{ "ok" : true, "album" : { "sku" : "paternoster-ilvioncello", "name" : "The Cello and the Revolution, Music for Diderot", "artist" : { "name" : "Vito Paternoster", "page" : "paternoster", "description" : "cellist extraordinaire", "location" : "Bari, Italy", "photo" : "https://magnatune.com/artists/img/vito_paternoster_new.jpg", "web_url" : "https://magnatune.com/artists/paternoster/", "api_url" : "https://magnatune.com/api/artists/paternoster" }, "description" : "In France, 1740, the aristocratic violist da gamba, abbot and lawyer, Hubert Le Blanc wrote a strange book, published in Amsterdam by Pierre Mortier entitled \"Defense de la basse de viole contre les enterprises du violon et les pretentions du violoncello\" (Defense of the bass viol contrary to the enterprises of violin and the pretensions of the violoncello.)\n\nWho could be interested in a sarcastic and eccentric book with cultivated arguments applauding the wonders of the family of viols, yet disparaging the ever-increasing popular violin and cello?\n\nWhat lay behind this harmless conflict?\n\nThe viols were an emblem of the aristocracy. Instruments attributed with an ease of playing a refined melancholic language which was suitable for events in the halls of castles and reserved for guests of prestige.\n\nThe performers of viols did not need to impress the audience with flashy or very difficult artistry. Performances comprised of lyrical, polyphonic passages with few sixteenth notes and no necessity to go into the treble. It was acceptable to use the smaller viola and always remain in the harmonious sounds of the first position. This display of skill was considered the virtue of a plebeian.\n\nBut enter the Italians, les buffons, with their wagon theaters and their comic operas, larmoyant. All you could access. It was enough to pay admission. The artists, in order to survive, had to impress with their skill. They bring their violins and cellos with powerful sounds and skills of unmatched speed, doubles and exaggerated extensions.\n\nFrench musicians leave their violas and to learn from Neapolitans, Romans or Venetians.\n\nThis is a great insult and come one, two, three querelle des buffons.\n\nThe Enlighteners don't wait.\n\nYet, an anti-aristocratic Diderot (1713-1784), more concerned with music, defended vigorously the Italian style.\n\nSince Bastille Day in 1789, marking the beginning of the revolution and the extermination of the nobility, there was an immediate decline of viol and a triumphant advance of the new instruments of the bourgeois society.\n\nThis album is the story of this change.\n\nMusic by: Joseph Bodin de Boismortier, Michel Corrette, Jean Baptiste Sebastien Breval, Jean Barriere, Martin Berteau.\n\nIt was made for the celebration of the 300th anniversary of the birth of Diderot and in collaboration with the Alliance Francaise.", "release_date" : "2016-04-05", "genres" 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Projects released while a member stay licensed for good; new projects need an active membership. Credit is required. TV or radio broadcast, cinema, and background music in shops, restaurants or on-hold lines are not included: license those from the musician. Membership: $10/month, $99/year or $299 lifetime; agents can buy one themselves with MPP at /api/member-pass ($10 month, $99 year, $299 lifetime, one-off).", "projects_status" : "available", "projects_signup" : "https://magnatune.com/member/signup", "royalty_free" : "Membership is royalty-free licensing: no per-video, per-download or per-view fees, for every project created and released while a member.", "youtube" : "YouTube, Instagram, TikTok, podcasts: members may use the clean songs in monetized videos. Members register their YouTube channel (the set_youtube_channel MCP tool, or their account page) so YouTube's Content ID doesn't claim their videos. The free versions carry a spoken Magnatune voice and are non-commercial (CC BY-NC-SA), so they're not for monetized channels or client work.", "details" : "https://magnatune.com/info/licensing", "how_to_credit" : "Name the artist and \"Magnatune\", with a link to the album's web_url." } }