-- MySQL dump 10.11 -- -- Host: localhost Database: magnatune -- ------------------------------------------------------ -- Server version 5.0.38-Ubuntu_0ubuntu1-log /*!40101 SET @OLD_CHARACTER_SET_CLIENT=@@CHARACTER_SET_CLIENT */; /*!40101 SET @OLD_CHARACTER_SET_RESULTS=@@CHARACTER_SET_RESULTS */; /*!40101 SET @OLD_COLLATION_CONNECTION=@@COLLATION_CONNECTION */; /*!40101 SET NAMES utf8 */; /*!40103 SET @OLD_TIME_ZONE=@@TIME_ZONE */; /*!40103 SET TIME_ZONE='+00:00' */; /*!40014 SET @OLD_UNIQUE_CHECKS=@@UNIQUE_CHECKS, UNIQUE_CHECKS=0 */; /*!40014 SET @OLD_FOREIGN_KEY_CHECKS=@@FOREIGN_KEY_CHECKS, FOREIGN_KEY_CHECKS=0 */; /*!40101 SET @OLD_SQL_MODE=@@SQL_MODE, SQL_MODE='NO_AUTO_VALUE_ON_ZERO' */; /*!40111 SET @OLD_SQL_NOTES=@@SQL_NOTES, SQL_NOTES=0 */; -- -- Table structure for table `magnatune_song_info` -- DROP TABLE IF EXISTS `magnatune_song_info`; CREATE TABLE `magnatune_song_info` ( `songid` int(11) NOT NULL auto_increment, `artist` varchar(100) NOT NULL default '', `page` varchar(20) NOT NULL default '', `trackname` varchar(200) NOT NULL default '', `albumname` varchar(100) NOT NULL default '', `tracknum` int(11) NOT NULL default '0', `year` int(11) NOT NULL default '0', `mp3genre` varchar(20) NOT NULL default '', `magnatunegenres` varchar(100) NOT NULL default '', `seconds` int(11) NOT NULL default '0', `buy` varchar(100) NOT NULL default '', `home` varchar(100) NOT NULL default '', `artistdesc` varchar(100) NOT NULL default '', `bio` text NOT NULL, `bandphoto` varchar(100) NOT NULL default '', `launchdate` date NOT NULL default '0000-00-00', `albumsku` varchar(40) NOT NULL default '', `upc` varchar(12) NOT NULL default '', `city_state` varchar(40) NOT NULL default '', `country` varchar(40) NOT NULL default '', `download_mp3` varchar(200) NOT NULL default '', `download_mp3lofi` varchar(200) NOT NULL default '', `isrc` varchar(21) NOT NULL default '', PRIMARY KEY (`songid`) ) ENGINE=MyISAM AUTO_INCREMENT=306916 DEFAULT CHARSET=latin1; -- -- Dumping data for table `magnatune_song_info` -- LOCK TABLES `magnatune_song_info` WRITE; /*!40000 ALTER TABLE `magnatune_song_info` DISABLE KEYS */; INSERT INTO `magnatune_song_info` VALUES (299106,'Tokyo507','tokyo507','Share Some Love','Tokyo507',1,2008,'Electronic','Electronica,Downtempo',281,'https://magnatune.com/artists/buy_album?artist=Tokyo507&album=Tokyo507&genre=Electronica','http://magnatune.com/artists/tokyo507','placeholder page.','\nFor about six years, from 1968 through 1975, the Band was one of the most popular and influential rock groups in the world, their music embraced by critics (and, to a somewhat lesser degree, the public) as seriously as the music of the Beatles and the Rolling Stones. Their albums were analyzed and reviewed as intensely as any records by their one-time employer and sometime mentor Bob Dylan. And for a long time, their personalities were as recognizable individually to the casual music public as the members of the Beatles.\n\nThe group\'s history went back nearly as far as the Beatles, to 1958 (just about the time that the formative Beatles gave up skiffle for rock & roll). Ronnie Hawkins, an Arkansas-born rock & roller who aspired to a real career, put together a backing band that year that included his fellow Arkansan Levon Helm (born May 26, 1942), who played drums (as well as credible guitar) and had led his own band, the Jungle Bush Beaters. The new outfit, Ronnie Hawkins & the Hawks, was recording by the spring of 1958 and gigged throughout the south and also up in Ontario, Canada, where the money was better than in their native American south. It was the fact of being based in Canada late in 1959, coupled with pianist Willard Jones leaving the lineup, that got Hawkins to start looking at some of the local music talent in Toronto; Hawkins approached a musician named Scott Cushnie about joining the Hawks on keyboards. Cushnie was already playing in a band with Robbie Robertson (born in 1944), however, and would only join Hawkins if he came along.\n\nAfter some resistance from Hawkins, Robertson came into the lineup on bass, replacing a departing Jimmy Evans. More multiple lineup switches took place over the next few years, Robbie Robertson shifting to rhythm guitar behind Fred Carter\'s (and, briefly, Roy Buchanan\'s) lead playing. Rick Danko (born December 9, 1943) came in on bass in 1961, followed by Richard Manuel (born April 3, 1944) on piano and backing vocals. Around that same time, Garth Hudson (born August 2, 1937), a classically trained musician who could read music, became the last piece of the initial puzzle as organ player.\n','http://magnatune.com//artists/img/placeholder.jpg','2008-06-29','tokyo-tokyo','876809006426','','England','http://he3.magnatune.com/all/01--Share%20Some%20Love--Tokyo507.mp3','http://he3.magnatune.com/all/01--Share%20Some%20Love--Tokyo507-lofi.mp3','USANA0464201'),(299107,'Tokyo507','tokyo507','Body Electric','Tokyo507',2,2008,'Electronic','Electronica,Downtempo',283,'https://magnatune.com/artists/buy_album?artist=Tokyo507&album=Tokyo507&genre=Electronica','http://magnatune.com/artists/tokyo507','placeholder page.','\nFor about six years, from 1968 through 1975, the Band was one of the most popular and influential rock groups in the world, their music embraced by critics (and, to a somewhat lesser degree, the public) as seriously as the music of the Beatles and the Rolling Stones. Their albums were analyzed and reviewed as intensely as any records by their one-time employer and sometime mentor Bob Dylan. And for a long time, their personalities were as recognizable individually to the casual music public as the members of the Beatles.\n\nThe group\'s history went back nearly as far as the Beatles, to 1958 (just about the time that the formative Beatles gave up skiffle for rock & roll). Ronnie Hawkins, an Arkansas-born rock & roller who aspired to a real career, put together a backing band that year that included his fellow Arkansan Levon Helm (born May 26, 1942), who played drums (as well as credible guitar) and had led his own band, the Jungle Bush Beaters. The new outfit, Ronnie Hawkins & the Hawks, was recording by the spring of 1958 and gigged throughout the south and also up in Ontario, Canada, where the money was better than in their native American south. It was the fact of being based in Canada late in 1959, coupled with pianist Willard Jones leaving the lineup, that got Hawkins to start looking at some of the local music talent in Toronto; Hawkins approached a musician named Scott Cushnie about joining the Hawks on keyboards. Cushnie was already playing in a band with Robbie Robertson (born in 1944), however, and would only join Hawkins if he came along.\n\nAfter some resistance from Hawkins, Robertson came into the lineup on bass, replacing a departing Jimmy Evans. More multiple lineup switches took place over the next few years, Robbie Robertson shifting to rhythm guitar behind Fred Carter\'s (and, briefly, Roy Buchanan\'s) lead playing. Rick Danko (born December 9, 1943) came in on bass in 1961, followed by Richard Manuel (born April 3, 1944) on piano and backing vocals. Around that same time, Garth Hudson (born August 2, 1937), a classically trained musician who could read music, became the last piece of the initial puzzle as organ player.\n','http://magnatune.com//artists/img/placeholder.jpg','2008-06-29','tokyo-tokyo','876809006426','','England','http://he3.magnatune.com/all/02--Body%20Electric--Tokyo507.mp3','http://he3.magnatune.com/all/02--Body%20Electric--Tokyo507-lofi.mp3','USANA0464202'),(299108,'Tokyo507','tokyo507','Eden','Tokyo507',3,2008,'Electronic','Electronica,Downtempo',368,'https://magnatune.com/artists/buy_album?artist=Tokyo507&album=Tokyo507&genre=Electronica','http://magnatune.com/artists/tokyo507','placeholder page.','\nFor about six years, from 1968 through 1975, the Band was one of the most popular and influential rock groups in the world, their music embraced by critics (and, to a somewhat lesser degree, the public) as seriously as the music of the Beatles and the Rolling Stones. Their albums were analyzed and reviewed as intensely as any records by their one-time employer and sometime mentor Bob Dylan. And for a long time, their personalities were as recognizable individually to the casual music public as the members of the Beatles.\n\nThe group\'s history went back nearly as far as the Beatles, to 1958 (just about the time that the formative Beatles gave up skiffle for rock & roll). Ronnie Hawkins, an Arkansas-born rock & roller who aspired to a real career, put together a backing band that year that included his fellow Arkansan Levon Helm (born May 26, 1942), who played drums (as well as credible guitar) and had led his own band, the Jungle Bush Beaters. The new outfit, Ronnie Hawkins & the Hawks, was recording by the spring of 1958 and gigged throughout the south and also up in Ontario, Canada, where the money was better than in their native American south. It was the fact of being based in Canada late in 1959, coupled with pianist Willard Jones leaving the lineup, that got Hawkins to start looking at some of the local music talent in Toronto; Hawkins approached a musician named Scott Cushnie about joining the Hawks on keyboards. Cushnie was already playing in a band with Robbie Robertson (born in 1944), however, and would only join Hawkins if he came along.\n\nAfter some resistance from Hawkins, Robertson came into the lineup on bass, replacing a departing Jimmy Evans. More multiple lineup switches took place over the next few years, Robbie Robertson shifting to rhythm guitar behind Fred Carter\'s (and, briefly, Roy Buchanan\'s) lead playing. Rick Danko (born December 9, 1943) came in on bass in 1961, followed by Richard Manuel (born April 3, 1944) on piano and backing vocals. Around that same time, Garth Hudson (born August 2, 1937), a classically trained musician who could read music, became the last piece of the initial puzzle as organ player.\n','http://magnatune.com//artists/img/placeholder.jpg','2008-06-29','tokyo-tokyo','876809006426','','England','http://he3.magnatune.com/all/03--Eden--Tokyo507.mp3','http://he3.magnatune.com/all/03--Eden--Tokyo507-lofi.mp3','USANA0464203'),(299109,'Tokyo507','tokyo507','Li Adoro','Tokyo507',4,2008,'Electronic','Electronica,Downtempo',213,'https://magnatune.com/artists/buy_album?artist=Tokyo507&album=Tokyo507&genre=Electronica','http://magnatune.com/artists/tokyo507','placeholder page.','\nFor about six years, from 1968 through 1975, the Band was one of the most popular and influential rock groups in the world, their music embraced by critics (and, to a somewhat lesser degree, the public) as seriously as the music of the Beatles and the Rolling Stones. Their albums were analyzed and reviewed as intensely as any records by their one-time employer and sometime mentor Bob Dylan. And for a long time, their personalities were as recognizable individually to the casual music public as the members of the Beatles.\n\nThe group\'s history went back nearly as far as the Beatles, to 1958 (just about the time that the formative Beatles gave up skiffle for rock & roll). Ronnie Hawkins, an Arkansas-born rock & roller who aspired to a real career, put together a backing band that year that included his fellow Arkansan Levon Helm (born May 26, 1942), who played drums (as well as credible guitar) and had led his own band, the Jungle Bush Beaters. The new outfit, Ronnie Hawkins & the Hawks, was recording by the spring of 1958 and gigged throughout the south and also up in Ontario, Canada, where the money was better than in their native American south. It was the fact of being based in Canada late in 1959, coupled with pianist Willard Jones leaving the lineup, that got Hawkins to start looking at some of the local music talent in Toronto; Hawkins approached a musician named Scott Cushnie about joining the Hawks on keyboards. Cushnie was already playing in a band with Robbie Robertson (born in 1944), however, and would only join Hawkins if he came along.\n\nAfter some resistance from Hawkins, Robertson came into the lineup on bass, replacing a departing Jimmy Evans. More multiple lineup switches took place over the next few years, Robbie Robertson shifting to rhythm guitar behind Fred Carter\'s (and, briefly, Roy Buchanan\'s) lead playing. Rick Danko (born December 9, 1943) came in on bass in 1961, followed by Richard Manuel (born April 3, 1944) on piano and backing vocals. Around that same time, Garth Hudson (born August 2, 1937), a classically trained musician who could read music, became the last piece of the initial puzzle as organ player.\n','http://magnatune.com//artists/img/placeholder.jpg','2008-06-29','tokyo-tokyo','876809006426','','England','http://he3.magnatune.com/all/04--Li%20Adoro--Tokyo507.mp3','http://he3.magnatune.com/all/04--Li%20Adoro--Tokyo507-lofi.mp3','USANA0464204'),(299110,'Tokyo507','tokyo507','Bamboo Baby','Tokyo507',5,2008,'Electronic','Electronica,Downtempo',330,'https://magnatune.com/artists/buy_album?artist=Tokyo507&album=Tokyo507&genre=Electronica','http://magnatune.com/artists/tokyo507','placeholder page.','\nFor about six years, from 1968 through 1975, the Band was one of the most popular and influential rock groups in the world, their music embraced by critics (and, to a somewhat lesser degree, the public) as seriously as the music of the Beatles and the Rolling Stones. Their albums were analyzed and reviewed as intensely as any records by their one-time employer and sometime mentor Bob Dylan. And for a long time, their personalities were as recognizable individually to the casual music public as the members of the Beatles.\n\nThe group\'s history went back nearly as far as the Beatles, to 1958 (just about the time that the formative Beatles gave up skiffle for rock & roll). Ronnie Hawkins, an Arkansas-born rock & roller who aspired to a real career, put together a backing band that year that included his fellow Arkansan Levon Helm (born May 26, 1942), who played drums (as well as credible guitar) and had led his own band, the Jungle Bush Beaters. The new outfit, Ronnie Hawkins & the Hawks, was recording by the spring of 1958 and gigged throughout the south and also up in Ontario, Canada, where the money was better than in their native American south. It was the fact of being based in Canada late in 1959, coupled with pianist Willard Jones leaving the lineup, that got Hawkins to start looking at some of the local music talent in Toronto; Hawkins approached a musician named Scott Cushnie about joining the Hawks on keyboards. Cushnie was already playing in a band with Robbie Robertson (born in 1944), however, and would only join Hawkins if he came along.\n\nAfter some resistance from Hawkins, Robertson came into the lineup on bass, replacing a departing Jimmy Evans. More multiple lineup switches took place over the next few years, Robbie Robertson shifting to rhythm guitar behind Fred Carter\'s (and, briefly, Roy Buchanan\'s) lead playing. Rick Danko (born December 9, 1943) came in on bass in 1961, followed by Richard Manuel (born April 3, 1944) on piano and backing vocals. Around that same time, Garth Hudson (born August 2, 1937), a classically trained musician who could read music, became the last piece of the initial puzzle as organ player.\n','http://magnatune.com//artists/img/placeholder.jpg','2008-06-29','tokyo-tokyo','876809006426','','England','http://he3.magnatune.com/all/05--Bamboo%20Baby--Tokyo507.mp3','http://he3.magnatune.com/all/05--Bamboo%20Baby--Tokyo507-lofi.mp3','USANA0464205'),(299111,'Tokyo507','tokyo507','Tapestry of Love','Tokyo507',6,2008,'Electronic','Electronica,Downtempo',257,'https://magnatune.com/artists/buy_album?artist=Tokyo507&album=Tokyo507&genre=Electronica','http://magnatune.com/artists/tokyo507','placeholder page.','\nFor about six years, from 1968 through 1975, the Band was one of the most popular and influential rock groups in the world, their music embraced by critics (and, to a somewhat lesser degree, the public) as seriously as the music of the Beatles and the Rolling Stones. Their albums were analyzed and reviewed as intensely as any records by their one-time employer and sometime mentor Bob Dylan. And for a long time, their personalities were as recognizable individually to the casual music public as the members of the Beatles.\n\nThe group\'s history went back nearly as far as the Beatles, to 1958 (just about the time that the formative Beatles gave up skiffle for rock & roll). Ronnie Hawkins, an Arkansas-born rock & roller who aspired to a real career, put together a backing band that year that included his fellow Arkansan Levon Helm (born May 26, 1942), who played drums (as well as credible guitar) and had led his own band, the Jungle Bush Beaters. The new outfit, Ronnie Hawkins & the Hawks, was recording by the spring of 1958 and gigged throughout the south and also up in Ontario, Canada, where the money was better than in their native American south. It was the fact of being based in Canada late in 1959, coupled with pianist Willard Jones leaving the lineup, that got Hawkins to start looking at some of the local music talent in Toronto; Hawkins approached a musician named Scott Cushnie about joining the Hawks on keyboards. Cushnie was already playing in a band with Robbie Robertson (born in 1944), however, and would only join Hawkins if he came along.\n\nAfter some resistance from Hawkins, Robertson came into the lineup on bass, replacing a departing Jimmy Evans. More multiple lineup switches took place over the next few years, Robbie Robertson shifting to rhythm guitar behind Fred Carter\'s (and, briefly, Roy Buchanan\'s) lead playing. Rick Danko (born December 9, 1943) came in on bass in 1961, followed by Richard Manuel (born April 3, 1944) on piano and backing vocals. Around that same time, Garth Hudson (born August 2, 1937), a classically trained musician who could read music, became the last piece of the initial puzzle as organ player.\n','http://magnatune.com//artists/img/placeholder.jpg','2008-06-29','tokyo-tokyo','876809006426','','England','http://he3.magnatune.com/all/06--Tapestry%20of%20Love--Tokyo507.mp3','http://he3.magnatune.com/all/06--Tapestry%20of%20Love--Tokyo507-lofi.mp3','USANA0464206'),(299112,'Tokyo507','tokyo507','Zanzibar','Tokyo507',7,2008,'Electronic','Electronica,Downtempo',183,'https://magnatune.com/artists/buy_album?artist=Tokyo507&album=Tokyo507&genre=Electronica','http://magnatune.com/artists/tokyo507','placeholder page.','\nFor about six years, from 1968 through 1975, the Band was one of the most popular and influential rock groups in the world, their music embraced by critics (and, to a somewhat lesser degree, the public) as seriously as the music of the Beatles and the Rolling Stones. Their albums were analyzed and reviewed as intensely as any records by their one-time employer and sometime mentor Bob Dylan. And for a long time, their personalities were as recognizable individually to the casual music public as the members of the Beatles.\n\nThe group\'s history went back nearly as far as the Beatles, to 1958 (just about the time that the formative Beatles gave up skiffle for rock & roll). Ronnie Hawkins, an Arkansas-born rock & roller who aspired to a real career, put together a backing band that year that included his fellow Arkansan Levon Helm (born May 26, 1942), who played drums (as well as credible guitar) and had led his own band, the Jungle Bush Beaters. The new outfit, Ronnie Hawkins & the Hawks, was recording by the spring of 1958 and gigged throughout the south and also up in Ontario, Canada, where the money was better than in their native American south. It was the fact of being based in Canada late in 1959, coupled with pianist Willard Jones leaving the lineup, that got Hawkins to start looking at some of the local music talent in Toronto; Hawkins approached a musician named Scott Cushnie about joining the Hawks on keyboards. Cushnie was already playing in a band with Robbie Robertson (born in 1944), however, and would only join Hawkins if he came along.\n\nAfter some resistance from Hawkins, Robertson came into the lineup on bass, replacing a departing Jimmy Evans. More multiple lineup switches took place over the next few years, Robbie Robertson shifting to rhythm guitar behind Fred Carter\'s (and, briefly, Roy Buchanan\'s) lead playing. Rick Danko (born December 9, 1943) came in on bass in 1961, followed by Richard Manuel (born April 3, 1944) on piano and backing vocals. Around that same time, Garth Hudson (born August 2, 1937), a classically trained musician who could read music, became the last piece of the initial puzzle as organ player.\n','http://magnatune.com//artists/img/placeholder.jpg','2008-06-29','tokyo-tokyo','876809006426','','England','http://he3.magnatune.com/all/07--Zanzibar--Tokyo507.mp3','http://he3.magnatune.com/all/07--Zanzibar--Tokyo507-lofi.mp3','USANA0464207'),(299113,'Tokyo507','tokyo507','Curious Groove','Tokyo507',8,2008,'Electronic','Electronica,Downtempo',343,'https://magnatune.com/artists/buy_album?artist=Tokyo507&album=Tokyo507&genre=Electronica','http://magnatune.com/artists/tokyo507','placeholder page.','\nFor about six years, from 1968 through 1975, the Band was one of the most popular and influential rock groups in the world, their music embraced by critics (and, to a somewhat lesser degree, the public) as seriously as the music of the Beatles and the Rolling Stones. Their albums were analyzed and reviewed as intensely as any records by their one-time employer and sometime mentor Bob Dylan. And for a long time, their personalities were as recognizable individually to the casual music public as the members of the Beatles.\n\nThe group\'s history went back nearly as far as the Beatles, to 1958 (just about the time that the formative Beatles gave up skiffle for rock & roll). Ronnie Hawkins, an Arkansas-born rock & roller who aspired to a real career, put together a backing band that year that included his fellow Arkansan Levon Helm (born May 26, 1942), who played drums (as well as credible guitar) and had led his own band, the Jungle Bush Beaters. The new outfit, Ronnie Hawkins & the Hawks, was recording by the spring of 1958 and gigged throughout the south and also up in Ontario, Canada, where the money was better than in their native American south. It was the fact of being based in Canada late in 1959, coupled with pianist Willard Jones leaving the lineup, that got Hawkins to start looking at some of the local music talent in Toronto; Hawkins approached a musician named Scott Cushnie about joining the Hawks on keyboards. Cushnie was already playing in a band with Robbie Robertson (born in 1944), however, and would only join Hawkins if he came along.\n\nAfter some resistance from Hawkins, Robertson came into the lineup on bass, replacing a departing Jimmy Evans. More multiple lineup switches took place over the next few years, Robbie Robertson shifting to rhythm guitar behind Fred Carter\'s (and, briefly, Roy Buchanan\'s) lead playing. Rick Danko (born December 9, 1943) came in on bass in 1961, followed by Richard Manuel (born April 3, 1944) on piano and backing vocals. Around that same time, Garth Hudson (born August 2, 1937), a classically trained musician who could read music, became the last piece of the initial puzzle as organ player.\n','http://magnatune.com//artists/img/placeholder.jpg','2008-06-29','tokyo-tokyo','876809006426','','England','http://he3.magnatune.com/all/08--Curious%20Groove--Tokyo507.mp3','http://he3.magnatune.com/all/08--Curious%20Groove--Tokyo507-lofi.mp3','USANA0464208'),(299114,'Tokyo507','tokyo507','Free','Tokyo507',9,2008,'Electronic','Electronica,Downtempo',308,'https://magnatune.com/artists/buy_album?artist=Tokyo507&album=Tokyo507&genre=Electronica','http://magnatune.com/artists/tokyo507','placeholder page.','\nFor about six years, from 1968 through 1975, the Band was one of the most popular and influential rock groups in the world, their music embraced by critics (and, to a somewhat lesser degree, the public) as seriously as the music of the Beatles and the Rolling Stones. Their albums were analyzed and reviewed as intensely as any records by their one-time employer and sometime mentor Bob Dylan. And for a long time, their personalities were as recognizable individually to the casual music public as the members of the Beatles.\n\nThe group\'s history went back nearly as far as the Beatles, to 1958 (just about the time that the formative Beatles gave up skiffle for rock & roll). Ronnie Hawkins, an Arkansas-born rock & roller who aspired to a real career, put together a backing band that year that included his fellow Arkansan Levon Helm (born May 26, 1942), who played drums (as well as credible guitar) and had led his own band, the Jungle Bush Beaters. The new outfit, Ronnie Hawkins & the Hawks, was recording by the spring of 1958 and gigged throughout the south and also up in Ontario, Canada, where the money was better than in their native American south. It was the fact of being based in Canada late in 1959, coupled with pianist Willard Jones leaving the lineup, that got Hawkins to start looking at some of the local music talent in Toronto; Hawkins approached a musician named Scott Cushnie about joining the Hawks on keyboards. Cushnie was already playing in a band with Robbie Robertson (born in 1944), however, and would only join Hawkins if he came along.\n\nAfter some resistance from Hawkins, Robertson came into the lineup on bass, replacing a departing Jimmy Evans. More multiple lineup switches took place over the next few years, Robbie Robertson shifting to rhythm guitar behind Fred Carter\'s (and, briefly, Roy Buchanan\'s) lead playing. Rick Danko (born December 9, 1943) came in on bass in 1961, followed by Richard Manuel (born April 3, 1944) on piano and backing vocals. Around that same time, Garth Hudson (born August 2, 1937), a classically trained musician who could read music, became the last piece of the initial puzzle as organ player.\n','http://magnatune.com//artists/img/placeholder.jpg','2008-06-29','tokyo-tokyo','876809006426','','England','http://he3.magnatune.com/all/09--Free--Tokyo507.mp3','http://he3.magnatune.com/all/09--Free--Tokyo507-lofi.mp3','USANA0464209'),(299115,'Claire Fitch','fitch','Ambit--Claire Fitch','Celocity',1,2008,'New Age','Ambient,New Age',487,'https://magnatune.com/artists/buy_album?artist=Claire+Fitch&album=Celocity&genre=Ambient','http://magnatune.com/artists/fitch','ambient cellist','I picked up the cello at school when I was 14, and have never really put it down again.\n\nStudying at both Birmingham Conservatoire and the Royal Academy of Music has given me a wide ranging musical base on which to draw.\n\nCurrently I\'m employed by the National Symphony Orchestra of Ireland, where I\'ve been since January 1995.\n\nWhile studying in London I regularly worked with the London Philharmonic Orchestra. As a recording artist I\'ve enjoyed being part of the orchestra for various film soundtracks such as The Tailor of Panama, Then Tie That Binds, The Boxer, Some Mothers\' Son and War of the Buttons.\n\nIrish and International musicians that I\'ve been an orchestral cellist for include: The Corrs, U2, The Three Irish Tenors, Barry Manilow, Shania Twain and Kate Bush.\n\nAll the tracks from Ambiencellist were written, performed and produced by myself at fitchsounds studio in Dublin during the winter solstice of 2002.\n\nI have also written a lot of material for various music production houses and have written the score for a play here in Dublin Summer 2003, and an exhibition in Belgium during 2002.\n','http://magnatune.com//artists/img/fitch1.jpg','2008-06-29','fitch-celocity','876809006389','','Ireland','http://he3.magnatune.com/all/01--Ambit--Claire%20Fitch-1.mp3','http://he3.magnatune.com/all/01--Ambit--Claire%20Fitch-1-lofi.mp3','USANA0463801'),(299116,'Claire Fitch','fitch','Ambit','Celocity',1,2008,'New Age','Ambient,New Age',487,'https://magnatune.com/artists/buy_album?artist=Claire+Fitch&album=Celocity&genre=Ambient','http://magnatune.com/artists/fitch','ambient cellist','I picked up the cello at school when I was 14, and have never really put it down again.\n\nStudying at both Birmingham Conservatoire and the Royal Academy of Music has given me a wide ranging musical base on which to draw.\n\nCurrently I\'m employed by the National Symphony Orchestra of Ireland, where I\'ve been since January 1995.\n\nWhile studying in London I regularly worked with the London Philharmonic Orchestra. As a recording artist I\'ve enjoyed being part of the orchestra for various film soundtracks such as The Tailor of Panama, Then Tie That Binds, The Boxer, Some Mothers\' Son and War of the Buttons.\n\nIrish and International musicians that I\'ve been an orchestral cellist for include: The Corrs, U2, The Three Irish Tenors, Barry Manilow, Shania Twain and Kate Bush.\n\nAll the tracks from Ambiencellist were written, performed and produced by myself at fitchsounds studio in Dublin during the winter solstice of 2002.\n\nI have also written a lot of material for various music production houses and have written the score for a play here in Dublin Summer 2003, and an exhibition in Belgium during 2002.\n','http://magnatune.com//artists/img/fitch1.jpg','2008-06-29','fitch-celocity','876809006389','','Ireland','http://he3.magnatune.com/all/01--Ambit--Claire%20Fitch.mp3','http://he3.magnatune.com/all/01--Ambit--Claire%20Fitch-lofi.mp3','USANA0463801'),(299117,'Claire Fitch','fitch','Winding Zone--Claire Fitch','Celocity',2,2008,'New Age','Ambient,New Age',388,'https://magnatune.com/artists/buy_album?artist=Claire+Fitch&album=Celocity&genre=Ambient','http://magnatune.com/artists/fitch','ambient cellist','I picked up the cello at school when I was 14, and have never really put it down again.\n\nStudying at both Birmingham Conservatoire and the Royal Academy of Music has given me a wide ranging musical base on which to draw.\n\nCurrently I\'m employed by the National Symphony Orchestra of Ireland, where I\'ve been since January 1995.\n\nWhile studying in London I regularly worked with the London Philharmonic Orchestra. As a recording artist I\'ve enjoyed being part of the orchestra for various film soundtracks such as The Tailor of Panama, Then Tie That Binds, The Boxer, Some Mothers\' Son and War of the Buttons.\n\nIrish and International musicians that I\'ve been an orchestral cellist for include: The Corrs, U2, The Three Irish Tenors, Barry Manilow, Shania Twain and Kate Bush.\n\nAll the tracks from Ambiencellist were written, performed and produced by myself at fitchsounds studio in Dublin during the winter solstice of 2002.\n\nI have also written a lot of material for various music production houses and have written the score for a play here in Dublin Summer 2003, and an exhibition in Belgium during 2002.\n','http://magnatune.com//artists/img/fitch1.jpg','2008-06-29','fitch-celocity','876809006389','','Ireland','http://he3.magnatune.com/all/02--Winding%20Zone--Claire%20Fitch-1.mp3','http://he3.magnatune.com/all/02--Winding%20Zone--Claire%20Fitch-1-lofi.mp3','USANA0463802'),(299118,'Claire Fitch','fitch','Winding Zone','Celocity',2,2008,'New Age','Ambient,New Age',388,'https://magnatune.com/artists/buy_album?artist=Claire+Fitch&album=Celocity&genre=Ambient','http://magnatune.com/artists/fitch','ambient cellist','I picked up the cello at school when I was 14, and have never really put it down again.\n\nStudying at both Birmingham Conservatoire and the Royal Academy of Music has given me a wide ranging musical base on which to draw.\n\nCurrently I\'m employed by the National Symphony Orchestra of Ireland, where I\'ve been since January 1995.\n\nWhile studying in London I regularly worked with the London Philharmonic Orchestra. As a recording artist I\'ve enjoyed being part of the orchestra for various film soundtracks such as The Tailor of Panama, Then Tie That Binds, The Boxer, Some Mothers\' Son and War of the Buttons.\n\nIrish and International musicians that I\'ve been an orchestral cellist for include: The Corrs, U2, The Three Irish Tenors, Barry Manilow, Shania Twain and Kate Bush.\n\nAll the tracks from Ambiencellist were written, performed and produced by myself at fitchsounds studio in Dublin during the winter solstice of 2002.\n\nI have also written a lot of material for various music production houses and have written the score for a play here in Dublin Summer 2003, and an exhibition in Belgium during 2002.\n','http://magnatune.com//artists/img/fitch1.jpg','2008-06-29','fitch-celocity','876809006389','','Ireland','http://he3.magnatune.com/all/02--Winding%20Zone--Claire%20Fitch.mp3','http://he3.magnatune.com/all/02--Winding%20Zone--Claire%20Fitch-lofi.mp3','USANA0463802'),(299119,'Claire Fitch','fitch','Journey--Claire Fitch','Celocity',3,2008,'New Age','Ambient,New Age',235,'https://magnatune.com/artists/buy_album?artist=Claire+Fitch&album=Celocity&genre=Ambient','http://magnatune.com/artists/fitch','ambient cellist','I picked up the cello at school when I was 14, and have never really put it down again.\n\nStudying at both Birmingham Conservatoire and the Royal Academy of Music has given me a wide ranging musical base on which to draw.\n\nCurrently I\'m employed by the National Symphony Orchestra of Ireland, where I\'ve been since January 1995.\n\nWhile studying in London I regularly worked with the London Philharmonic Orchestra. As a recording artist I\'ve enjoyed being part of the orchestra for various film soundtracks such as The Tailor of Panama, Then Tie That Binds, The Boxer, Some Mothers\' Son and War of the Buttons.\n\nIrish and International musicians that I\'ve been an orchestral cellist for include: The Corrs, U2, The Three Irish Tenors, Barry Manilow, Shania Twain and Kate Bush.\n\nAll the tracks from Ambiencellist were written, performed and produced by myself at fitchsounds studio in Dublin during the winter solstice of 2002.\n\nI have also written a lot of material for various music production houses and have written the score for a play here in Dublin Summer 2003, and an exhibition in Belgium during 2002.\n','http://magnatune.com//artists/img/fitch1.jpg','2008-06-29','fitch-celocity','876809006389','','Ireland','http://he3.magnatune.com/all/03--Journey--Claire%20Fitch-1.mp3','http://he3.magnatune.com/all/03--Journey--Claire%20Fitch-1-lofi.mp3','USANA0463803'),(299120,'Claire Fitch','fitch','Journey','Celocity',3,2008,'New Age','Ambient,New Age',235,'https://magnatune.com/artists/buy_album?artist=Claire+Fitch&album=Celocity&genre=Ambient','http://magnatune.com/artists/fitch','ambient cellist','I picked up the cello at school when I was 14, and have never really put it down again.\n\nStudying at both Birmingham Conservatoire and the Royal Academy of Music has given me a wide ranging musical base on which to draw.\n\nCurrently I\'m employed by the National Symphony Orchestra of Ireland, where I\'ve been since January 1995.\n\nWhile studying in London I regularly worked with the London Philharmonic Orchestra. As a recording artist I\'ve enjoyed being part of the orchestra for various film soundtracks such as The Tailor of Panama, Then Tie That Binds, The Boxer, Some Mothers\' Son and War of the Buttons.\n\nIrish and International musicians that I\'ve been an orchestral cellist for include: The Corrs, U2, The Three Irish Tenors, Barry Manilow, Shania Twain and Kate Bush.\n\nAll the tracks from Ambiencellist were written, performed and produced by myself at fitchsounds studio in Dublin during the winter solstice of 2002.\n\nI have also written a lot of material for various music production houses and have written the score for a play here in Dublin Summer 2003, and an exhibition in Belgium during 2002.\n','http://magnatune.com//artists/img/fitch1.jpg','2008-06-29','fitch-celocity','876809006389','','Ireland','http://he3.magnatune.com/all/03--Journey--Claire%20Fitch.mp3','http://he3.magnatune.com/all/03--Journey--Claire%20Fitch-lofi.mp3','USANA0463803'),(299121,'Claire Fitch','fitch','Orbit--Claire Fitch','Celocity',4,2008,'New Age','Ambient,New Age',368,'https://magnatune.com/artists/buy_album?artist=Claire+Fitch&album=Celocity&genre=Ambient','http://magnatune.com/artists/fitch','ambient cellist','I picked up the cello at school when I was 14, and have never really put it down again.\n\nStudying at both Birmingham Conservatoire and the Royal Academy of Music has given me a wide ranging musical base on which to draw.\n\nCurrently I\'m employed by the National Symphony Orchestra of Ireland, where I\'ve been since January 1995.\n\nWhile studying in London I regularly worked with the London Philharmonic Orchestra. As a recording artist I\'ve enjoyed being part of the orchestra for various film soundtracks such as The Tailor of Panama, Then Tie That Binds, The Boxer, Some Mothers\' Son and War of the Buttons.\n\nIrish and International musicians that I\'ve been an orchestral cellist for include: The Corrs, U2, The Three Irish Tenors, Barry Manilow, Shania Twain and Kate Bush.\n\nAll the tracks from Ambiencellist were written, performed and produced by myself at fitchsounds studio in Dublin during the winter solstice of 2002.\n\nI have also written a lot of material for various music production houses and have written the score for a play here in Dublin Summer 2003, and an exhibition in Belgium during 2002.\n','http://magnatune.com//artists/img/fitch1.jpg','2008-06-29','fitch-celocity','876809006389','','Ireland','http://he3.magnatune.com/all/04--Orbit--Claire%20Fitch-1.mp3','http://he3.magnatune.com/all/04--Orbit--Claire%20Fitch-1-lofi.mp3','USANA0463804'),(299122,'Claire Fitch','fitch','Orbit','Celocity',4,2008,'New Age','Ambient,New Age',368,'https://magnatune.com/artists/buy_album?artist=Claire+Fitch&album=Celocity&genre=Ambient','http://magnatune.com/artists/fitch','ambient cellist','I picked up the cello at school when I was 14, and have never really put it down again.\n\nStudying at both Birmingham Conservatoire and the Royal Academy of Music has given me a wide ranging musical base on which to draw.\n\nCurrently I\'m employed by the National Symphony Orchestra of Ireland, where I\'ve been since January 1995.\n\nWhile studying in London I regularly worked with the London Philharmonic Orchestra. As a recording artist I\'ve enjoyed being part of the orchestra for various film soundtracks such as The Tailor of Panama, Then Tie That Binds, The Boxer, Some Mothers\' Son and War of the Buttons.\n\nIrish and International musicians that I\'ve been an orchestral cellist for include: The Corrs, U2, The Three Irish Tenors, Barry Manilow, Shania Twain and Kate Bush.\n\nAll the tracks from Ambiencellist were written, performed and produced by myself at fitchsounds studio in Dublin during the winter solstice of 2002.\n\nI have also written a lot of material for various music production houses and have written the score for a play here in Dublin Summer 2003, and an exhibition in Belgium during 2002.\n','http://magnatune.com//artists/img/fitch1.jpg','2008-06-29','fitch-celocity','876809006389','','Ireland','http://he3.magnatune.com/all/04--Orbit--Claire%20Fitch.mp3','http://he3.magnatune.com/all/04--Orbit--Claire%20Fitch-lofi.mp3','USANA0463804'),(299123,'Claire Fitch','fitch','Celocity--Claire Fitch','Celocity',5,2008,'New Age','Ambient,New Age',428,'https://magnatune.com/artists/buy_album?artist=Claire+Fitch&album=Celocity&genre=Ambient','http://magnatune.com/artists/fitch','ambient cellist','I picked up the cello at school when I was 14, and have never really put it down again.\n\nStudying at both Birmingham Conservatoire and the Royal Academy of Music has given me a wide ranging musical base on which to draw.\n\nCurrently I\'m employed by the National Symphony Orchestra of Ireland, where I\'ve been since January 1995.\n\nWhile studying in London I regularly worked with the London Philharmonic Orchestra. As a recording artist I\'ve enjoyed being part of the orchestra for various film soundtracks such as The Tailor of Panama, Then Tie That Binds, The Boxer, Some Mothers\' Son and War of the Buttons.\n\nIrish and International musicians that I\'ve been an orchestral cellist for include: The Corrs, U2, The Three Irish Tenors, Barry Manilow, Shania Twain and Kate Bush.\n\nAll the tracks from Ambiencellist were written, performed and produced by myself at fitchsounds studio in Dublin during the winter solstice of 2002.\n\nI have also written a lot of material for various music production houses and have written the score for a play here in Dublin Summer 2003, and an exhibition in Belgium during 2002.\n','http://magnatune.com//artists/img/fitch1.jpg','2008-06-29','fitch-celocity','876809006389','','Ireland','http://he3.magnatune.com/all/05--Celocity--Claire%20Fitch-1.mp3','http://he3.magnatune.com/all/05--Celocity--Claire%20Fitch-1-lofi.mp3','USANA0463805'),(299124,'Claire Fitch','fitch','Celocity','Celocity',5,2008,'New Age','Ambient,New Age',428,'https://magnatune.com/artists/buy_album?artist=Claire+Fitch&album=Celocity&genre=Ambient','http://magnatune.com/artists/fitch','ambient cellist','I picked up the cello at school when I was 14, and have never really put it down again.\n\nStudying at both Birmingham Conservatoire and the Royal Academy of Music has given me a wide ranging musical base on which to draw.\n\nCurrently I\'m employed by the National Symphony Orchestra of Ireland, where I\'ve been since January 1995.\n\nWhile studying in London I regularly worked with the London Philharmonic Orchestra. As a recording artist I\'ve enjoyed being part of the orchestra for various film soundtracks such as The Tailor of Panama, Then Tie That Binds, The Boxer, Some Mothers\' Son and War of the Buttons.\n\nIrish and International musicians that I\'ve been an orchestral cellist for include: The Corrs, U2, The Three Irish Tenors, Barry Manilow, Shania Twain and Kate Bush.\n\nAll the tracks from Ambiencellist were written, performed and produced by myself at fitchsounds studio in Dublin during the winter solstice of 2002.\n\nI have also written a lot of material for various music production houses and have written the score for a play here in Dublin Summer 2003, and an exhibition in Belgium during 2002.\n','http://magnatune.com//artists/img/fitch1.jpg','2008-06-29','fitch-celocity','876809006389','','Ireland','http://he3.magnatune.com/all/05--Celocity--Claire%20Fitch.mp3','http://he3.magnatune.com/all/05--Celocity--Claire%20Fitch-lofi.mp3','USANA0463805'),(299125,'Claire Fitch','fitch','Lament--Claire Fitch','Celocity',6,2008,'New Age','Ambient,New Age',231,'https://magnatune.com/artists/buy_album?artist=Claire+Fitch&album=Celocity&genre=Ambient','http://magnatune.com/artists/fitch','ambient cellist','I picked up the cello at school when I was 14, and have never really put it down again.\n\nStudying at both Birmingham Conservatoire and the Royal Academy of Music has given me a wide ranging musical base on which to draw.\n\nCurrently I\'m employed by the National Symphony Orchestra of Ireland, where I\'ve been since January 1995.\n\nWhile studying in London I regularly worked with the London Philharmonic Orchestra. As a recording artist I\'ve enjoyed being part of the orchestra for various film soundtracks such as The Tailor of Panama, Then Tie That Binds, The Boxer, Some Mothers\' Son and War of the Buttons.\n\nIrish and International musicians that I\'ve been an orchestral cellist for include: The Corrs, U2, The Three Irish Tenors, Barry Manilow, Shania Twain and Kate Bush.\n\nAll the tracks from Ambiencellist were written, performed and produced by myself at fitchsounds studio in Dublin during the winter solstice of 2002.\n\nI have also written a lot of material for various music production houses and have written the score for a play here in Dublin Summer 2003, and an exhibition in Belgium during 2002.\n','http://magnatune.com//artists/img/fitch1.jpg','2008-06-29','fitch-celocity','876809006389','','Ireland','http://he3.magnatune.com/all/06--Lament--Claire%20Fitch-1.mp3','http://he3.magnatune.com/all/06--Lament--Claire%20Fitch-1-lofi.mp3','USANA0463806'),(299126,'Claire Fitch','fitch','Lament','Celocity',6,2008,'New Age','Ambient,New Age',231,'https://magnatune.com/artists/buy_album?artist=Claire+Fitch&album=Celocity&genre=Ambient','http://magnatune.com/artists/fitch','ambient cellist','I picked up the cello at school when I was 14, and have never really put it down again.\n\nStudying at both Birmingham Conservatoire and the Royal Academy of Music has given me a wide ranging musical base on which to draw.\n\nCurrently I\'m employed by the National Symphony Orchestra of Ireland, where I\'ve been since January 1995.\n\nWhile studying in London I regularly worked with the London Philharmonic Orchestra. As a recording artist I\'ve enjoyed being part of the orchestra for various film soundtracks such as The Tailor of Panama, Then Tie That Binds, The Boxer, Some Mothers\' Son and War of the Buttons.\n\nIrish and International musicians that I\'ve been an orchestral cellist for include: The Corrs, U2, The Three Irish Tenors, Barry Manilow, Shania Twain and Kate Bush.\n\nAll the tracks from Ambiencellist were written, performed and produced by myself at fitchsounds studio in Dublin during the winter solstice of 2002.\n\nI have also written a lot of material for various music production houses and have written the score for a play here in Dublin Summer 2003, and an exhibition in Belgium during 2002.\n','http://magnatune.com//artists/img/fitch1.jpg','2008-06-29','fitch-celocity','876809006389','','Ireland','http://he3.magnatune.com/all/06--Lament--Claire%20Fitch.mp3','http://he3.magnatune.com/all/06--Lament--Claire%20Fitch-lofi.mp3','USANA0463806'),(299127,'Claire Fitch','fitch','Momentum--Claire Fitch','Celocity',7,2008,'New Age','Ambient,New Age',425,'https://magnatune.com/artists/buy_album?artist=Claire+Fitch&album=Celocity&genre=Ambient','http://magnatune.com/artists/fitch','ambient cellist','I picked up the cello at school when I was 14, and have never really put it down again.\n\nStudying at both Birmingham Conservatoire and the Royal Academy of Music has given me a wide ranging musical base on which to draw.\n\nCurrently I\'m employed by the National Symphony Orchestra of Ireland, where I\'ve been since January 1995.\n\nWhile studying in London I regularly worked with the London Philharmonic Orchestra. As a recording artist I\'ve enjoyed being part of the orchestra for various film soundtracks such as The Tailor of Panama, Then Tie That Binds, The Boxer, Some Mothers\' Son and War of the Buttons.\n\nIrish and International musicians that I\'ve been an orchestral cellist for include: The Corrs, U2, The Three Irish Tenors, Barry Manilow, Shania Twain and Kate Bush.\n\nAll the tracks from Ambiencellist were written, performed and produced by myself at fitchsounds studio in Dublin during the winter solstice of 2002.\n\nI have also written a lot of material for various music production houses and have written the score for a play here in Dublin Summer 2003, and an exhibition in Belgium during 2002.\n','http://magnatune.com//artists/img/fitch1.jpg','2008-06-29','fitch-celocity','876809006389','','Ireland','http://he3.magnatune.com/all/07--Momentum--Claire%20Fitch-1.mp3','http://he3.magnatune.com/all/07--Momentum--Claire%20Fitch-1-lofi.mp3','USANA0463807'),(299128,'Claire Fitch','fitch','Momentum','Celocity',7,2008,'New Age','Ambient,New Age',425,'https://magnatune.com/artists/buy_album?artist=Claire+Fitch&album=Celocity&genre=Ambient','http://magnatune.com/artists/fitch','ambient cellist','I picked up the cello at school when I was 14, and have never really put it down again.\n\nStudying at both Birmingham Conservatoire and the Royal Academy of Music has given me a wide ranging musical base on which to draw.\n\nCurrently I\'m employed by the National Symphony Orchestra of Ireland, where I\'ve been since January 1995.\n\nWhile studying in London I regularly worked with the London Philharmonic Orchestra. As a recording artist I\'ve enjoyed being part of the orchestra for various film soundtracks such as The Tailor of Panama, Then Tie That Binds, The Boxer, Some Mothers\' Son and War of the Buttons.\n\nIrish and International musicians that I\'ve been an orchestral cellist for include: The Corrs, U2, The Three Irish Tenors, Barry Manilow, Shania Twain and Kate Bush.\n\nAll the tracks from Ambiencellist were written, performed and produced by myself at fitchsounds studio in Dublin during the winter solstice of 2002.\n\nI have also written a lot of material for various music production houses and have written the score for a play here in Dublin Summer 2003, and an exhibition in Belgium during 2002.\n','http://magnatune.com//artists/img/fitch1.jpg','2008-06-29','fitch-celocity','876809006389','','Ireland','http://he3.magnatune.com/all/07--Momentum--Claire%20Fitch.mp3','http://he3.magnatune.com/all/07--Momentum--Claire%20Fitch-lofi.mp3','USANA0463807'),(299129,'Claire Fitch','fitch','Dark Surface--Claire Fitch','Celocity',8,2008,'New Age','Ambient,New Age',387,'https://magnatune.com/artists/buy_album?artist=Claire+Fitch&album=Celocity&genre=Ambient','http://magnatune.com/artists/fitch','ambient cellist','I picked up the cello at school when I was 14, and have never really put it down again.\n\nStudying at both Birmingham Conservatoire and the Royal Academy of Music has given me a wide ranging musical base on which to draw.\n\nCurrently I\'m employed by the National Symphony Orchestra of Ireland, where I\'ve been since January 1995.\n\nWhile studying in London I regularly worked with the London Philharmonic Orchestra. As a recording artist I\'ve enjoyed being part of the orchestra for various film soundtracks such as The Tailor of Panama, Then Tie That Binds, The Boxer, Some Mothers\' Son and War of the Buttons.\n\nIrish and International musicians that I\'ve been an orchestral cellist for include: The Corrs, U2, The Three Irish Tenors, Barry Manilow, Shania Twain and Kate Bush.\n\nAll the tracks from Ambiencellist were written, performed and produced by myself at fitchsounds studio in Dublin during the winter solstice of 2002.\n\nI have also written a lot of material for various music production houses and have written the score for a play here in Dublin Summer 2003, and an exhibition in Belgium during 2002.\n','http://magnatune.com//artists/img/fitch1.jpg','2008-06-29','fitch-celocity','876809006389','','Ireland','http://he3.magnatune.com/all/08--Dark%20Surface--Claire%20Fitch-1.mp3','http://he3.magnatune.com/all/08--Dark%20Surface--Claire%20Fitch-1-lofi.mp3','USANA0463808'),(299130,'Claire Fitch','fitch','Dark Surface','Celocity',8,2008,'New Age','Ambient,New Age',387,'https://magnatune.com/artists/buy_album?artist=Claire+Fitch&album=Celocity&genre=Ambient','http://magnatune.com/artists/fitch','ambient cellist','I picked up the cello at school when I was 14, and have never really put it down again.\n\nStudying at both Birmingham Conservatoire and the Royal Academy of Music has given me a wide ranging musical base on which to draw.\n\nCurrently I\'m employed by the National Symphony Orchestra of Ireland, where I\'ve been since January 1995.\n\nWhile studying in London I regularly worked with the London Philharmonic Orchestra. As a recording artist I\'ve enjoyed being part of the orchestra for various film soundtracks such as The Tailor of Panama, Then Tie That Binds, The Boxer, Some Mothers\' Son and War of the Buttons.\n\nIrish and International musicians that I\'ve been an orchestral cellist for include: The Corrs, U2, The Three Irish Tenors, Barry Manilow, Shania Twain and Kate Bush.\n\nAll the tracks from Ambiencellist were written, performed and produced by myself at fitchsounds studio in Dublin during the winter solstice of 2002.\n\nI have also written a lot of material for various music production houses and have written the score for a play here in Dublin Summer 2003, and an exhibition in Belgium during 2002.\n','http://magnatune.com//artists/img/fitch1.jpg','2008-06-29','fitch-celocity','876809006389','','Ireland','http://he3.magnatune.com/all/08--Dark%20Surface--Claire%20Fitch.mp3','http://he3.magnatune.com/all/08--Dark%20Surface--Claire%20Fitch-lofi.mp3','USANA0463808'),(299131,'Claire Fitch','fitch','Circle the Course--Claire Fitch','Celocity',9,2008,'New Age','Ambient,New Age',486,'https://magnatune.com/artists/buy_album?artist=Claire+Fitch&album=Celocity&genre=Ambient','http://magnatune.com/artists/fitch','ambient cellist','I picked up the cello at school when I was 14, and have never really put it down again.\n\nStudying at both Birmingham Conservatoire and the Royal Academy of Music has given me a wide ranging musical base on which to draw.\n\nCurrently I\'m employed by the National Symphony Orchestra of Ireland, where I\'ve been since January 1995.\n\nWhile studying in London I regularly worked with the London Philharmonic Orchestra. As a recording artist I\'ve enjoyed being part of the orchestra for various film soundtracks such as The Tailor of Panama, Then Tie That Binds, The Boxer, Some Mothers\' Son and War of the Buttons.\n\nIrish and International musicians that I\'ve been an orchestral cellist for include: The Corrs, U2, The Three Irish Tenors, Barry Manilow, Shania Twain and Kate Bush.\n\nAll the tracks from Ambiencellist were written, performed and produced by myself at fitchsounds studio in Dublin during the winter solstice of 2002.\n\nI have also written a lot of material for various music production houses and have written the score for a play here in Dublin Summer 2003, and an exhibition in Belgium during 2002.\n','http://magnatune.com//artists/img/fitch1.jpg','2008-06-29','fitch-celocity','876809006389','','Ireland','http://he3.magnatune.com/all/09--Circle%20the%20Course--Claire%20Fitch-1.mp3','http://he3.magnatune.com/all/09--Circle%20the%20Course--Claire%20Fitch-1-lofi.mp3','USANA0463809'),(299132,'Claire Fitch','fitch','Circle the Course','Celocity',9,2008,'New Age','Ambient,New Age',486,'https://magnatune.com/artists/buy_album?artist=Claire+Fitch&album=Celocity&genre=Ambient','http://magnatune.com/artists/fitch','ambient cellist','I picked up the cello at school when I was 14, and have never really put it down again.\n\nStudying at both Birmingham Conservatoire and the Royal Academy of Music has given me a wide ranging musical base on which to draw.\n\nCurrently I\'m employed by the National Symphony Orchestra of Ireland, where I\'ve been since January 1995.\n\nWhile studying in London I regularly worked with the London Philharmonic Orchestra. As a recording artist I\'ve enjoyed being part of the orchestra for various film soundtracks such as The Tailor of Panama, Then Tie That Binds, The Boxer, Some Mothers\' Son and War of the Buttons.\n\nIrish and International musicians that I\'ve been an orchestral cellist for include: The Corrs, U2, The Three Irish Tenors, Barry Manilow, Shania Twain and Kate Bush.\n\nAll the tracks from Ambiencellist were written, performed and produced by myself at fitchsounds studio in Dublin during the winter solstice of 2002.\n\nI have also written a lot of material for various music production houses and have written the score for a play here in Dublin Summer 2003, and an exhibition in Belgium during 2002.\n','http://magnatune.com//artists/img/fitch1.jpg','2008-06-29','fitch-celocity','876809006389','','Ireland','http://he3.magnatune.com/all/09--Circle%20the%20Course--Claire%20Fitch.mp3','http://he3.magnatune.com/all/09--Circle%20the%20Course--Claire%20Fitch-lofi.mp3','USANA0463809'),(299133,'DJ Markitos','dj_markitos','Sequences of Life','Sequences of Life',1,2008,'Electronic','Electronica,Euro-Techno',407,'https://magnatune.com/artists/buy_album?artist=DJ+Markitos&album=Sequences+of+Life&genre=Electronica','http://magnatune.com/artists/dj_markitos','happy trance','DJ Markitos (Marcus Stolarcik) is a young producer of electronic music from the Slovak Republic. He focusses on Trance and Techno music.\n\nDuring his university years he met people from the music department and eventually went to work as a sound engineer on Slovakian radio. For many years he has worked in radio, playing pop chart music and refining his technical skills. After spending time abroad, he experienced totally non-commercial style of music, which led to his buying an early sequencer and making his own electronic music.\n\nDJ Markitos\'s music is normally played around 140-160 BPM and usually has a four-to-the-floor beat. There is a great deal of repetition, provided by arpeggiators and bass lines. Listen for synth effects and layered sounds. The music often builds to a crescendo several times throughout a song. Many tracks devolve into a spacey ambiance or floating piano-type lines at the end.\n\nThe \"Slower Emotions (138 BPM Remixes)\" album is a collection of remixes of songs from DJ Markitos\' earlier albums, changed to be at a constant temp of 138 beats per minute. Originally, these songs were remixed for a company releasing the music as exercise-music, sold for Dance, Aerobics and other places where a constant tempo would be helpful. The music worked differently slowed down (most of the songs were originally faster) and it was thought that a release of the remixes might be interesting.\n','http://magnatune.com//artists/img/djmarkitos.jpg','2008-06-29','markitos-sequences','876809006396','','England','http://he3.magnatune.com/all/01--Sequences%20of%20Life--DJ%20Markitos.mp3','http://he3.magnatune.com/all/01--Sequences%20of%20Life--DJ%20Markitos-lofi.mp3','USANA0463901'),(299134,'DJ Markitos','dj_markitos','Swipe to the Beats','Sequences of Life',2,2008,'Electronic','Electronica,Euro-Techno',403,'https://magnatune.com/artists/buy_album?artist=DJ+Markitos&album=Sequences+of+Life&genre=Electronica','http://magnatune.com/artists/dj_markitos','happy trance','DJ Markitos (Marcus Stolarcik) is a young producer of electronic music from the Slovak Republic. He focusses on Trance and Techno music.\n\nDuring his university years he met people from the music department and eventually went to work as a sound engineer on Slovakian radio. For many years he has worked in radio, playing pop chart music and refining his technical skills. After spending time abroad, he experienced totally non-commercial style of music, which led to his buying an early sequencer and making his own electronic music.\n\nDJ Markitos\'s music is normally played around 140-160 BPM and usually has a four-to-the-floor beat. There is a great deal of repetition, provided by arpeggiators and bass lines. Listen for synth effects and layered sounds. The music often builds to a crescendo several times throughout a song. Many tracks devolve into a spacey ambiance or floating piano-type lines at the end.\n\nThe \"Slower Emotions (138 BPM Remixes)\" album is a collection of remixes of songs from DJ Markitos\' earlier albums, changed to be at a constant temp of 138 beats per minute. Originally, these songs were remixed for a company releasing the music as exercise-music, sold for Dance, Aerobics and other places where a constant tempo would be helpful. The music worked differently slowed down (most of the songs were originally faster) and it was thought that a release of the remixes might be interesting.\n','http://magnatune.com//artists/img/djmarkitos.jpg','2008-06-29','markitos-sequences','876809006396','','England','http://he3.magnatune.com/all/02--Swipe%20to%20the%20Beats--DJ%20Markitos.mp3','http://he3.magnatune.com/all/02--Swipe%20to%20the%20Beats--DJ%20Markitos-lofi.mp3','USANA0463902'),(299135,'DJ Markitos','dj_markitos','Feeling It','Sequences of Life',3,2008,'Electronic','Electronica,Euro-Techno',435,'https://magnatune.com/artists/buy_album?artist=DJ+Markitos&album=Sequences+of+Life&genre=Electronica','http://magnatune.com/artists/dj_markitos','happy trance','DJ Markitos (Marcus Stolarcik) is a young producer of electronic music from the Slovak Republic. He focusses on Trance and Techno music.\n\nDuring his university years he met people from the music department and eventually went to work as a sound engineer on Slovakian radio. For many years he has worked in radio, playing pop chart music and refining his technical skills. After spending time abroad, he experienced totally non-commercial style of music, which led to his buying an early sequencer and making his own electronic music.\n\nDJ Markitos\'s music is normally played around 140-160 BPM and usually has a four-to-the-floor beat. There is a great deal of repetition, provided by arpeggiators and bass lines. Listen for synth effects and layered sounds. The music often builds to a crescendo several times throughout a song. Many tracks devolve into a spacey ambiance or floating piano-type lines at the end.\n\nThe \"Slower Emotions (138 BPM Remixes)\" album is a collection of remixes of songs from DJ Markitos\' earlier albums, changed to be at a constant temp of 138 beats per minute. Originally, these songs were remixed for a company releasing the music as exercise-music, sold for Dance, Aerobics and other places where a constant tempo would be helpful. The music worked differently slowed down (most of the songs were originally faster) and it was thought that a release of the remixes might be interesting.\n','http://magnatune.com//artists/img/djmarkitos.jpg','2008-06-29','markitos-sequences','876809006396','','England','http://he3.magnatune.com/all/03--Feeling%20It--DJ%20Markitos.mp3','http://he3.magnatune.com/all/03--Feeling%20It--DJ%20Markitos-lofi.mp3','USANA0463903'),(299136,'DJ Markitos','dj_markitos','Outlands','Sequences of Life',4,2008,'Electronic','Electronica,Euro-Techno',450,'https://magnatune.com/artists/buy_album?artist=DJ+Markitos&album=Sequences+of+Life&genre=Electronica','http://magnatune.com/artists/dj_markitos','happy trance','DJ Markitos (Marcus Stolarcik) is a young producer of electronic music from the Slovak Republic. He focusses on Trance and Techno music.\n\nDuring his university years he met people from the music department and eventually went to work as a sound engineer on Slovakian radio. For many years he has worked in radio, playing pop chart music and refining his technical skills. After spending time abroad, he experienced totally non-commercial style of music, which led to his buying an early sequencer and making his own electronic music.\n\nDJ Markitos\'s music is normally played around 140-160 BPM and usually has a four-to-the-floor beat. There is a great deal of repetition, provided by arpeggiators and bass lines. Listen for synth effects and layered sounds. The music often builds to a crescendo several times throughout a song. Many tracks devolve into a spacey ambiance or floating piano-type lines at the end.\n\nThe \"Slower Emotions (138 BPM Remixes)\" album is a collection of remixes of songs from DJ Markitos\' earlier albums, changed to be at a constant temp of 138 beats per minute. Originally, these songs were remixed for a company releasing the music as exercise-music, sold for Dance, Aerobics and other places where a constant tempo would be helpful. The music worked differently slowed down (most of the songs were originally faster) and it was thought that a release of the remixes might be interesting.\n','http://magnatune.com//artists/img/djmarkitos.jpg','2008-06-29','markitos-sequences','876809006396','','England','http://he3.magnatune.com/all/04--Outlands--DJ%20Markitos.mp3','http://he3.magnatune.com/all/04--Outlands--DJ%20Markitos-lofi.mp3','USANA0463904'),(299137,'DJ Markitos','dj_markitos','Keep on Going','Sequences of Life',5,2008,'Electronic','Electronica,Euro-Techno',374,'https://magnatune.com/artists/buy_album?artist=DJ+Markitos&album=Sequences+of+Life&genre=Electronica','http://magnatune.com/artists/dj_markitos','happy trance','DJ Markitos (Marcus Stolarcik) is a young producer of electronic music from the Slovak Republic. He focusses on Trance and Techno music.\n\nDuring his university years he met people from the music department and eventually went to work as a sound engineer on Slovakian radio. For many years he has worked in radio, playing pop chart music and refining his technical skills. After spending time abroad, he experienced totally non-commercial style of music, which led to his buying an early sequencer and making his own electronic music.\n\nDJ Markitos\'s music is normally played around 140-160 BPM and usually has a four-to-the-floor beat. There is a great deal of repetition, provided by arpeggiators and bass lines. Listen for synth effects and layered sounds. The music often builds to a crescendo several times throughout a song. Many tracks devolve into a spacey ambiance or floating piano-type lines at the end.\n\nThe \"Slower Emotions (138 BPM Remixes)\" album is a collection of remixes of songs from DJ Markitos\' earlier albums, changed to be at a constant temp of 138 beats per minute. Originally, these songs were remixed for a company releasing the music as exercise-music, sold for Dance, Aerobics and other places where a constant tempo would be helpful. The music worked differently slowed down (most of the songs were originally faster) and it was thought that a release of the remixes might be interesting.\n','http://magnatune.com//artists/img/djmarkitos.jpg','2008-06-29','markitos-sequences','876809006396','','England','http://he3.magnatune.com/all/05--Keep%20on%20Going--DJ%20Markitos.mp3','http://he3.magnatune.com/all/05--Keep%20on%20Going--DJ%20Markitos-lofi.mp3','USANA0463905'),(299138,'DJ Markitos','dj_markitos','Reaching','Sequences of Life',6,2008,'Electronic','Electronica,Euro-Techno',426,'https://magnatune.com/artists/buy_album?artist=DJ+Markitos&album=Sequences+of+Life&genre=Electronica','http://magnatune.com/artists/dj_markitos','happy trance','DJ Markitos (Marcus Stolarcik) is a young producer of electronic music from the Slovak Republic. He focusses on Trance and Techno music.\n\nDuring his university years he met people from the music department and eventually went to work as a sound engineer on Slovakian radio. For many years he has worked in radio, playing pop chart music and refining his technical skills. After spending time abroad, he experienced totally non-commercial style of music, which led to his buying an early sequencer and making his own electronic music.\n\nDJ Markitos\'s music is normally played around 140-160 BPM and usually has a four-to-the-floor beat. There is a great deal of repetition, provided by arpeggiators and bass lines. Listen for synth effects and layered sounds. The music often builds to a crescendo several times throughout a song. Many tracks devolve into a spacey ambiance or floating piano-type lines at the end.\n\nThe \"Slower Emotions (138 BPM Remixes)\" album is a collection of remixes of songs from DJ Markitos\' earlier albums, changed to be at a constant temp of 138 beats per minute. Originally, these songs were remixed for a company releasing the music as exercise-music, sold for Dance, Aerobics and other places where a constant tempo would be helpful. The music worked differently slowed down (most of the songs were originally faster) and it was thought that a release of the remixes might be interesting.\n','http://magnatune.com//artists/img/djmarkitos.jpg','2008-06-29','markitos-sequences','876809006396','','England','http://he3.magnatune.com/all/06--Reaching--DJ%20Markitos.mp3','http://he3.magnatune.com/all/06--Reaching--DJ%20Markitos-lofi.mp3','USANA0463906'),(299139,'DJ Markitos','dj_markitos','Reason for you','Sequences of Life',7,2008,'Electronic','Electronica,Euro-Techno',334,'https://magnatune.com/artists/buy_album?artist=DJ+Markitos&album=Sequences+of+Life&genre=Electronica','http://magnatune.com/artists/dj_markitos','happy trance','DJ Markitos (Marcus Stolarcik) is a young producer of electronic music from the Slovak Republic. He focusses on Trance and Techno music.\n\nDuring his university years he met people from the music department and eventually went to work as a sound engineer on Slovakian radio. For many years he has worked in radio, playing pop chart music and refining his technical skills. After spending time abroad, he experienced totally non-commercial style of music, which led to his buying an early sequencer and making his own electronic music.\n\nDJ Markitos\'s music is normally played around 140-160 BPM and usually has a four-to-the-floor beat. There is a great deal of repetition, provided by arpeggiators and bass lines. Listen for synth effects and layered sounds. The music often builds to a crescendo several times throughout a song. Many tracks devolve into a spacey ambiance or floating piano-type lines at the end.\n\nThe \"Slower Emotions (138 BPM Remixes)\" album is a collection of remixes of songs from DJ Markitos\' earlier albums, changed to be at a constant temp of 138 beats per minute. Originally, these songs were remixed for a company releasing the music as exercise-music, sold for Dance, Aerobics and other places where a constant tempo would be helpful. The music worked differently slowed down (most of the songs were originally faster) and it was thought that a release of the remixes might be interesting.\n','http://magnatune.com//artists/img/djmarkitos.jpg','2008-06-29','markitos-sequences','876809006396','','England','http://he3.magnatune.com/all/07--Reason%20for%20you--DJ%20Markitos.mp3','http://he3.magnatune.com/all/07--Reason%20for%20you--DJ%20Markitos-lofi.mp3','USANA0463907'),(299140,'DJ Markitos','dj_markitos','Analogue Love','Sequences of Life',8,2008,'Electronic','Electronica,Euro-Techno',479,'https://magnatune.com/artists/buy_album?artist=DJ+Markitos&album=Sequences+of+Life&genre=Electronica','http://magnatune.com/artists/dj_markitos','happy trance','DJ Markitos (Marcus Stolarcik) is a young producer of electronic music from the Slovak Republic. He focusses on Trance and Techno music.\n\nDuring his university years he met people from the music department and eventually went to work as a sound engineer on Slovakian radio. For many years he has worked in radio, playing pop chart music and refining his technical skills. After spending time abroad, he experienced totally non-commercial style of music, which led to his buying an early sequencer and making his own electronic music.\n\nDJ Markitos\'s music is normally played around 140-160 BPM and usually has a four-to-the-floor beat. There is a great deal of repetition, provided by arpeggiators and bass lines. Listen for synth effects and layered sounds. The music often builds to a crescendo several times throughout a song. Many tracks devolve into a spacey ambiance or floating piano-type lines at the end.\n\nThe \"Slower Emotions (138 BPM Remixes)\" album is a collection of remixes of songs from DJ Markitos\' earlier albums, changed to be at a constant temp of 138 beats per minute. Originally, these songs were remixed for a company releasing the music as exercise-music, sold for Dance, Aerobics and other places where a constant tempo would be helpful. The music worked differently slowed down (most of the songs were originally faster) and it was thought that a release of the remixes might be interesting.\n','http://magnatune.com//artists/img/djmarkitos.jpg','2008-06-29','markitos-sequences','876809006396','','England','http://he3.magnatune.com/all/08--Analogue%20Love--DJ%20Markitos.mp3','http://he3.magnatune.com/all/08--Analogue%20Love--DJ%20Markitos-lofi.mp3','USANA0463908'),(299141,'DJ Markitos','dj_markitos','Russian Winter','Sequences of Life',9,2008,'Electronic','Electronica,Euro-Techno',437,'https://magnatune.com/artists/buy_album?artist=DJ+Markitos&album=Sequences+of+Life&genre=Electronica','http://magnatune.com/artists/dj_markitos','happy trance','DJ Markitos (Marcus Stolarcik) is a young producer of electronic music from the Slovak Republic. He focusses on Trance and Techno music.\n\nDuring his university years he met people from the music department and eventually went to work as a sound engineer on Slovakian radio. For many years he has worked in radio, playing pop chart music and refining his technical skills. After spending time abroad, he experienced totally non-commercial style of music, which led to his buying an early sequencer and making his own electronic music.\n\nDJ Markitos\'s music is normally played around 140-160 BPM and usually has a four-to-the-floor beat. There is a great deal of repetition, provided by arpeggiators and bass lines. Listen for synth effects and layered sounds. The music often builds to a crescendo several times throughout a song. Many tracks devolve into a spacey ambiance or floating piano-type lines at the end.\n\nThe \"Slower Emotions (138 BPM Remixes)\" album is a collection of remixes of songs from DJ Markitos\' earlier albums, changed to be at a constant temp of 138 beats per minute. Originally, these songs were remixed for a company releasing the music as exercise-music, sold for Dance, Aerobics and other places where a constant tempo would be helpful. The music worked differently slowed down (most of the songs were originally faster) and it was thought that a release of the remixes might be interesting.\n','http://magnatune.com//artists/img/djmarkitos.jpg','2008-06-29','markitos-sequences','876809006396','','England','http://he3.magnatune.com/all/09--Russian%20Winter--DJ%20Markitos.mp3','http://he3.magnatune.com/all/09--Russian%20Winter--DJ%20Markitos-lofi.mp3','USANA0463909'),(299142,'DJ Markitos','dj_markitos','Scale of Sense','Sequences of Life',10,2008,'Electronic','Electronica,Euro-Techno',482,'https://magnatune.com/artists/buy_album?artist=DJ+Markitos&album=Sequences+of+Life&genre=Electronica','http://magnatune.com/artists/dj_markitos','happy trance','DJ Markitos (Marcus Stolarcik) is a young producer of electronic music from the Slovak Republic. He focusses on Trance and Techno music.\n\nDuring his university years he met people from the music department and eventually went to work as a sound engineer on Slovakian radio. For many years he has worked in radio, playing pop chart music and refining his technical skills. After spending time abroad, he experienced totally non-commercial style of music, which led to his buying an early sequencer and making his own electronic music.\n\nDJ Markitos\'s music is normally played around 140-160 BPM and usually has a four-to-the-floor beat. There is a great deal of repetition, provided by arpeggiators and bass lines. Listen for synth effects and layered sounds. The music often builds to a crescendo several times throughout a song. Many tracks devolve into a spacey ambiance or floating piano-type lines at the end.\n\nThe \"Slower Emotions (138 BPM Remixes)\" album is a collection of remixes of songs from DJ Markitos\' earlier albums, changed to be at a constant temp of 138 beats per minute. Originally, these songs were remixed for a company releasing the music as exercise-music, sold for Dance, Aerobics and other places where a constant tempo would be helpful. The music worked differently slowed down (most of the songs were originally faster) and it was thought that a release of the remixes might be interesting.\n','http://magnatune.com//artists/img/djmarkitos.jpg','2008-06-29','markitos-sequences','876809006396','','England','http://he3.magnatune.com/all/10--Scale%20of%20Sense--DJ%20Markitos.mp3','http://he3.magnatune.com/all/10--Scale%20of%20Sense--DJ%20Markitos-lofi.mp3','USANA0463910'),(299143,'DJ Markitos','dj_markitos','Rhythm of Movement','Sequences of Life',11,2008,'Electronic','Electronica,Euro-Techno',476,'https://magnatune.com/artists/buy_album?artist=DJ+Markitos&album=Sequences+of+Life&genre=Electronica','http://magnatune.com/artists/dj_markitos','happy trance','DJ Markitos (Marcus Stolarcik) is a young producer of electronic music from the Slovak Republic. He focusses on Trance and Techno music.\n\nDuring his university years he met people from the music department and eventually went to work as a sound engineer on Slovakian radio. For many years he has worked in radio, playing pop chart music and refining his technical skills. After spending time abroad, he experienced totally non-commercial style of music, which led to his buying an early sequencer and making his own electronic music.\n\nDJ Markitos\'s music is normally played around 140-160 BPM and usually has a four-to-the-floor beat. There is a great deal of repetition, provided by arpeggiators and bass lines. Listen for synth effects and layered sounds. The music often builds to a crescendo several times throughout a song. Many tracks devolve into a spacey ambiance or floating piano-type lines at the end.\n\nThe \"Slower Emotions (138 BPM Remixes)\" album is a collection of remixes of songs from DJ Markitos\' earlier albums, changed to be at a constant temp of 138 beats per minute. Originally, these songs were remixed for a company releasing the music as exercise-music, sold for Dance, Aerobics and other places where a constant tempo would be helpful. The music worked differently slowed down (most of the songs were originally faster) and it was thought that a release of the remixes might be interesting.\n','http://magnatune.com//artists/img/djmarkitos.jpg','2008-06-29','markitos-sequences','876809006396','','England','http://he3.magnatune.com/all/11--Rhythm%20of%20Movement--DJ%20Markitos.mp3','http://he3.magnatune.com/all/11--Rhythm%20of%20Movement--DJ%20Markitos-lofi.mp3','USANA0463911'),(299144,'Falik','falik','You Gotta Have Goals','Faliks Revenge',1,2008,'Electronic','World,Middle-Eastern,Electronica',376,'https://magnatune.com/artists/buy_album?artist=Falik&album=Faliks+Revenge&genre=World','http://magnatune.com/artists/falik','middle-eastern infused with electronica.','All that matters in the Falik experience is where the music takes you, and this music is definitely mobile. Falik infuses middle-eastern, Greek, Celtic, and Baltic folk elements with electronica; it is at once exotic and familiar. The songs have a raw, earthy quality, but are ebullient, exciting, and entirely engaging to the listener, with melodies that aim straight for your heart.\n\nFalik is Charlie Pecot, who has traveled an interesting and eclectic path. This music is definitely a \"snapshot\" that illustrates where he has been.\n\nFor Charlie - as it is for many people - music is a consolation, a stimulus that helps one to make peace with troubled thoughts. It vitalizes the spirit, recharges the will, and inspires the body and soul to movement and action. Charlie has always felt his life was somewhat \"charmed\" by music; that he feels elevated when he plays, more in tune with his surroundings like as if a cloud has lifted allowing the illumination of his true self. Sometimes his true self can be quite amusing.\n\nProfessionally, Charlie has always done what felt right and remains true to his own personal philosophies. Sometimes, this means eschewing possible commercial success in favor of artistic expression, but his goal is to bring to the forefront his brand of \"popular\" thematic art.\n\nCharlie has always been a fan of \"pop\" music, being influenced as a child by \'60s blues, soul and rock groups that made their way into popular culture, and then later by English art/rock groups: Jumi Hendrix, Janis Joplin, Sweat, Blood and Tears, Sly and the Family Stone, Led Zeppelin, Beatles, Rolling Stones, Kinks, The Who, Eric Clapton, Supertramp, Yes, David Bowie, Foghat, Genesis, Queen.\n\nIf anything, \"Falik\" is the result of Charlie\'s demented view of what he thinks is \"world fusion pop\". This is his attempt at combining everything he knows and appreciates about the music he loves and putting into a format that he feels people are already familiar with. Charlie is a big fan of dance music, and not just because he loves to dance. He loves the way that music can make you feel like dancing. This is the essence of what he tries to capture. He wants to invoke in the listener the desire to sway, shake, boogie, and groove - to delight in the joy of movement and self-expression. It may be interesting to note at this point that children have always responded favorably to Falik; they \"get\" him.\n','http://magnatune.com//artists/img/falik.jpg','2008-06-29','falik-revenge','876809006402','NV','USA','http://he3.magnatune.com/all/01--You%20Gotta%20Have%20Goals--Falik.mp3','http://he3.magnatune.com/all/01--You%20Gotta%20Have%20Goals--Falik-lofi.mp3','USANA0464001'),(299145,'Falik','falik','Your Eyes','Faliks Revenge',2,2008,'Electronic','World,Middle-Eastern,Electronica',290,'https://magnatune.com/artists/buy_album?artist=Falik&album=Faliks+Revenge&genre=World','http://magnatune.com/artists/falik','middle-eastern infused with electronica.','All that matters in the Falik experience is where the music takes you, and this music is definitely mobile. Falik infuses middle-eastern, Greek, Celtic, and Baltic folk elements with electronica; it is at once exotic and familiar. The songs have a raw, earthy quality, but are ebullient, exciting, and entirely engaging to the listener, with melodies that aim straight for your heart.\n\nFalik is Charlie Pecot, who has traveled an interesting and eclectic path. This music is definitely a \"snapshot\" that illustrates where he has been.\n\nFor Charlie - as it is for many people - music is a consolation, a stimulus that helps one to make peace with troubled thoughts. It vitalizes the spirit, recharges the will, and inspires the body and soul to movement and action. Charlie has always felt his life was somewhat \"charmed\" by music; that he feels elevated when he plays, more in tune with his surroundings like as if a cloud has lifted allowing the illumination of his true self. Sometimes his true self can be quite amusing.\n\nProfessionally, Charlie has always done what felt right and remains true to his own personal philosophies. Sometimes, this means eschewing possible commercial success in favor of artistic expression, but his goal is to bring to the forefront his brand of \"popular\" thematic art.\n\nCharlie has always been a fan of \"pop\" music, being influenced as a child by \'60s blues, soul and rock groups that made their way into popular culture, and then later by English art/rock groups: Jumi Hendrix, Janis Joplin, Sweat, Blood and Tears, Sly and the Family Stone, Led Zeppelin, Beatles, Rolling Stones, Kinks, The Who, Eric Clapton, Supertramp, Yes, David Bowie, Foghat, Genesis, Queen.\n\nIf anything, \"Falik\" is the result of Charlie\'s demented view of what he thinks is \"world fusion pop\". This is his attempt at combining everything he knows and appreciates about the music he loves and putting into a format that he feels people are already familiar with. Charlie is a big fan of dance music, and not just because he loves to dance. He loves the way that music can make you feel like dancing. This is the essence of what he tries to capture. He wants to invoke in the listener the desire to sway, shake, boogie, and groove - to delight in the joy of movement and self-expression. It may be interesting to note at this point that children have always responded favorably to Falik; they \"get\" him.\n','http://magnatune.com//artists/img/falik.jpg','2008-06-29','falik-revenge','876809006402','NV','USA','http://he3.magnatune.com/all/02--Your%20Eyes--Falik.mp3','http://he3.magnatune.com/all/02--Your%20Eyes--Falik-lofi.mp3','USANA0464002'),(299146,'Falik','falik','Trade of the Tricks','Faliks Revenge',3,2008,'Electronic','World,Middle-Eastern,Electronica',342,'https://magnatune.com/artists/buy_album?artist=Falik&album=Faliks+Revenge&genre=World','http://magnatune.com/artists/falik','middle-eastern infused with electronica.','All that matters in the Falik experience is where the music takes you, and this music is definitely mobile. Falik infuses middle-eastern, Greek, Celtic, and Baltic folk elements with electronica; it is at once exotic and familiar. The songs have a raw, earthy quality, but are ebullient, exciting, and entirely engaging to the listener, with melodies that aim straight for your heart.\n\nFalik is Charlie Pecot, who has traveled an interesting and eclectic path. This music is definitely a \"snapshot\" that illustrates where he has been.\n\nFor Charlie - as it is for many people - music is a consolation, a stimulus that helps one to make peace with troubled thoughts. It vitalizes the spirit, recharges the will, and inspires the body and soul to movement and action. Charlie has always felt his life was somewhat \"charmed\" by music; that he feels elevated when he plays, more in tune with his surroundings like as if a cloud has lifted allowing the illumination of his true self. Sometimes his true self can be quite amusing.\n\nProfessionally, Charlie has always done what felt right and remains true to his own personal philosophies. Sometimes, this means eschewing possible commercial success in favor of artistic expression, but his goal is to bring to the forefront his brand of \"popular\" thematic art.\n\nCharlie has always been a fan of \"pop\" music, being influenced as a child by \'60s blues, soul and rock groups that made their way into popular culture, and then later by English art/rock groups: Jumi Hendrix, Janis Joplin, Sweat, Blood and Tears, Sly and the Family Stone, Led Zeppelin, Beatles, Rolling Stones, Kinks, The Who, Eric Clapton, Supertramp, Yes, David Bowie, Foghat, Genesis, Queen.\n\nIf anything, \"Falik\" is the result of Charlie\'s demented view of what he thinks is \"world fusion pop\". This is his attempt at combining everything he knows and appreciates about the music he loves and putting into a format that he feels people are already familiar with. Charlie is a big fan of dance music, and not just because he loves to dance. He loves the way that music can make you feel like dancing. This is the essence of what he tries to capture. He wants to invoke in the listener the desire to sway, shake, boogie, and groove - to delight in the joy of movement and self-expression. It may be interesting to note at this point that children have always responded favorably to Falik; they \"get\" him.\n','http://magnatune.com//artists/img/falik.jpg','2008-06-29','falik-revenge','876809006402','NV','USA','http://he3.magnatune.com/all/03--Trade%20of%20the%20Tricks--Falik.mp3','http://he3.magnatune.com/all/03--Trade%20of%20the%20Tricks--Falik-lofi.mp3','USANA0464003'),(299147,'Falik','falik','Caroline','Faliks Revenge',4,2008,'Electronic','World,Middle-Eastern,Electronica',256,'https://magnatune.com/artists/buy_album?artist=Falik&album=Faliks+Revenge&genre=World','http://magnatune.com/artists/falik','middle-eastern infused with electronica.','All that matters in the Falik experience is where the music takes you, and this music is definitely mobile. Falik infuses middle-eastern, Greek, Celtic, and Baltic folk elements with electronica; it is at once exotic and familiar. The songs have a raw, earthy quality, but are ebullient, exciting, and entirely engaging to the listener, with melodies that aim straight for your heart.\n\nFalik is Charlie Pecot, who has traveled an interesting and eclectic path. This music is definitely a \"snapshot\" that illustrates where he has been.\n\nFor Charlie - as it is for many people - music is a consolation, a stimulus that helps one to make peace with troubled thoughts. It vitalizes the spirit, recharges the will, and inspires the body and soul to movement and action. Charlie has always felt his life was somewhat \"charmed\" by music; that he feels elevated when he plays, more in tune with his surroundings like as if a cloud has lifted allowing the illumination of his true self. Sometimes his true self can be quite amusing.\n\nProfessionally, Charlie has always done what felt right and remains true to his own personal philosophies. Sometimes, this means eschewing possible commercial success in favor of artistic expression, but his goal is to bring to the forefront his brand of \"popular\" thematic art.\n\nCharlie has always been a fan of \"pop\" music, being influenced as a child by \'60s blues, soul and rock groups that made their way into popular culture, and then later by English art/rock groups: Jumi Hendrix, Janis Joplin, Sweat, Blood and Tears, Sly and the Family Stone, Led Zeppelin, Beatles, Rolling Stones, Kinks, The Who, Eric Clapton, Supertramp, Yes, David Bowie, Foghat, Genesis, Queen.\n\nIf anything, \"Falik\" is the result of Charlie\'s demented view of what he thinks is \"world fusion pop\". This is his attempt at combining everything he knows and appreciates about the music he loves and putting into a format that he feels people are already familiar with. Charlie is a big fan of dance music, and not just because he loves to dance. He loves the way that music can make you feel like dancing. This is the essence of what he tries to capture. He wants to invoke in the listener the desire to sway, shake, boogie, and groove - to delight in the joy of movement and self-expression. It may be interesting to note at this point that children have always responded favorably to Falik; they \"get\" him.\n','http://magnatune.com//artists/img/falik.jpg','2008-06-29','falik-revenge','876809006402','NV','USA','http://he3.magnatune.com/all/04--Caroline--Falik.mp3','http://he3.magnatune.com/all/04--Caroline--Falik-lofi.mp3','USANA0464004'),(299148,'Falik','falik','Kashlifunk','Faliks Revenge',5,2008,'Electronic','World,Middle-Eastern,Electronica',307,'https://magnatune.com/artists/buy_album?artist=Falik&album=Faliks+Revenge&genre=World','http://magnatune.com/artists/falik','middle-eastern infused with electronica.','All that matters in the Falik experience is where the music takes you, and this music is definitely mobile. Falik infuses middle-eastern, Greek, Celtic, and Baltic folk elements with electronica; it is at once exotic and familiar. The songs have a raw, earthy quality, but are ebullient, exciting, and entirely engaging to the listener, with melodies that aim straight for your heart.\n\nFalik is Charlie Pecot, who has traveled an interesting and eclectic path. This music is definitely a \"snapshot\" that illustrates where he has been.\n\nFor Charlie - as it is for many people - music is a consolation, a stimulus that helps one to make peace with troubled thoughts. It vitalizes the spirit, recharges the will, and inspires the body and soul to movement and action. Charlie has always felt his life was somewhat \"charmed\" by music; that he feels elevated when he plays, more in tune with his surroundings like as if a cloud has lifted allowing the illumination of his true self. Sometimes his true self can be quite amusing.\n\nProfessionally, Charlie has always done what felt right and remains true to his own personal philosophies. Sometimes, this means eschewing possible commercial success in favor of artistic expression, but his goal is to bring to the forefront his brand of \"popular\" thematic art.\n\nCharlie has always been a fan of \"pop\" music, being influenced as a child by \'60s blues, soul and rock groups that made their way into popular culture, and then later by English art/rock groups: Jumi Hendrix, Janis Joplin, Sweat, Blood and Tears, Sly and the Family Stone, Led Zeppelin, Beatles, Rolling Stones, Kinks, The Who, Eric Clapton, Supertramp, Yes, David Bowie, Foghat, Genesis, Queen.\n\nIf anything, \"Falik\" is the result of Charlie\'s demented view of what he thinks is \"world fusion pop\". This is his attempt at combining everything he knows and appreciates about the music he loves and putting into a format that he feels people are already familiar with. Charlie is a big fan of dance music, and not just because he loves to dance. He loves the way that music can make you feel like dancing. This is the essence of what he tries to capture. He wants to invoke in the listener the desire to sway, shake, boogie, and groove - to delight in the joy of movement and self-expression. It may be interesting to note at this point that children have always responded favorably to Falik; they \"get\" him.\n','http://magnatune.com//artists/img/falik.jpg','2008-06-29','falik-revenge','876809006402','NV','USA','http://he3.magnatune.com/all/05--Kashlifunk--Falik.mp3','http://he3.magnatune.com/all/05--Kashlifunk--Falik-lofi.mp3','USANA0464005'),(299149,'Falik','falik','All I See is Rain','Faliks Revenge',6,2008,'Electronic','World,Middle-Eastern,Electronica',270,'https://magnatune.com/artists/buy_album?artist=Falik&album=Faliks+Revenge&genre=World','http://magnatune.com/artists/falik','middle-eastern infused with electronica.','All that matters in the Falik experience is where the music takes you, and this music is definitely mobile. Falik infuses middle-eastern, Greek, Celtic, and Baltic folk elements with electronica; it is at once exotic and familiar. The songs have a raw, earthy quality, but are ebullient, exciting, and entirely engaging to the listener, with melodies that aim straight for your heart.\n\nFalik is Charlie Pecot, who has traveled an interesting and eclectic path. This music is definitely a \"snapshot\" that illustrates where he has been.\n\nFor Charlie - as it is for many people - music is a consolation, a stimulus that helps one to make peace with troubled thoughts. It vitalizes the spirit, recharges the will, and inspires the body and soul to movement and action. Charlie has always felt his life was somewhat \"charmed\" by music; that he feels elevated when he plays, more in tune with his surroundings like as if a cloud has lifted allowing the illumination of his true self. Sometimes his true self can be quite amusing.\n\nProfessionally, Charlie has always done what felt right and remains true to his own personal philosophies. Sometimes, this means eschewing possible commercial success in favor of artistic expression, but his goal is to bring to the forefront his brand of \"popular\" thematic art.\n\nCharlie has always been a fan of \"pop\" music, being influenced as a child by \'60s blues, soul and rock groups that made their way into popular culture, and then later by English art/rock groups: Jumi Hendrix, Janis Joplin, Sweat, Blood and Tears, Sly and the Family Stone, Led Zeppelin, Beatles, Rolling Stones, Kinks, The Who, Eric Clapton, Supertramp, Yes, David Bowie, Foghat, Genesis, Queen.\n\nIf anything, \"Falik\" is the result of Charlie\'s demented view of what he thinks is \"world fusion pop\". This is his attempt at combining everything he knows and appreciates about the music he loves and putting into a format that he feels people are already familiar with. Charlie is a big fan of dance music, and not just because he loves to dance. He loves the way that music can make you feel like dancing. This is the essence of what he tries to capture. He wants to invoke in the listener the desire to sway, shake, boogie, and groove - to delight in the joy of movement and self-expression. It may be interesting to note at this point that children have always responded favorably to Falik; they \"get\" him.\n','http://magnatune.com//artists/img/falik.jpg','2008-06-29','falik-revenge','876809006402','NV','USA','http://he3.magnatune.com/all/06--All%20I%20See%20is%20Rain--Falik.mp3','http://he3.magnatune.com/all/06--All%20I%20See%20is%20Rain--Falik-lofi.mp3','USANA0464006'),(299150,'Falik','falik','It Could Be Anything','Faliks Revenge',7,2008,'Electronic','World,Middle-Eastern,Electronica',299,'https://magnatune.com/artists/buy_album?artist=Falik&album=Faliks+Revenge&genre=World','http://magnatune.com/artists/falik','middle-eastern infused with electronica.','All that matters in the Falik experience is where the music takes you, and this music is definitely mobile. Falik infuses middle-eastern, Greek, Celtic, and Baltic folk elements with electronica; it is at once exotic and familiar. The songs have a raw, earthy quality, but are ebullient, exciting, and entirely engaging to the listener, with melodies that aim straight for your heart.\n\nFalik is Charlie Pecot, who has traveled an interesting and eclectic path. This music is definitely a \"snapshot\" that illustrates where he has been.\n\nFor Charlie - as it is for many people - music is a consolation, a stimulus that helps one to make peace with troubled thoughts. It vitalizes the spirit, recharges the will, and inspires the body and soul to movement and action. Charlie has always felt his life was somewhat \"charmed\" by music; that he feels elevated when he plays, more in tune with his surroundings like as if a cloud has lifted allowing the illumination of his true self. Sometimes his true self can be quite amusing.\n\nProfessionally, Charlie has always done what felt right and remains true to his own personal philosophies. Sometimes, this means eschewing possible commercial success in favor of artistic expression, but his goal is to bring to the forefront his brand of \"popular\" thematic art.\n\nCharlie has always been a fan of \"pop\" music, being influenced as a child by \'60s blues, soul and rock groups that made their way into popular culture, and then later by English art/rock groups: Jumi Hendrix, Janis Joplin, Sweat, Blood and Tears, Sly and the Family Stone, Led Zeppelin, Beatles, Rolling Stones, Kinks, The Who, Eric Clapton, Supertramp, Yes, David Bowie, Foghat, Genesis, Queen.\n\nIf anything, \"Falik\" is the result of Charlie\'s demented view of what he thinks is \"world fusion pop\". This is his attempt at combining everything he knows and appreciates about the music he loves and putting into a format that he feels people are already familiar with. Charlie is a big fan of dance music, and not just because he loves to dance. He loves the way that music can make you feel like dancing. This is the essence of what he tries to capture. He wants to invoke in the listener the desire to sway, shake, boogie, and groove - to delight in the joy of movement and self-expression. It may be interesting to note at this point that children have always responded favorably to Falik; they \"get\" him.\n','http://magnatune.com//artists/img/falik.jpg','2008-06-29','falik-revenge','876809006402','NV','USA','http://he3.magnatune.com/all/07--It%20Could%20Be%20Anything--Falik.mp3','http://he3.magnatune.com/all/07--It%20Could%20Be%20Anything--Falik-lofi.mp3','USANA0464007'),(299151,'Falik','falik','You Wanted The Truth','Faliks Revenge',8,2008,'Electronic','World,Middle-Eastern,Electronica',256,'https://magnatune.com/artists/buy_album?artist=Falik&album=Faliks+Revenge&genre=World','http://magnatune.com/artists/falik','middle-eastern infused with electronica.','All that matters in the Falik experience is where the music takes you, and this music is definitely mobile. Falik infuses middle-eastern, Greek, Celtic, and Baltic folk elements with electronica; it is at once exotic and familiar. The songs have a raw, earthy quality, but are ebullient, exciting, and entirely engaging to the listener, with melodies that aim straight for your heart.\n\nFalik is Charlie Pecot, who has traveled an interesting and eclectic path. This music is definitely a \"snapshot\" that illustrates where he has been.\n\nFor Charlie - as it is for many people - music is a consolation, a stimulus that helps one to make peace with troubled thoughts. It vitalizes the spirit, recharges the will, and inspires the body and soul to movement and action. Charlie has always felt his life was somewhat \"charmed\" by music; that he feels elevated when he plays, more in tune with his surroundings like as if a cloud has lifted allowing the illumination of his true self. Sometimes his true self can be quite amusing.\n\nProfessionally, Charlie has always done what felt right and remains true to his own personal philosophies. Sometimes, this means eschewing possible commercial success in favor of artistic expression, but his goal is to bring to the forefront his brand of \"popular\" thematic art.\n\nCharlie has always been a fan of \"pop\" music, being influenced as a child by \'60s blues, soul and rock groups that made their way into popular culture, and then later by English art/rock groups: Jumi Hendrix, Janis Joplin, Sweat, Blood and Tears, Sly and the Family Stone, Led Zeppelin, Beatles, Rolling Stones, Kinks, The Who, Eric Clapton, Supertramp, Yes, David Bowie, Foghat, Genesis, Queen.\n\nIf anything, \"Falik\" is the result of Charlie\'s demented view of what he thinks is \"world fusion pop\". This is his attempt at combining everything he knows and appreciates about the music he loves and putting into a format that he feels people are already familiar with. Charlie is a big fan of dance music, and not just because he loves to dance. He loves the way that music can make you feel like dancing. This is the essence of what he tries to capture. He wants to invoke in the listener the desire to sway, shake, boogie, and groove - to delight in the joy of movement and self-expression. It may be interesting to note at this point that children have always responded favorably to Falik; they \"get\" him.\n','http://magnatune.com//artists/img/falik.jpg','2008-06-29','falik-revenge','876809006402','NV','USA','http://he3.magnatune.com/all/08--You%20Wanted%20The%20Truth--Falik.mp3','http://he3.magnatune.com/all/08--You%20Wanted%20The%20Truth--Falik-lofi.mp3','USANA0464008'),(299152,'Falik','falik','Elfonia Glorialis','Faliks Revenge',9,2008,'Electronic','World,Middle-Eastern,Electronica',362,'https://magnatune.com/artists/buy_album?artist=Falik&album=Faliks+Revenge&genre=World','http://magnatune.com/artists/falik','middle-eastern infused with electronica.','All that matters in the Falik experience is where the music takes you, and this music is definitely mobile. Falik infuses middle-eastern, Greek, Celtic, and Baltic folk elements with electronica; it is at once exotic and familiar. The songs have a raw, earthy quality, but are ebullient, exciting, and entirely engaging to the listener, with melodies that aim straight for your heart.\n\nFalik is Charlie Pecot, who has traveled an interesting and eclectic path. This music is definitely a \"snapshot\" that illustrates where he has been.\n\nFor Charlie - as it is for many people - music is a consolation, a stimulus that helps one to make peace with troubled thoughts. It vitalizes the spirit, recharges the will, and inspires the body and soul to movement and action. Charlie has always felt his life was somewhat \"charmed\" by music; that he feels elevated when he plays, more in tune with his surroundings like as if a cloud has lifted allowing the illumination of his true self. Sometimes his true self can be quite amusing.\n\nProfessionally, Charlie has always done what felt right and remains true to his own personal philosophies. Sometimes, this means eschewing possible commercial success in favor of artistic expression, but his goal is to bring to the forefront his brand of \"popular\" thematic art.\n\nCharlie has always been a fan of \"pop\" music, being influenced as a child by \'60s blues, soul and rock groups that made their way into popular culture, and then later by English art/rock groups: Jumi Hendrix, Janis Joplin, Sweat, Blood and Tears, Sly and the Family Stone, Led Zeppelin, Beatles, Rolling Stones, Kinks, The Who, Eric Clapton, Supertramp, Yes, David Bowie, Foghat, Genesis, Queen.\n\nIf anything, \"Falik\" is the result of Charlie\'s demented view of what he thinks is \"world fusion pop\". This is his attempt at combining everything he knows and appreciates about the music he loves and putting into a format that he feels people are already familiar with. Charlie is a big fan of dance music, and not just because he loves to dance. He loves the way that music can make you feel like dancing. This is the essence of what he tries to capture. He wants to invoke in the listener the desire to sway, shake, boogie, and groove - to delight in the joy of movement and self-expression. It may be interesting to note at this point that children have always responded favorably to Falik; they \"get\" him.\n','http://magnatune.com//artists/img/falik.jpg','2008-06-29','falik-revenge','876809006402','NV','USA','http://he3.magnatune.com/all/09--Elfonia%20Glorialis--Falik.mp3','http://he3.magnatune.com/all/09--Elfonia%20Glorialis--Falik-lofi.mp3','USANA0464009'),(299153,'Ty Burhoe','ty_burhoe','Full Moon--Bill Douglas - Ty Burhoe - Kai Eckhardt','Sky',1,2005,'New Age','Jazz,World,New Age',225,'https://magnatune.com/artists/buy_album?artist=Ty+Burhoe&album=Sky&genre=Jazz','http://magnatune.com/artists/ty_burhoe','Contemplative Tabla/A-list collaborations','\nTy Burhoe has been a disciple of the great tabla maestro, Ustad Zakir Hussain, since 1990 and from that time forward has been wholly dedicated to music, both as a career and as a spiritual path. Through his teacher\'s inspiration, he has established new territory for the tabla which continues to attract international acclaim.\n\nInternationally recognized for creating unusual collaborations that weave together tabla with the traditions of jazz, African, flamenco, rock, Celtic, chinese, and bluegrass music, Burhoe has become one of the most sought after tabla players in the world. He is a student of the classical tradition and as a touring classical accompanist, his calender continues to grow busier and busier. In addition, his reputation for superlative production values means that Burhoe is often in demand as a recording and concert producer as well. In 2004, he created the artist-owned record label, Tala Records, and since 1994 has run a concert production company called Tala Productions. Burhoe\n\nTy works with a broad range of artists including Ustad Zakir Hussain, Art Lande, Krishna Das, Curandero (Miguel Espinoza), Ustad Sultan Khan, Tony Furtado, Bela Fleck, Walter Becker, Steve Gorn, Mamadou Diabate, Rick Alan, Howard Levy, Kitaro, Anindo Chatterjee, Roshan Bhartiya, Bill Dougals and many more. He is the tour assistant for his teacher Ustad Zakir Hussain, touring and helping to produce concerts in North America and Canada. On tour many of Ty\'s talents come into play such as running sound, playing tambura & percussion, stage managing and instrument repair, as well as designing Zakir\'s percussion racks and touring equipment. Ty currently teaches drumming retreats and tabla intensives throughout the world and composes/plays on soundtracks for film and video, including the recent academy award winning documentary, Born into Brothels.\n','http://magnatune.com//artists/img/burhoe2.jpg','2008-04-29','burhoe-sky','876809006372','CO','USA','http://he3.magnatune.com/all/01--Full%20Moon--Bill%20Douglas%20-%20Ty%20Burhoe%20-%20Kai%20Eckhardt%20-%20Steve%20Smith.mp3','http://he3.magnatune.com/all/01--Full%20Moon--Bill%20Douglas%20-%20Ty%20Burhoe%20-%20Kai%20Eckhardt%20-%20Steve%20Smith-lofi.mp3','USANA0463701'),(299154,'Ty Burhoe','ty_burhoe','Jubilation--Bill Douglas - Ty Burhoe - Kai Eckhardt','Sky',2,2005,'New Age','Jazz,World,New Age',262,'https://magnatune.com/artists/buy_album?artist=Ty+Burhoe&album=Sky&genre=Jazz','http://magnatune.com/artists/ty_burhoe','Contemplative Tabla/A-list collaborations','\nTy Burhoe has been a disciple of the great tabla maestro, Ustad Zakir Hussain, since 1990 and from that time forward has been wholly dedicated to music, both as a career and as a spiritual path. Through his teacher\'s inspiration, he has established new territory for the tabla which continues to attract international acclaim.\n\nInternationally recognized for creating unusual collaborations that weave together tabla with the traditions of jazz, African, flamenco, rock, Celtic, chinese, and bluegrass music, Burhoe has become one of the most sought after tabla players in the world. He is a student of the classical tradition and as a touring classical accompanist, his calender continues to grow busier and busier. In addition, his reputation for superlative production values means that Burhoe is often in demand as a recording and concert producer as well. In 2004, he created the artist-owned record label, Tala Records, and since 1994 has run a concert production company called Tala Productions. Burhoe\n\nTy works with a broad range of artists including Ustad Zakir Hussain, Art Lande, Krishna Das, Curandero (Miguel Espinoza), Ustad Sultan Khan, Tony Furtado, Bela Fleck, Walter Becker, Steve Gorn, Mamadou Diabate, Rick Alan, Howard Levy, Kitaro, Anindo Chatterjee, Roshan Bhartiya, Bill Dougals and many more. He is the tour assistant for his teacher Ustad Zakir Hussain, touring and helping to produce concerts in North America and Canada. On tour many of Ty\'s talents come into play such as running sound, playing tambura & percussion, stage managing and instrument repair, as well as designing Zakir\'s percussion racks and touring equipment. Ty currently teaches drumming retreats and tabla intensives throughout the world and composes/plays on soundtracks for film and video, including the recent academy award winning documentary, Born into Brothels.\n','http://magnatune.com//artists/img/burhoe2.jpg','2008-04-29','burhoe-sky','876809006372','CO','USA','http://he3.magnatune.com/all/02--Jubilation--Bill%20Douglas%20-%20Ty%20Burhoe%20-%20Kai%20Eckhardt%20-%20Steve%20Smith.mp3','http://he3.magnatune.com/all/02--Jubilation--Bill%20Douglas%20-%20Ty%20Burhoe%20-%20Kai%20Eckhardt%20-%20Steve%20Smith-lofi.mp3','USANA0463702'),(299155,'Ty Burhoe','ty_burhoe','Rio--Bill Douglas - Ty Burhoe - Kai Eckhardt','Sky',3,2005,'New Age','Jazz,World,New Age',246,'https://magnatune.com/artists/buy_album?artist=Ty+Burhoe&album=Sky&genre=Jazz','http://magnatune.com/artists/ty_burhoe','Contemplative Tabla/A-list collaborations','\nTy Burhoe has been a disciple of the great tabla maestro, Ustad Zakir Hussain, since 1990 and from that time forward has been wholly dedicated to music, both as a career and as a spiritual path. Through his teacher\'s inspiration, he has established new territory for the tabla which continues to attract international acclaim.\n\nInternationally recognized for creating unusual collaborations that weave together tabla with the traditions of jazz, African, flamenco, rock, Celtic, chinese, and bluegrass music, Burhoe has become one of the most sought after tabla players in the world. He is a student of the classical tradition and as a touring classical accompanist, his calender continues to grow busier and busier. In addition, his reputation for superlative production values means that Burhoe is often in demand as a recording and concert producer as well. In 2004, he created the artist-owned record label, Tala Records, and since 1994 has run a concert production company called Tala Productions. Burhoe\n\nTy works with a broad range of artists including Ustad Zakir Hussain, Art Lande, Krishna Das, Curandero (Miguel Espinoza), Ustad Sultan Khan, Tony Furtado, Bela Fleck, Walter Becker, Steve Gorn, Mamadou Diabate, Rick Alan, Howard Levy, Kitaro, Anindo Chatterjee, Roshan Bhartiya, Bill Dougals and many more. He is the tour assistant for his teacher Ustad Zakir Hussain, touring and helping to produce concerts in North America and Canada. On tour many of Ty\'s talents come into play such as running sound, playing tambura & percussion, stage managing and instrument repair, as well as designing Zakir\'s percussion racks and touring equipment. Ty currently teaches drumming retreats and tabla intensives throughout the world and composes/plays on soundtracks for film and video, including the recent academy award winning documentary, Born into Brothels.\n','http://magnatune.com//artists/img/burhoe2.jpg','2008-04-29','burhoe-sky','876809006372','CO','USA','http://he3.magnatune.com/all/03--Rio--Bill%20Douglas%20-%20Ty%20Burhoe%20-%20Kai%20Eckhardt%20-%20Steve%20Smith.mp3','http://he3.magnatune.com/all/03--Rio--Bill%20Douglas%20-%20Ty%20Burhoe%20-%20Kai%20Eckhardt%20-%20Steve%20Smith-lofi.mp3','USANA0463703'),(299156,'Ty Burhoe','ty_burhoe','Vocal Rhythm Etude Medley--Bill Douglas - Ty Burhoe - Kai Eckhardt','Sky',4,2005,'New Age','Jazz,World,New Age',178,'https://magnatune.com/artists/buy_album?artist=Ty+Burhoe&album=Sky&genre=Jazz','http://magnatune.com/artists/ty_burhoe','Contemplative Tabla/A-list collaborations','\nTy Burhoe has been a disciple of the great tabla maestro, Ustad Zakir Hussain, since 1990 and from that time forward has been wholly dedicated to music, both as a career and as a spiritual path. Through his teacher\'s inspiration, he has established new territory for the tabla which continues to attract international acclaim.\n\nInternationally recognized for creating unusual collaborations that weave together tabla with the traditions of jazz, African, flamenco, rock, Celtic, chinese, and bluegrass music, Burhoe has become one of the most sought after tabla players in the world. He is a student of the classical tradition and as a touring classical accompanist, his calender continues to grow busier and busier. In addition, his reputation for superlative production values means that Burhoe is often in demand as a recording and concert producer as well. In 2004, he created the artist-owned record label, Tala Records, and since 1994 has run a concert production company called Tala Productions. Burhoe\n\nTy works with a broad range of artists including Ustad Zakir Hussain, Art Lande, Krishna Das, Curandero (Miguel Espinoza), Ustad Sultan Khan, Tony Furtado, Bela Fleck, Walter Becker, Steve Gorn, Mamadou Diabate, Rick Alan, Howard Levy, Kitaro, Anindo Chatterjee, Roshan Bhartiya, Bill Dougals and many more. He is the tour assistant for his teacher Ustad Zakir Hussain, touring and helping to produce concerts in North America and Canada. On tour many of Ty\'s talents come into play such as running sound, playing tambura & percussion, stage managing and instrument repair, as well as designing Zakir\'s percussion racks and touring equipment. Ty currently teaches drumming retreats and tabla intensives throughout the world and composes/plays on soundtracks for film and video, including the recent academy award winning documentary, Born into Brothels.\n','http://magnatune.com//artists/img/burhoe2.jpg','2008-04-29','burhoe-sky','876809006372','CO','USA','http://he3.magnatune.com/all/04--Vocal%20Rhythm%20Etude%20Medley--Bill%20Douglas%20-%20Ty%20Burhoe%20-%20Kai%20Eckhardt%20-%20Steve%20Smith.mp3','http://he3.magnatune.com/all/04--Vocal%20Rhythm%20Etude%20Medley--Bill%20Douglas%20-%20Ty%20Burhoe%20-%20Kai%20Eckhardt%20-%20Steve%20Smith-lofi.mp3','USANA0463704'),(299157,'Ty Burhoe','ty_burhoe','Tara--Bill Douglas - Ty Burhoe - Kai Eckhardt','Sky',5,2005,'New Age','Jazz,World,New Age',226,'https://magnatune.com/artists/buy_album?artist=Ty+Burhoe&album=Sky&genre=Jazz','http://magnatune.com/artists/ty_burhoe','Contemplative Tabla/A-list collaborations','\nTy Burhoe has been a disciple of the great tabla maestro, Ustad Zakir Hussain, since 1990 and from that time forward has been wholly dedicated to music, both as a career and as a spiritual path. Through his teacher\'s inspiration, he has established new territory for the tabla which continues to attract international acclaim.\n\nInternationally recognized for creating unusual collaborations that weave together tabla with the traditions of jazz, African, flamenco, rock, Celtic, chinese, and bluegrass music, Burhoe has become one of the most sought after tabla players in the world. He is a student of the classical tradition and as a touring classical accompanist, his calender continues to grow busier and busier. In addition, his reputation for superlative production values means that Burhoe is often in demand as a recording and concert producer as well. In 2004, he created the artist-owned record label, Tala Records, and since 1994 has run a concert production company called Tala Productions. Burhoe\n\nTy works with a broad range of artists including Ustad Zakir Hussain, Art Lande, Krishna Das, Curandero (Miguel Espinoza), Ustad Sultan Khan, Tony Furtado, Bela Fleck, Walter Becker, Steve Gorn, Mamadou Diabate, Rick Alan, Howard Levy, Kitaro, Anindo Chatterjee, Roshan Bhartiya, Bill Dougals and many more. He is the tour assistant for his teacher Ustad Zakir Hussain, touring and helping to produce concerts in North America and Canada. On tour many of Ty\'s talents come into play such as running sound, playing tambura & percussion, stage managing and instrument repair, as well as designing Zakir\'s percussion racks and touring equipment. Ty currently teaches drumming retreats and tabla intensives throughout the world and composes/plays on soundtracks for film and video, including the recent academy award winning documentary, Born into Brothels.\n','http://magnatune.com//artists/img/burhoe2.jpg','2008-04-29','burhoe-sky','876809006372','CO','USA','http://he3.magnatune.com/all/05--Tara--Bill%20Douglas%20-%20Ty%20Burhoe%20-%20Kai%20Eckhardt%20-%20Steve%20Smith.mp3','http://he3.magnatune.com/all/05--Tara--Bill%20Douglas%20-%20Ty%20Burhoe%20-%20Kai%20Eckhardt%20-%20Steve%20Smith-lofi.mp3','USANA0463705'),(299158,'Ty Burhoe','ty_burhoe','Earth Dance--Bill Douglas - Ty Burhoe - Kai Eckhardt','Sky',6,2005,'New Age','Jazz,World,New Age',287,'https://magnatune.com/artists/buy_album?artist=Ty+Burhoe&album=Sky&genre=Jazz','http://magnatune.com/artists/ty_burhoe','Contemplative Tabla/A-list collaborations','\nTy Burhoe has been a disciple of the great tabla maestro, Ustad Zakir Hussain, since 1990 and from that time forward has been wholly dedicated to music, both as a career and as a spiritual path. Through his teacher\'s inspiration, he has established new territory for the tabla which continues to attract international acclaim.\n\nInternationally recognized for creating unusual collaborations that weave together tabla with the traditions of jazz, African, flamenco, rock, Celtic, chinese, and bluegrass music, Burhoe has become one of the most sought after tabla players in the world. He is a student of the classical tradition and as a touring classical accompanist, his calender continues to grow busier and busier. In addition, his reputation for superlative production values means that Burhoe is often in demand as a recording and concert producer as well. In 2004, he created the artist-owned record label, Tala Records, and since 1994 has run a concert production company called Tala Productions. Burhoe\n\nTy works with a broad range of artists including Ustad Zakir Hussain, Art Lande, Krishna Das, Curandero (Miguel Espinoza), Ustad Sultan Khan, Tony Furtado, Bela Fleck, Walter Becker, Steve Gorn, Mamadou Diabate, Rick Alan, Howard Levy, Kitaro, Anindo Chatterjee, Roshan Bhartiya, Bill Dougals and many more. He is the tour assistant for his teacher Ustad Zakir Hussain, touring and helping to produce concerts in North America and Canada. On tour many of Ty\'s talents come into play such as running sound, playing tambura & percussion, stage managing and instrument repair, as well as designing Zakir\'s percussion racks and touring equipment. Ty currently teaches drumming retreats and tabla intensives throughout the world and composes/plays on soundtracks for film and video, including the recent academy award winning documentary, Born into Brothels.\n','http://magnatune.com//artists/img/burhoe2.jpg','2008-04-29','burhoe-sky','876809006372','CO','USA','http://he3.magnatune.com/all/06--Earth%20Dance--Bill%20Douglas%20-%20Ty%20Burhoe%20-%20Kai%20Eckhardt%20-%20Steve%20Smith.mp3','http://he3.magnatune.com/all/06--Earth%20Dance--Bill%20Douglas%20-%20Ty%20Burhoe%20-%20Kai%20Eckhardt%20-%20Steve%20Smith-lofi.mp3','USANA0463706'),(299159,'Ty Burhoe','ty_burhoe','Freedom Jazz Dance--Bill Douglas - Ty Burhoe - Kai Eckhardt','Sky',7,2005,'New Age','Jazz,World,New Age',218,'https://magnatune.com/artists/buy_album?artist=Ty+Burhoe&album=Sky&genre=Jazz','http://magnatune.com/artists/ty_burhoe','Contemplative Tabla/A-list collaborations','\nTy Burhoe has been a disciple of the great tabla maestro, Ustad Zakir Hussain, since 1990 and from that time forward has been wholly dedicated to music, both as a career and as a spiritual path. Through his teacher\'s inspiration, he has established new territory for the tabla which continues to attract international acclaim.\n\nInternationally recognized for creating unusual collaborations that weave together tabla with the traditions of jazz, African, flamenco, rock, Celtic, chinese, and bluegrass music, Burhoe has become one of the most sought after tabla players in the world. He is a student of the classical tradition and as a touring classical accompanist, his calender continues to grow busier and busier. In addition, his reputation for superlative production values means that Burhoe is often in demand as a recording and concert producer as well. In 2004, he created the artist-owned record label, Tala Records, and since 1994 has run a concert production company called Tala Productions. Burhoe\n\nTy works with a broad range of artists including Ustad Zakir Hussain, Art Lande, Krishna Das, Curandero (Miguel Espinoza), Ustad Sultan Khan, Tony Furtado, Bela Fleck, Walter Becker, Steve Gorn, Mamadou Diabate, Rick Alan, Howard Levy, Kitaro, Anindo Chatterjee, Roshan Bhartiya, Bill Dougals and many more. He is the tour assistant for his teacher Ustad Zakir Hussain, touring and helping to produce concerts in North America and Canada. On tour many of Ty\'s talents come into play such as running sound, playing tambura & percussion, stage managing and instrument repair, as well as designing Zakir\'s percussion racks and touring equipment. Ty currently teaches drumming retreats and tabla intensives throughout the world and composes/plays on soundtracks for film and video, including the recent academy award winning documentary, Born into Brothels.\n','http://magnatune.com//artists/img/burhoe2.jpg','2008-04-29','burhoe-sky','876809006372','CO','USA','http://he3.magnatune.com/all/07--Freedom%20Jazz%20Dance--Bill%20Douglas%20-%20Ty%20Burhoe%20-%20Kai%20Eckhardt%20-%20Steve%20Smith.mp3','http://he3.magnatune.com/all/07--Freedom%20Jazz%20Dance--Bill%20Douglas%20-%20Ty%20Burhoe%20-%20Kai%20Eckhardt%20-%20Steve%20Smith-lofi.mp3','USANA0463707'),(299160,'Ty Burhoe','ty_burhoe','Autumn--Bill Douglas - Ty Burhoe - Kai Eckhardt','Sky',8,2005,'New Age','Jazz,World,New Age',236,'https://magnatune.com/artists/buy_album?artist=Ty+Burhoe&album=Sky&genre=Jazz','http://magnatune.com/artists/ty_burhoe','Contemplative Tabla/A-list collaborations','\nTy Burhoe has been a disciple of the great tabla maestro, Ustad Zakir Hussain, since 1990 and from that time forward has been wholly dedicated to music, both as a career and as a spiritual path. Through his teacher\'s inspiration, he has established new territory for the tabla which continues to attract international acclaim.\n\nInternationally recognized for creating unusual collaborations that weave together tabla with the traditions of jazz, African, flamenco, rock, Celtic, chinese, and bluegrass music, Burhoe has become one of the most sought after tabla players in the world. He is a student of the classical tradition and as a touring classical accompanist, his calender continues to grow busier and busier. In addition, his reputation for superlative production values means that Burhoe is often in demand as a recording and concert producer as well. In 2004, he created the artist-owned record label, Tala Records, and since 1994 has run a concert production company called Tala Productions. Burhoe\n\nTy works with a broad range of artists including Ustad Zakir Hussain, Art Lande, Krishna Das, Curandero (Miguel Espinoza), Ustad Sultan Khan, Tony Furtado, Bela Fleck, Walter Becker, Steve Gorn, Mamadou Diabate, Rick Alan, Howard Levy, Kitaro, Anindo Chatterjee, Roshan Bhartiya, Bill Dougals and many more. He is the tour assistant for his teacher Ustad Zakir Hussain, touring and helping to produce concerts in North America and Canada. On tour many of Ty\'s talents come into play such as running sound, playing tambura & percussion, stage managing and instrument repair, as well as designing Zakir\'s percussion racks and touring equipment. Ty currently teaches drumming retreats and tabla intensives throughout the world and composes/plays on soundtracks for film and video, including the recent academy award winning documentary, Born into Brothels.\n','http://magnatune.com//artists/img/burhoe2.jpg','2008-04-29','burhoe-sky','876809006372','CO','USA','http://he3.magnatune.com/all/08--Autumn--Bill%20Douglas%20-%20Ty%20Burhoe%20-%20Kai%20Eckhardt%20-%20Steve%20Smith.mp3','http://he3.magnatune.com/all/08--Autumn--Bill%20Douglas%20-%20Ty%20Burhoe%20-%20Kai%20Eckhardt%20-%20Steve%20Smith-lofi.mp3','USANA0463708'),(299161,'Ty Burhoe','ty_burhoe','Courante--Bill Douglas - Ty Burhoe - Kai Eckhardt','Sky',9,2005,'New Age','Jazz,World,New Age',172,'https://magnatune.com/artists/buy_album?artist=Ty+Burhoe&album=Sky&genre=Jazz','http://magnatune.com/artists/ty_burhoe','Contemplative Tabla/A-list collaborations','\nTy Burhoe has been a disciple of the great tabla maestro, Ustad Zakir Hussain, since 1990 and from that time forward has been wholly dedicated to music, both as a career and as a spiritual path. Through his teacher\'s inspiration, he has established new territory for the tabla which continues to attract international acclaim.\n\nInternationally recognized for creating unusual collaborations that weave together tabla with the traditions of jazz, African, flamenco, rock, Celtic, chinese, and bluegrass music, Burhoe has become one of the most sought after tabla players in the world. He is a student of the classical tradition and as a touring classical accompanist, his calender continues to grow busier and busier. In addition, his reputation for superlative production values means that Burhoe is often in demand as a recording and concert producer as well. In 2004, he created the artist-owned record label, Tala Records, and since 1994 has run a concert production company called Tala Productions. Burhoe\n\nTy works with a broad range of artists including Ustad Zakir Hussain, Art Lande, Krishna Das, Curandero (Miguel Espinoza), Ustad Sultan Khan, Tony Furtado, Bela Fleck, Walter Becker, Steve Gorn, Mamadou Diabate, Rick Alan, Howard Levy, Kitaro, Anindo Chatterjee, Roshan Bhartiya, Bill Dougals and many more. He is the tour assistant for his teacher Ustad Zakir Hussain, touring and helping to produce concerts in North America and Canada. On tour many of Ty\'s talents come into play such as running sound, playing tambura & percussion, stage managing and instrument repair, as well as designing Zakir\'s percussion racks and touring equipment. Ty currently teaches drumming retreats and tabla intensives throughout the world and composes/plays on soundtracks for film and video, including the recent academy award winning documentary, Born into Brothels.\n','http://magnatune.com//artists/img/burhoe2.jpg','2008-04-29','burhoe-sky','876809006372','CO','USA','http://he3.magnatune.com/all/09--Courante--Bill%20Douglas%20-%20Ty%20Burhoe%20-%20Kai%20Eckhardt%20-%20Steve%20Smith.mp3','http://he3.magnatune.com/all/09--Courante--Bill%20Douglas%20-%20Ty%20Burhoe%20-%20Kai%20Eckhardt%20-%20Steve%20Smith-lofi.mp3','USANA0463709'),(299162,'Ty Burhoe','ty_burhoe','Torch--Bill Douglas - Ty Burhoe - Kai Eckhardt','Sky',10,2005,'New Age','Jazz,World,New Age',227,'https://magnatune.com/artists/buy_album?artist=Ty+Burhoe&album=Sky&genre=Jazz','http://magnatune.com/artists/ty_burhoe','Contemplative Tabla/A-list collaborations','\nTy Burhoe has been a disciple of the great tabla maestro, Ustad Zakir Hussain, since 1990 and from that time forward has been wholly dedicated to music, both as a career and as a spiritual path. Through his teacher\'s inspiration, he has established new territory for the tabla which continues to attract international acclaim.\n\nInternationally recognized for creating unusual collaborations that weave together tabla with the traditions of jazz, African, flamenco, rock, Celtic, chinese, and bluegrass music, Burhoe has become one of the most sought after tabla players in the world. He is a student of the classical tradition and as a touring classical accompanist, his calender continues to grow busier and busier. In addition, his reputation for superlative production values means that Burhoe is often in demand as a recording and concert producer as well. In 2004, he created the artist-owned record label, Tala Records, and since 1994 has run a concert production company called Tala Productions. Burhoe\n\nTy works with a broad range of artists including Ustad Zakir Hussain, Art Lande, Krishna Das, Curandero (Miguel Espinoza), Ustad Sultan Khan, Tony Furtado, Bela Fleck, Walter Becker, Steve Gorn, Mamadou Diabate, Rick Alan, Howard Levy, Kitaro, Anindo Chatterjee, Roshan Bhartiya, Bill Dougals and many more. He is the tour assistant for his teacher Ustad Zakir Hussain, touring and helping to produce concerts in North America and Canada. On tour many of Ty\'s talents come into play such as running sound, playing tambura & percussion, stage managing and instrument repair, as well as designing Zakir\'s percussion racks and touring equipment. Ty currently teaches drumming retreats and tabla intensives throughout the world and composes/plays on soundtracks for film and video, including the recent academy award winning documentary, Born into Brothels.\n','http://magnatune.com//artists/img/burhoe2.jpg','2008-04-29','burhoe-sky','876809006372','CO','USA','http://he3.magnatune.com/all/10--Torch--Bill%20Douglas%20-%20Ty%20Burhoe%20-%20Kai%20Eckhardt%20-%20Steve%20Smith.mp3','http://he3.magnatune.com/all/10--Torch--Bill%20Douglas%20-%20Ty%20Burhoe%20-%20Kai%20Eckhardt%20-%20Steve%20Smith-lofi.mp3','USANA0463710'),(299163,'Ty Burhoe','ty_burhoe','Entering the Dream--Bill Douglas - Ty Burhoe - Kai Eckhardt','Sky',11,2005,'New Age','Jazz,World,New Age',229,'https://magnatune.com/artists/buy_album?artist=Ty+Burhoe&album=Sky&genre=Jazz','http://magnatune.com/artists/ty_burhoe','Contemplative Tabla/A-list collaborations','\nTy Burhoe has been a disciple of the great tabla maestro, Ustad Zakir Hussain, since 1990 and from that time forward has been wholly dedicated to music, both as a career and as a spiritual path. Through his teacher\'s inspiration, he has established new territory for the tabla which continues to attra