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        "name" : "Ravishing Sweetenesse",
        "artist" : {
            "name" : "George Clifford",
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            "description" : "Lutes and early guitars",
            "location" : "East Grinstead, England",
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        "description" : "Thomas Baltzar (1630-1663) was a German violinist and composer. He was born in Lubeck to a musical family; his father, grandfather, and great-grandfather were all musicians.\n\nBaltzar emigrated to England in 1655, leaving behind his newly attained position of Ratslutenist of Lubeck. Baltzar's arrival in England was met with acclaim. On March 4, 1656, he performed the violin at the residence of Roger L'Estrange, where John Evelyn was in attendance. Evelyn wrote in his diary that night:\n\n\"This night I was invited by Mr. Rog: L'Estrange to heare the incomperable Lubicer on the Violin, his variety upon a few notes and plaine ground with that wonderfull dexterity, as was admirable, and though a very young man, yet so perfect and skillful as there was nothing so crosse and perplext, which being by our Artists, brought to him, which he did not at first sight, with ravishing sweetenesse and improvements, play off, to the astonishment of our best Masters: In Summ, he plaid on that single Instrument a full Consort, so as the rest, flung-downe their Instruments, as acknowledging a victory.\"\n\nAnthony Wood heard Baltzar play at a performance in Oxford, and described his \"very great astonishment\" at the German's skill. \"[I] saw him run his fingers to the end of the finger-board of the violin, and run them back insensibly,\" he wrote, \"and all with alacrity and in very good tune, which [I] nor any in England saw the like before.\" Also in attendance was John Wilson, a professor of music at the University of Oxford, who (according to Wood) bowed at Baltzar's feet after the performance.\n\nOn December 23, 1661, Baltzar entered Charles II's service as a member of the king's private music ensemble with an annual salary of 110 pounds, a high figure for the time.\n\nAccording to Wood, Baltzar's drinking habits contributed to his death. He was buried in the cloisters of Westminster Abbey on July 27, 1663.\n\nHeinrich Ignaz Franz Biber von Bibern (1644-1704) is one of the most significant composer-violinists of the late 17th century. He composed music for a virtuoso technique including the extensive use of doublestops and arpeggios, his works also display a wealth of formal compositional devices.\n\nBiber was born in the small Bohemian town of Wartenberg, Biber worked at Graz before he illegally left his Kremsier employer (Prince-Bishop Carl Liechtenstein-Castelcorno) and settled in Salzburg. He remained there for the rest of his life, publishing much of his music but apparently seldom, if ever, giving concert tours.\n\nJohann Paul von Westhoff (1656-1705) was a German Baroque composer and violinist. As one of the most important exponents of the Dresden violin school, he was among the highest ranked violinists of his day. He was a member of Dresden's Hofkapelle (1674-1697) and at the Weimar court (1699-1705), and was also active as a teacher of contemporary languages.\n\nWesthoff's surviving music comprises seven works for violin and basso continuo and seven for solo violin, all published during his lifetime. More works, particularly a 1682 collection of solo violin music, are currently considered lost.\n\nGeorg Philipp Telemann (1681-1767) was a German Baroque composer (one of the most prolific in history!) and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesheim, Telemann entered the University of Leipzig to study law, but eventually settled on a career in music. He held important positions in Leipzig, Sorau, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of the city's five main churches. While Telemann's career prospered, his personal life was always troubled: his first wife died only a few months after their marriage, and his second wife had extramarital affairs and accumulated a large gambling debt before leaving Telemann.\n\nJohann Georg Pisendel (1687-1755) was a German Baroque musician, violinist and composer who led the Court Orchestra in Dresden for many years: then the finest instrumental ensemble in Europe.\n\nPisendel was born in Cadolzburg, a small town near Nuremberg, where his father Simon Pisendel was the cantor and organist. At the age of nine, Johan became a choirboy at the court chapel of Ansbach. The Director of Music there was the virtuoso singer Francesco Antonio Pistocchi and the Concert Master was the celebrated violinist and composer Giuseppe Torelli. It is thought that Pisendel studied the violin with Torelli. After his voice broke, Pisendel went on to play the violin in the Court Orchestra but, in 1709, he left Dresden for Leipzig to further his musical studies.\n\nOn the way to Leipzig, he met Johann Sebastian Bach at Weimar and, once in Leipzig, was introduced to Georg Philipp Telemann. Pisendel was an enthusiastic member of the student Collegium musicum founded by Telemann and they became close friends. In 1711, after a performance at Darmstadt, Pisendel was offered a place in the court orchestra there, but declined.\n\nThe following year he accepted a place in the Dresden Court Orchestra. He remained with the Dresden orchestra for the rest of his life, though he accompanied his new master, the Crown Prince, on a tour of Europe, visiting Antonio Vivaldi (some of whose solo violin works he had already performed) in Venice.\n\nIn 1728, Pisendel was promoted and became Concert Master of the Dresden Court Orchestra.\n\nPisendel's compositions are few in number but high in quality. All of his surviving works are instrumental. They include 10 violin concertos, 4 concertos for orchestra, 2 sonatas for violin, a Sinfonia and a Trio.",
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        "related" : [{
            "sku" : "ernststolz-ciaconna",
            "name" : "Ciaconna",
            "artist" : {
                "name" : "Ernst Stolz",
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            "uses" : ["documentary","period drama or history","meditation or yoga","spa or massage","study or focus","podcast background"],
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            "instrumentation" : ["recorder","viola da gamba","harpsichord","organ","basso continuo"],
            "sounds_like" : ["Girolamo Frescobaldi","Francesco Maria Veracini","Benedetto Marcello"],
            "summary" : "A calm, elegant Baroque instrumental album featuring recorder, viola da gamba, and organ, ideal for historical documentaries, meditation, or focused background listening.",
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            "sku" : "amccartney-mesangeau",
            "name" : "Mesangeau's Experiments",
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            "release_date" : "2016-03-03",
            "genres" : ["Classical","Renaissance","Baroque","Instrumental"],
            "vocals" : "instrumental",
            "moods" : ["reflective","peaceful","meditative","nostalgic","elegant","melancholic"],
            "uses" : ["period drama or history","documentary","meditation or yoga","spa or massage","study or focus","podcast background"],
            "energy" : 2,
            "instrumentation" : ["lute","10-course lute","historically-informed performance"],
            "sounds_like" : ["Ennemond Gaultier","Robert Ballard","Marin Mersenne"],
            "summary" : "Reflective, historically-informed lute performances of René Mesangeau's Renaissance and early Baroque suites, ideal for period dramas, documentaries, and calm background settings.",
            "cover" : "https://magnatune.com/music/Alex%20McCartney/Mesangeau's%20Experiments/cover_400.jpg",
            "web_url" : "https://magnatune.com/artists/albums/amccartney-mesangeau/",
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                "page" : "ruiz"
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            "release_date" : "2005-04-29",
            "genres" : ["Classical","Chamber Music","Baroque","Instrumental"],
            "vocals" : "instrumental",
            "moods" : ["peaceful","calm","reflective","elegant","meditative"],
            "uses" : ["study or focus","podcast background","spa or massage","documentary","period drama or history"],
            "energy" : 2,
            "instrumentation" : ["oboe","harpsichord","cello","basso continuo","oboe d'amore"],
            "sounds_like" : ["Johann Sebastian Bach"],
            "summary" : "Baroque instrumental transcriptions for oboe and harpsichord by Gonzalo X Ruiz, offering calm, elegant, and reflective classical music ideal for focus, relaxation, or historical storytelling.",
            "cover" : "https://magnatune.com/music/Gonzalo%20X%20Ruiz/JS%20Bach%20-%20Transcriptions%20for%20Oboe/cover_400.jpg",
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                "page" : "takashi_matsuishi_spark"
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            "genres" : ["Classical","Chamber Music","Baroque","Instrumental"],
            "vocals" : "vocals",
            "moods" : ["elegant","reflective","peaceful","meditative","spiritual","calm"],
            "uses" : ["documentary","period drama or history","study or focus","meditation or yoga","spa or massage","art or gallery"],
            "energy" : 2,
            "instrumentation" : ["flute ensemble","baroque flute arrangements","chamber music instrumentation"],
            "sounds_like" : ["Johann Sebastian Bach"],
            "summary" : "Flute ensemble interpretations of Bach's works, elegant and calm, ideal for documentaries, study, meditation, and period-themed projects.",
            "cover" : "https://magnatune.com/music/Takashi%20Matsuishi%20Spark/JS%20Bach%20Laboratory/cover_400.jpg",
            "web_url" : "https://magnatune.com/artists/albums/tmatsuishi-bachlab/",
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                "page" : "spheres"
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            "genres" : ["Classical","Chamber Music","Baroque","Instrumental"],
            "vocals" : "instrumental",
            "moods" : ["romantic","elegant","tender","nostalgic","peaceful","reflective"],
            "uses" : ["period drama or history","romance","wedding","spa or massage","meditation or yoga","study or focus"],
            "energy" : 2,
            "instrumentation" : ["baroque violin","viola da gamba","harpsichord","chamber ensemble"],
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            "summary" : "A French Baroque chamber album featuring violin, viola da gamba, and harpsichord, ideal for period dramas, romance, weddings, and calm-focused settings.",
            "cover" : "https://magnatune.com/music/Music%20of%20the%20Spheres/Toujours%20l'Amour/cover_400.jpg",
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            "moods" : ["reflective","mysterious","meditative","elegant","nostalgic"],
            "uses" : ["period drama or history","documentary","meditation or yoga","study or focus","podcast background","art or gallery"],
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            "vocals" : "vocals",
            "moods" : ["mysterious","melancholic","meditative","spiritual","elegant","majestic"],
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            "summary" : "Historically performed Late Renaissance and Early Baroque chamber music featuring harpsichord, recorder, viola da gamba, and vocal Leçons de Ténèbres—ideal for period dramas, religious ceremonies, and reflective media.",
            "cover" : "https://magnatune.com/music/Poeticall%20Musicke/Majestie/cover_400.jpg",
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            "artist" : {
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                "page" : "sarasa"
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            "vocals" : "vocals",
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            "uses" : ["documentary","period drama or history","religious or ceremonial","meditation or yoga","emotional storytelling","podcast background"],
            "energy" : 2,
            "instrumentation" : ["mezzo-soprano vocals","baritone vocals","harpsichord","cello","oboe","violin"],
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            "cover" : "https://magnatune.com/music/The%20Sarasa%20Ensemble/Bach%20Cantatas/cover_400.jpg",
            "web_url" : "https://magnatune.com/artists/albums/sarasa-bach/",
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                "page" : "meulenbroeks"
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            "release_date" : "2015-02-08",
            "genres" : ["Classical","Baroque","Renaissance","Instrumental"],
            "vocals" : "instrumental",
            "moods" : ["peaceful","meditative","nostalgic","reflective","spiritual","elegant"],
            "uses" : ["documentary","period drama or history","meditation or yoga","spa or massage","study or focus","religious or ceremonial"],
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            "instrumentation" : ["solo viola da gamba","acoustic chamber setting","unprocessed live recording","sacred space acoustics"],
            "sounds_like" : ["Marin Marais","Antoine Forqueray","Carl Friedrich Abel"],
            "summary" : "A serene, unedited solo viola da gamba album spanning Renaissance to contemporary works, recorded in a Utrecht convent chapel—ideal for reflective, historical, or spiritual projects.",
            "cover" : "https://magnatune.com/music/Ralph%20Rousseau%20Meulenbroeks/Confluentes/cover_400.jpg",
            "web_url" : "https://magnatune.com/artists/albums/meulenbroeks-confluentes/",
            "api_url" : "https://magnatune.com/api/albums/meulenbroeks-confluentes",
            "buy_url" : "https://magnatune.com/buy/album?sku=meulenbroeks-confluentes"
        },{
            "sku" : "pellingmans-division",
            "name" : "Division-Musick",
            "artist" : {
                "name" : "Pellingmans' Saraband",
                "page" : "pellingmans_saraband"
            },
            "release_date" : "2012-06-10",
            "genres" : ["Classical","Renaissance","Instrumental"],
            "vocals" : "instrumental",
            "moods" : ["elegant","nostalgic","reflective","melancholic","tender","peaceful"],
            "uses" : ["period drama or history","documentary","meditation or yoga","spa or massage","study or focus","podcast background"],
            "energy" : 2,
            "instrumentation" : ["treble viol","tenor viol","bass viol","lute"],
            "sounds_like" : ["William Byrd","John Dowland","Christopher Simpson"],
            "summary" : "A virtuosic, historically informed viol and lute duo album featuring Renaissance and early Baroque English divisions and grounds, ideal for period-themed or reflective media projects.",
            "cover" : "https://magnatune.com/music/Pellingmans'%20Saraband/Division-Musick/cover_400.jpg",
            "web_url" : "https://magnatune.com/artists/albums/pellingmans-division/",
            "api_url" : "https://magnatune.com/api/albums/pellingmans-division",
            "buy_url" : "https://magnatune.com/buy/album?sku=pellingmans-division"
        }]
    },
    "license" : {
        "music_license" : "Creative Commons Attribution-NonCommercial-ShareAlike 1.0 (CC BY-NC-SA 1.0)",
        "music_license_url" : "https://creativecommons.org/licenses/by-nc-sa/1.0/",
        "listening" : "Stream the free previews, or buy an album for $8 to download it in MP3, AAC, ALAC, FLAC, OGG or WAV. 100% of the price goes to the musician.",
        "non_commercial" : "Non-commercial projects may use the music under CC BY-NC-SA 1.0: credit the artist and Magnatune, and share alike.",
        "projects" : "Magnatune members may use any Magnatune music in their projects, commercial or not (videos, films, podcasts, games, apps, websites, adverts), including work for clients, under the Magnatune Project Licence. Projects released while a member stay licensed for good; new projects need an active membership. Credit is required. TV or radio broadcast, cinema, and background music in shops, restaurants or on-hold lines are not included: license those from the musician. Membership: $10/month, $99/year or $299 lifetime; agents can buy one themselves with MPP at /api/member-pass ($10 month, $99 year, $299 lifetime, one-off).",
        "projects_status" : "available",
        "projects_signup" : "https://magnatune.com/member/signup",
        "royalty_free" : "Membership is royalty-free licensing: no per-video, per-download or per-view fees, for every project created and released while a member.",
        "youtube" : "YouTube, Instagram, TikTok, podcasts: members may use the clean songs in monetized videos. Members register their YouTube channel (the set_youtube_channel MCP tool, or their account page) so YouTube's Content ID doesn't claim their videos. The free versions carry a spoken Magnatune voice and are non-commercial (CC BY-NC-SA), so they're not for monetized channels or client work.",
        "details" : "https://magnatune.com/info/licensing",
        "how_to_credit" : "Name the artist and \"Magnatune\", with a link to the album's web_url."
    }
}