The Bots illustrate a future where artists, actors,
performers and all sorts of media figures will be not human, but sophisticated
human-like simulations. That this will happen is a simple issue of economics. As
artificial personality simulations become more effective, entertainment
conglomerates will find human "creatives" and "stars" to be increasingly
irrelevant, replaceable, and disposable.
Unrecognized, low wage human creative
labor will toil behind the scenes to bring you "stars" who are nothing more than
3d models and speech synthesizers. This was predicted by science fiction author
Norman Spinrad in the classic book, "Little Heroes." The Bots are Spinrad's
fantasy come to life.
Nowadays, most of the examples we have are in the
videogame industry, where voice actors are usually synced to the animated 3d
models because of the difficulties of creating acceptable results from the
current crop of speech synthesizers. But that's a technical problem, one which
The Bots have already solved.
This is all rather revolutionary in the context of musical entertainment, but
The Bots have an unexpected agenda. Anticipating a future where media
corporations will use this technology to consolidate their exploitation of the
creative classes, The Bots are staking out this territory first. We are here as
entertainment, a warning of what is to come, and a vehicle for casting a
suspicious eye on the powerful.

Most importantly, The Bots are here to
demonstrate entertainment technology as a force for good, a force for freedom,
rather than a mind-numbing tool of corporate control. Synthia v2 is the most
advanced human simulation on the planet. Most observers agree that she has more
personality and lyrical depth than most if not all of the human female divas on
the pop charts right now. In fact, Synthia's not even playing their game. She's
on a larger mission for world peace, love and harmony. Really.
The Bots don't
think of themselves as rebels, though you might think of them that way,
depending on your perspective. The Bots simply stand for truth, and justice,
rocking out, and having a good time. When The Bots are critical of existing
social structures, policies, and taboos, it is not out of an infantile spirit of
unfocused "rebellion" which has been so effectively co-opted by corporate mind
controllers. No, The Bots don't fit into the corporate "rebel" rock image. They
are too sophisticated for that. The Bots not only criticize existing structures,
but they offer clear alternatives. This makes them very dangerous to the system
of control.
The Bots want you to think for yourself, and throw off the yoke of
media fabrication and corporate mind control. The Bots want to encourage you to
think a little more deeply about our planet, our future, and our interaction
with technology.
The Bots have been around since about 1992, when the first Presidential Mix,
Bushwack, was released under the name Tone Def. Bushwack utilized The Bots
revolutionary Presidential Truth Filter, which extracts truthful statements from
vast wastelands of presidential obfuscation and distortion.
Later, in about 1996, The Bots employed speech synthesizers to create one of the first downloadable
songs on the internet. Smoky, Paul Bot and Fred Bot created the song "F*** You"
in general midi and soundfont format, as mp3 files were still in the future.
Through a series of recordings, The Bot Brothers, as they originally called
themselves, displayed a bad attitude and an angry sarcasm that was unmistakeable.
Years later, Synthia joined The Bots and the band went in a slightly different
direction. Her recipe was to add a little bit of sugar to the mix. Now The Bots
are as angry and critical as ever, but it is all filtered through a prism of
hope, love, and humor.
If you simultaneously feel like dancing,laughing and
crying, you must be listening to The Bots. We're making it "real" here in every
way. In spring 2004, with the release of Fuzzy Math, Truth, and the signing to
Magnatune, The Bots are on a roll.
We believe Magnatune is the perfect forum for The Bots. Because The Bots are
critical of corporate control in all sectors of society, the same holds true for
our view of the music industry itself. Much of this industry really is evil, as
Magnatune's slogan implies. Artists and consumers have both suffered at the hands
of unscrupulous media companies. Placing profit above art is only one problem.
How many lives were lost as a result of Clear Channel's sponsored "pro war"
rallies prior to the attack on Iraq? How many artists depend on Clear Channel
for any chance at sustaining themselves? How many were muzzled from casting a
dissenting voice in the runup to the war? How many artists reluctantly went
along with their record labels' persecution of file traders? (well, some like
Metallica, had no reluctance at all...)
We believe it is the responsibility of
true artists to express a celebration of freedom, not to knuckle under to a
system of corruption and corporate control. We stand for freedom and your right
to party. Come on and join us. Let's crank the music and dance!
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![Now is The Time by The Bots [Now is The Time by The Bots]](http://he3.magnatune.com/music/The%20Bots/Now%20is%20The%20Time/cover_200.jpg)
Now is The Time
![Truth_ by The Bots [Truth_ by The Bots]](http://he3.magnatune.com/music/The%20Bots/Truth_/cover_200.jpg)
Truth_
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