designer
Genre:New Age
Artist:Francois Couture
Album:Dal Segno

Relaxing New Age music. A large ambient sound with smooth melodies on classical guitar.



Description:Ethereal, enigmatic and exhilarating Ð renaissance miniature masterpieces for viol and lute
Genre:Classical
Artist:Alison Crum and Roy Marks
Album:A Spagna in the Works

The sweetly modest, satisfying, and gentle sonority of domestic music-making in the renaissance quietly belies compositions of unsurpassed musical skill. Featuring music that may be enjoyed equally either as something pleasantly light in the background, or more attentively as something more serious and profound, this new album of music centered around the mid 16th century is performed on the viol (bowed like a violin or cello, but far more tender, placid, and humane) accompanied by the lute (plucked like a guitar, but more calm, courteous and modest) and, like a mesmeric, draws the listener into worlds that are almost unimaginable, and certainly almost forgotten.

Review quotes:
'This delightful album gives an insight into the special, ethereal world of serious music-making in the renaissance period. It is an intimate, sophisticated sound for the privileged, cultivated listener.'
The Viol

'Recordings of later viol music often try to cover or minimize the sound of the articulation of the bow, but this recording embraces it as an essential and beautiful component of the music...the variety of colors that Alison produces from all the viols is astonishing..'
Viola da Gamba Society of America News

'..a recording of sensitivity, clarity and warmth...the final track (Roy's Lullaby) creates a mood leaving us somewhere between a hypnotic trance and suspended in mid-air (making) the perfect conclusion to an imaginatively constructed programme, skilfully realised and expertly recorded.'
Thamesis



Description:Meditative yet Pulsing, Textural yet Driving, Future Americana music
Genre:Alt Rock
Artist:Carey Clayton
Album:Oak

In this work I was playing with how seemingly opposite sonic textures (acoustic instruments on one hand, and ethereal, artificial sound effects on the other hand) could coexist together. I like to think of this music as futuristic, dark Americana.

For the most part Oak was inspired by Kahlil Gibran's book, The Prophet. "...and stand together, yet not too near together: For the pillars of the temple stand apart, And the oak tree and the cypress grow not in each other's shadow."