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        "description" : "Leccons de Tenebres, literally 'lessons of darkness', are perhaps the most mystical and alluring pieces that have survived the mid-Baroque. When performed in church during Holy Week, the Tenebrae service uses the text from the Lamentations of Jeremiah and applies it allegorically to three days of mourning for Christ between his crucifixion and resurrection. However, Lecons de Tenebres were much more private and intimate constructions, often being performed in Louis XIV's rooms at Versailles before being aired in his chapel. One particularly famous anecdote features de Lalande's fifteen-year- old daughter performing the Lecons de Tenebres for the King in his living room; she went on to become the talk of Paris.\n\nA contemporary of Lully and Francois Couperin, de Lalande was born in Paris in 1657 and, in addition to teaching music to the daughters of Louis XIV, was director of the chapel royal from 1714 until 1726 when he died in Versailles. Couperin was also born in Paris and was originally taught music by his father Charles. He had a productive and successful musical career which gained him two titles: firstly in 1693 he succeeded his organ teacher Thomelin and became 'Organiste du Roi'; then in 1717 he was also bestowed a composer's title 'Ordinaire de la musique de la chambre du Roi'. He died in 1733.\n\nLecons de Tenebres follow a unique form with Latin verses written predominantly in a controlled French recitative and air style, sometimes interspersed with Hebrew letters creating melismatic and almost instrumental moments in the vocal part.\n\n\"The French in their airs aim at the soft, the easie, the flowing, and coherent: the whole air is of the same tone, or if sometimes they venture to vary it, they do it with so many preparations, they so qualifie it, that still the air seems to be as natural and consistent as if they had attempted no change at all; there is nothing bold and adventurous in it; it's all equal and of a piece. ... The French would think themselves undone, if they offended in the least against the rules; they flatter, tickle, and court the ear, and are still doubtful of success, tho' ev'ry thing be done with an exact regularity.\"\n\nFran? Raguenet 'Comparison between the French and Italian Music and Operas' (1702)\n\nMost settings of the Lecons are scored for solo voice and basso continuo, though there are many examples (including Couperin's third published Lecon) that do not follow that trend. Sadly we only have three surviving Lecons, of an original nine (three for each day of mourning), from both de Lalande and Couperin. Although sometimes harmonically indulgent, the music itself is meditative and introspective, offering a highly intimate and enlightening experience.\n\n\"Sometimes we meet with a swelling, to which the first notes of the thoroughbass jar so harshly, as the ear is highly offended with it; but the bass, continuing to play on, returns at last to the swelling with such beautiful intervals, that we quickly discover the composer's design in the choice of those dischords, was to give the hearer a more true and perfect relish of the ravishing notes that on a sudden restore the whole harmony.\n\nLet a Frenchman be set to sing one of these dissonances, and he'll want courage enough to support it with the resolution wherewith it must be sustain'd to make it succeed; his ear, being accustom'd to the most soft and natural intervals, is startled at such irregularity; he trembles and is in a sweat whilst he attempts to sing it.\"\n\nJean Laurent le Cerf de La Vieville 'Good Taste in Music' (1704)\n\nMusic performed perhaps more often than the Lecons de Tenebres in Louis XIV's court included regular chamber concerts. Court composers like Couperin would write music especially for such occasions: he and his colleagues would perform a concert there every Sunday. Couperin tells us in his preface that the Concerts Royaux were specifically written for these concerts. The suites were composed between the period 1714-15 and then published in 1722 with a preface from Couperin that confirmed the versatility of these pieces: he writes 'They are suitable not only for the harpsichord, but also the violin, the flute, the oboe, the viol, and the bassoon.'\n\nCouperin then supplemented this published collection in 1724 with another set of suites called Les Gou?ts Reuunis ou Nouveaux Councerts ('The Reunited [French and Italian] Styles or New Concerts').\n\nAlex McCartney, February 2014",
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            "sku" : "poeticallmusi-salutation",
            "name" : "Salutation",
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                "name" : "Poeticall Musicke",
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            "uses" : ["period drama or history","documentary","meditation or yoga","spa or massage","study or focus","podcast background"],
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            "instrumentation" : ["violin","harpsichord","recorder","viola da gamba"],
            "sounds_like" : ["Dietrich Buxtehude","Heinrich Ignaz Franz Biber von Bibern","Johann Jakob Walther"],
            "summary" : "Historically performed Late Renaissance and Early Baroque instrumental chamber music featuring violin, harpsichord, recorder, and viola da gamba—ideal for period dramas, documentaries, and calm background use.",
            "cover" : "https://magnatune.com/music/Poeticall%20Musicke/Salutation/cover_400.jpg",
            "web_url" : "https://magnatune.com/artists/albums/poeticallmusi-salutation/",
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            "sku" : "poeticallmusi-awakelyre",
            "name" : "Awake My Lyre",
            "artist" : {
                "name" : "Poeticall Musicke",
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            "release_date" : "2013-08-12",
            "genres" : ["Classical","Baroque","Classical Singing"],
            "vocals" : "vocals",
            "moods" : ["melancholic","romantic","reflective","tender","nostalgic","elegant"],
            "uses" : ["period drama or history","romance","documentary","emotional storytelling","meditation or yoga","podcast background"],
            "energy" : 2,
            "instrumentation" : ["theorbo","viola da gamba","classical singing","baroque vocal ensemble"],
            "sounds_like" : ["Henry Purcell","John Blow","Matthew Locke"],
            "summary" : "Historically performed Late Renaissance and Early Baroque songs expressing love, anguish, and drunkenness, with theorbo and bass viol—ideal for period dramas, romance, or reflective podcast backgrounds.",
            "cover" : "https://magnatune.com/music/Poeticall%20Musicke/Awake%20My%20Lyre/cover_400.jpg",
            "web_url" : "https://magnatune.com/artists/albums/poeticallmusi-awakelyre/",
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            "sku" : "ruiz-imported",
            "name" : "Imported from Italy",
            "artist" : {
                "name" : "Gonzalo X Ruiz",
                "page" : "ruiz"
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            "release_date" : "2004-02-29",
            "genres" : ["Classical","Chamber Music","Baroque","Instrumental"],
            "vocals" : "instrumental",
            "moods" : ["elegant","reflective","peaceful","tender","nostalgic","calm"],
            "uses" : ["documentary","period drama or history","study or focus","podcast background","spa or massage","art or gallery"],
            "energy" : 2,
            "instrumentation" : ["oboe","cello","harpsichord","basso continuo"],
            "sounds_like" : ["Antonio Vivaldi","Domenico Scarlatti","Giovanni Battista Sammartini"],
            "summary" : "Baroque chamber music featuring oboe, cello, and harpsichord performing works by Vivaldi, Scarlatti, Sammartini, and others—elegant, calm, and historically authentic, ideal for documentaries, study, or period-themed projects.",
            "cover" : "https://magnatune.com/music/Gonzalo%20X%20Ruiz/Imported%20from%20Italy/cover_400.jpg",
            "web_url" : "https://magnatune.com/artists/albums/ruiz-imported/",
            "api_url" : "https://magnatune.com/api/albums/ruiz-imported",
            "buy_url" : "https://magnatune.com/buy/album?sku=ruiz-imported"
        },{
            "sku" : "streicher-musicadacamera",
            "name" : "Musica da Camera",
            "artist" : {
                "name" : "Streicher Trio",
                "page" : "streicher"
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            "release_date" : "2008-07-26",
            "genres" : ["Classical","Chamber Music","Baroque","Classical Period","Instrumental"],
            "vocals" : "vocals",
            "moods" : ["elegant","reflective","tender","nostalgic","peaceful","romantic"],
            "uses" : ["period drama or history","documentary","study or focus","podcast background","art or gallery","meditation or yoga"],
            "energy" : 2,
            "instrumentation" : ["fortepiano","violin","cello","harpsichord"],
            "sounds_like" : ["Muzio Clementi","Luigi Boccherini","Baldassare Galuppi"],
            "summary" : "Baroque and Classical period chamber music on period instruments, featuring fortepiano, violin, and cello; elegant and reflective, ideal for historical content, study, or calm background use.",
            "cover" : "https://magnatune.com/music/Streicher%20Trio/Musica%20da%20Camera/cover_400.jpg",
            "web_url" : "https://magnatune.com/artists/albums/streicher-musicadacamera/",
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            "sku" : "meulenbroeks-confluentes",
            "name" : "Confluentes",
            "artist" : {
                "name" : "Ralph Rousseau Meulenbroeks",
                "page" : "meulenbroeks"
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            "release_date" : "2015-02-08",
            "genres" : ["Classical","Baroque","Renaissance","Instrumental"],
            "vocals" : "instrumental",
            "moods" : ["peaceful","meditative","nostalgic","reflective","spiritual","elegant"],
            "uses" : ["documentary","period drama or history","meditation or yoga","spa or massage","study or focus","religious or ceremonial"],
            "energy" : 2,
            "instrumentation" : ["solo viola da gamba","acoustic chamber setting","unprocessed live recording","sacred space acoustics"],
            "sounds_like" : ["Marin Marais","Antoine Forqueray","Carl Friedrich Abel"],
            "summary" : "A serene, unedited solo viola da gamba album spanning Renaissance to contemporary works, recorded in a Utrecht convent chapel—ideal for reflective, historical, or spiritual projects.",
            "cover" : "https://magnatune.com/music/Ralph%20Rousseau%20Meulenbroeks/Confluentes/cover_400.jpg",
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            "sku" : "kat-beside",
            "name" : "Beside Themselves",
            "artist" : {
                "name" : "Phebe Craig and Katherine Westine",
                "page" : "craig_westine"
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            "release_date" : "2004-10-05",
            "genres" : ["Classical","Chamber Music","Baroque","Classical Period","Instrumental"],
            "vocals" : "instrumental",
            "moods" : ["elegant","playful","reflective","nostalgic","calm","tender"],
            "uses" : ["period drama or history","documentary","study or focus","podcast background","cafe or restaurant","art or gallery"],
            "energy" : 3,
            "instrumentation" : ["two harpsichords","baroque chamber ensemble","harpsichord duets"],
            "sounds_like" : ["Johann Sebastian Bach","Antonio Soler","Francois Couperin"],
            "summary" : "Baroque harpsichord duets by Craig and Westine featuring Bach, Soler, Couperin, and others—elegant, reflective, and calm, ideal for period content, documentaries, and focused listening.",
            "cover" : "https://magnatune.com/music/Phebe%20Craig%20and%20Katherine%20Westine/Beside%20Themselves/cover_400.jpg",
            "web_url" : "https://magnatune.com/artists/albums/kat-beside/",
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        },{
            "sku" : "filles-german",
            "name" : "German music for Viols and Harpsichord",
            "artist" : {
                "name" : "Les Filles de Sainte Colombe",
                "page" : "filles"
            },
            "release_date" : "2003-05-21",
            "genres" : ["Classical","Chamber Music","Baroque","Renaissance","Instrumental"],
            "vocals" : "instrumental",
            "moods" : ["peaceful","meditative","reflective","elegant","nostalgic","melancholic"],
            "uses" : ["period drama or history","documentary","meditation or yoga","spa or massage","study or focus","podcast background"],
            "energy" : 2,
            "instrumentation" : ["viola da gamba","harpsichord","viol consort"],
            "sounds_like" : ["Johann Jakob Froberger","Samuel Scheidt","Johannes Schenck"],
            "summary" : "Baroque and Renaissance instrumental music for viola da gamba and harpsichord, calm and reflective, ideal for historical content, meditation, or focused listening.",
            "cover" : "https://magnatune.com/music/Les%20Filles%20de%20Sainte%20Colombe/German%20music%20for%20Viols%20and%20Harpsichord/cover_400.jpg",
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        },{
            "sku" : "cbooth-darkharp",
            "name" : "Dark Harpsichord Music",
            "artist" : {
                "name" : "Colin Booth",
                "page" : "colin_booth"
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            "release_date" : "2011-02-11",
            "genres" : ["Classical","Baroque","Classical Period","Instrumental"],
            "vocals" : "instrumental",
            "moods" : ["melancholic","reflective","mysterious","meditative","nostalgic","dark"],
            "uses" : ["documentary","period drama or history","film score","meditation or yoga","podcast background","emotional storytelling"],
            "energy" : 2,
            "instrumentation" : ["solo harpsichord","improvisational harpsichord","baroque harpsichord"],
            "sounds_like" : ["Johann Sebastian Bach","Francois Couperin","Louis Andriessen"],
            "summary" : "Solo harpsichord music evoking late evening in Devon, blending Baroque pieces, improvisations, and modern works for reflective, melancholic, and atmospheric background use.",
            "cover" : "https://magnatune.com/music/Colin%20Booth/Dark%20Harpsichord%20Music/cover_400.jpg",
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            "sku" : "crummarks-spagna",
            "name" : "A Spagna in the Works",
            "artist" : {
                "name" : "Alison Crum and Roy Marks",
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            "release_date" : "2015-03-06",
            "genres" : ["Classical","Renaissance","Instrumental"],
            "vocals" : "instrumental",
            "moods" : ["ethereal","meditative","peaceful","mysterious","tender","nostalgic"],
            "uses" : ["period drama or history","documentary","meditation or yoga","spa or massage","study or focus","podcast background"],
            "energy" : 2,
            "instrumentation" : ["viola da gamba","lute","renaissance instrumental ensemble"],
            "sounds_like" : ["Diego Ortiz","Francisco de la Torre","Riccardo Rognoni"],
            "summary" : "Ethereal, gentle Renaissance instrumental music for viol and lute, ideal as calm, sophisticated background for historical content, meditation, or focused listening.",
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            "name" : "Courante",
            "artist" : {
                "name" : "Edward Martin and Thomas Walker",
                "page" : "martin_walker"
            },
            "release_date" : "2015-02-17",
            "genres" : ["Classical","Renaissance","Instrumental"],
            "vocals" : "instrumental",
            "moods" : ["elegant","reflective","peaceful","nostalgic","meditative","tender"],
            "uses" : ["period drama or history","documentary","meditation or yoga","spa or massage","study or focus","podcast background"],
            "energy" : 2,
            "instrumentation" : ["two lutes","baroque lute duets","acoustic lute"],
            "sounds_like" : ["Charles Mouton","Denis Gaultier","Ennemond Vieux Gaultier"],
            "summary" : "French High Baroque lute duets with sumptuous counterpoint textures, ideal for calm, reflective, or historically evocative projects.",
            "cover" : "https://magnatune.com/music/Edward%20Martin%20and%20Thomas%20Walker/Courante/cover_400.jpg",
            "web_url" : "https://magnatune.com/artists/albums/martinwalker-courante/",
            "api_url" : "https://magnatune.com/api/albums/martinwalker-courante",
            "buy_url" : "https://magnatune.com/buy/album?sku=martinwalker-courante"
        }]
    },
    "license" : {
        "music_license" : "Creative Commons Attribution-NonCommercial-ShareAlike 1.0 (CC BY-NC-SA 1.0)",
        "music_license_url" : "https://creativecommons.org/licenses/by-nc-sa/1.0/",
        "listening" : "Stream the free previews, or buy an album for $8 to download it in MP3, AAC, ALAC, FLAC, OGG or WAV. 100% of the price goes to the musician.",
        "non_commercial" : "Non-commercial projects may use the music under CC BY-NC-SA 1.0: credit the artist and Magnatune, and share alike.",
        "projects" : "Magnatune members may use any Magnatune music in their projects, commercial or not (videos, films, podcasts, games, apps, websites, adverts), including work for clients, under the Magnatune Project Licence. Projects released while a member stay licensed for good; new projects need an active membership. Credit is required. TV or radio broadcast, cinema, and background music in shops, restaurants or on-hold lines are not included: license those from the musician. Membership: $10/month, $99/year or $299 lifetime; agents can buy one themselves with MPP at /api/member-pass ($10 month, $99 year, $299 lifetime, one-off).",
        "projects_status" : "available",
        "projects_signup" : "https://magnatune.com/member/signup",
        "royalty_free" : "Membership is royalty-free licensing: no per-video, per-download or per-view fees, for every project created and released while a member.",
        "youtube" : "YouTube, Instagram, TikTok, podcasts: members may use the clean songs in monetized videos. Members register their YouTube channel (the set_youtube_channel MCP tool, or their account page) so YouTube's Content ID doesn't claim their videos. The free versions carry a spoken Magnatune voice and are non-commercial (CC BY-NC-SA), so they're not for monetized channels or client work.",
        "details" : "https://magnatune.com/info/licensing",
        "how_to_credit" : "Name the artist and \"Magnatune\", with a link to the album's web_url."
    }
}