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Ireen Thomas : Contemplations.
Lute sonatas from mozart's time.
How did it all begin.... probably in a long cherished wish to play Erik Satie's
Gymnopédies and Gnossiennes (originally written for the piano) on the lute.
Having fulfilled that wish and thinking of recording Satie, I asked myself
which lute composer could stand next to Erik Satie? The answer came quickly in the
form of Robert Ballard, Musicien Ordinaire du Roy. Ballard's music is
quintessentially French: as with Satie, his compositions are exquisitely refined
and 'courteous'. Perhaps because of this shared quality of serenity, when one
hears their music side by side the distance of 300 years which divides these two
Parisians quickly fades away. However, when one returns to earth, Paris, as one
of the greatest cultural centers of Europe, also took many foreign composers
to her heart. Among these was Fernando Sor. His intense and romantic Fantaisie
Elégiaque for guitar, with its highly concentrated emotional content, forms a
most 'earthy' contrast with the more ethereal and transparent tones of Ballard
and Satie.
Contemplations
Being descended from a family of music publishers and lutenists Robert Ballard
(ca 1572 - after 1650) possessed all the genetic material required to grow into
one of the more prominent lutenists of his time. His father, Robert Ballard
senior, founded, together with his cousin Adrian le Roy, the famous music
publishing house 'Le Roy et Ballard'. When Maria de Medici, the French regent,
was looking for a lute teacher for the Dauphin Louis XIII, she chose Ballard's
son Robert. Ballard junior wrote two books of lute music: Premier Livre de
tablature de luth (1611) and Diverses Pièces mises sur le luth (1614). From
1618 onward he was allowed to bear the title Musicien Ordinaire du Roi. The
Entree's, Courantes and Ballets, which are here performed on a 10-course
gut-strung lute (after Gerle, Brian Cohen 1979), are from the first lute book.
In addition to having certainly played them, Louis XIII probably used them as a
subtle accompaniment to his dance.
Born in Spain, the composer and guitar virtuoso Fernando Sor (1778-1839)
received his music education from the Benedictine monks of Montserrat. With
the rise of Napoleon Bonaparte he left Spain for Paris, where he soon became
well known. Sor is especially famous for his large oeuvre for guitar, but he
also wrote operas, symphonies and ballets. Most of these are lost. As a
performing guitarist he traveled widely throughout Europe. In addition to his
many concerts in Paris, where he remained for most of his life, he gave performances in other large cultural centers such as London, Berlin, Warsaw and
Moscow. Sor composed the Fantaisie Elégiaque (1836) after the death in childbirth
of a dear friend and pupil. Its melodies, which are moving as well as charming
are grouped into sharply contrasting phrases which follow each other in quick
succession, a characteristic which might well have pleased his fellow Parisian
Frédérique Chopin.
On this album Sor is being played on a Stauffer guitar (1830) copied by Martin de
Witte in 2011. Its strings are of gut and silk.
For the 'self-made' composer and Rosicrucian (a secret philosophical society)
the music of Erik Satie (1866-1925) was conceived in a very architectural
manner: as if assembling a construction kit, he formed his compositions from
audible building blocks, not shrinking from seemingly interminable repetitions.
Today Satie is mostly famous for his Trois Gymnopédies (1888) and his Trois
Gnossiennes (1890) which, because of their long drawn-out melodies and their
repeated chord patterns, can easily put Satie's listeners into a trance-like
state. To fit them into the range of the 14 course liuto attiorbato the
Gnossiennes and Gymnopédies have been transposed down a fourth and a fifth
respectively. To preserve Satie's harmonies virtually unaltered it was necessary
to develop a new right hand technique. Satie's often soft and mysterious sound
combinations translate surprisingly well onto the gut-strung liuto attiorbato
(De Witte 2007, after Choc 1630).
Songs:
1. Fantaisie Elegiaque (Fernando Sor (1778 - 1839))
2. Gnossienne 1 (Erik Satie (1866 - 1925))
3. Gnossienne 2 (Erik Satie (1866 - 1925))
4. Gnossienne 3 (Erik Satie (1866 - 1925))
5. Entree Troisiesme (Robert Ballard (ca 1572 - after 1650))
6. Premier Chant Second Chant Troisiesme Chant Ballet de M le Daufin (Robert Ballard (ca 1572 - after 1650))
7. Entree Sixiesme (Robert Ballard (ca 1572 - after 1650))
8. Courante Quatriesme (Robert Ballard (ca 1572 - after 1650))
9. Ballet des Dieux (Robert Ballard (ca 1572 - after 1650))
10. Courante Cinquiesme (Robert Ballard (ca 1572 - after 1650))
11. Premier Chant Second Chant Troisiesme Chant Entree de Luths (Robert Ballard (ca 1572 - after 1650))
12. Gymnopedie 1 (Erik Satie (1866 - 1925))
13. Gymnopedie 2 (Erik Satie (1866 - 1925))
14. Gymnopedie 3 (Erik Satie (1866 - 1925))
Listen to: the entire album.
License Lute sonatas from mozart's time by Ireen Thomas for your project.
Play the music of Ireen Thomas in your restaurant or store.
Release date: 8/12/2012
Ireen Thomas lives in Den Haag Netherlands
Tagged as: Classical, Classical Period, Renaissance, Avant-Garde, Instrumental, Composer: Erik Satie, Composer: Fernando Sor, Composer: Robert Ballard, Classical Guitar, Lute
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