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Beat Under Control : Cosmic Repackage.
Jazz/dub intense electro funk.
Since bursting into the world in the late '70s as a punk-driven bass evangelist,
Sweden's Ulf "Rockis" Ivarrson has since been on a relentless voyage of musical
discovery while paying his dues to pay the rent...through early '80s bands like the quiet, playing the blues with the Eivon Boogie
Band, backing up Swedish guitar hero Clas Yngstrom in his group sky high or a
host of sessions, Ulf nurtured a growing desire to uncork an inner vision which
sounded nothing like any of these lucratively-popular positions...
After a stint with world music-techno marauders Hedningama, where he pioneered a
new instrument called the bass mandora, Ulf took the plunge in the late '90s and
started beatundercontrol...conventional song structures went out the window as
he explored his fixations with the mighty dub, noise and experimental music
which knew no boundaries, emerging with widely acclaimed first album the
introduction in 2003... 'instead of writing banal three-minute songs with mindless expressions and
meaning, i rather try to challenge myself through textures, noises and
basslines,' he explains...
this philosophy is explored with often stunning results on Ulf's second beatundercontrol album, cosmic repackage, a colossal
aural menagerie of space-jazz brass themes and solo flights, subterranean pulses
and dark-hued banks of strings which dart between European avant textures to
late 60s hypno-drone alchemists the third ear band... it's a heady brew, ranging
from the nocturnal back alley jazz of neighbourterror blues to the intense
freeform scattershots and coruscating atmospherics of "departure... if dub's
shadow looms over the album, notably on tracks like the bottomless fizz-bombs of
interruption, it steps out and flashes its glorious sonic stiffie on the alien
skank of subversion dub, albeit lashed with dissonance and howling winds...
from punk rock to the outer limits, Ulf ivarrson has cause to celebrate quite a
remarkable musical journey and does so with one of the year's most
intoxicatingly uncompromising aural statements...
Songs:
1. Intro
2. All the Way (To Heaven)
3. Cosmic Repackage
4. Numb
5. Interruption
6. Neighbourterror Blues
7. Departure
8. Subversion Dub
9. Finale
Listen to: the entire album.
License Jazz/dub intense electro funk by Beat Under Control for your project.
Play the music of Beat Under Control in your restaurant or store.
Release date: 2/4/2011
Beat Under Control lives in Stockholm Sweden
Tagged as: Electronica, Rock, Hard Electronic
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Downloads:
- MP3: High quality MP3 variable-bit-rate files. Most people download these: they are audiophile files that play everywhere.
- ALAC: Perfect quality Apple Lossless format files. If you use iTunes or an iPod, get these. They're an exact audio copy of the original CD, and include the CD artwork and artist info. This is the same format as High Definition audio provided by the iTunes store.
- AAC: High quality Apple Audio Codec files. If you use iTunes or an iPod, these files sound great and include CD art and artist info. This is the standard format provided by the iTunes music store.
- WAV: Perfect quality WAV files. This format works everywhere, and is an exact audio copy of the original CD. It sounds fantastic. Album art and artist info is unfortunately not possible with this format.
- FLAC Perfect quality open source FLAC files. This is an open source audio format. It is an exact copy of the original CD, and includes CD artwork and artist info. Works great on Linux, VLC and many audio players based on open source.
- OGG: High quality open source OGG files. This is an open source audio format. It is a compressed (smaller file size) version of the original CD, and includes CD artwork and artist info. Works great on Linux, VLC and many audio players based on open source.
- 128k: Medium quality 128K MP3 files. These are medium audio quality MP3 files that will work on every device. The audio quality is good enough for most uses. These files are intended for cases where you want to conserve disk space.
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