{ "ok" : true, "album" : { "sku" : "sforster-beetseven", "name" : "Magnificent Obsession vol 7 - Beethoven Sonatas", "artist" : { "name" : "Sebastian Forster", "page" : "sebastian_forster", "description" : "exquisitely performed Beethoven piano sonatas", "location" : "NJ, USA", "photo" : "https://magnatune.com/artists/img/sebastian_forster.jpg", "web_url" : "https://magnatune.com/artists/sebastian_forster/", "api_url" : "https://magnatune.com/api/artists/sebastian_forster" }, "description" : "Worldwide acclaimed pianist Sebastian Forster ventured into accomplishing a lifetime-legacy major project of immense proportions: the recording of the 32 Piano Sonatas of Ludwig van Beethoven, in an ongoing creative effort during 10 albums, from 2009 to early 2012.\n\nSebastian is a true Beethovenian, he breathes and experiences Beethoven's every single emotion, of true love, drama, passion, desperation, beauty and darkness. Living Beethoven with every key stroke is an experience of monumental inner impact, only at reach for the daring soul and the truly talented soloist.\n\nFamous for his deeply moving and highly original interpretations and dazzling mastery of his repertoire, Sebastian continues this travel through the universe of Beethoven in this Volume 7 with five Sonatas from 1804 and 18010.\n\nLudwig van Beethoven's Piano Sonata No. 22 in F major, Op. 54, was written in 1804. It is contemporary to the first sketches of the Symphony No. 5 in C Minor. It is one of Beethoven's lesser known sonatas, overshadowed by its widely known neighbours, the Appassionata and the Waldstein.\n\nThe Sonata is remarkable in its concision, a precursor in some ways to the Sonata in E Major, Opus 109. The two movements present opposite faces on many levels.\n\nLudwig van Beethoven's Piano Sonata No. 23 in F minor, Op. 57 (colloquially known as the Appassionata, meaning \"passionate\" in Italian) is a piano sonata. Among the three famous piano sonatas of his middle period (the others being the Waldstein, Op. 53 and Les Adieux, Op. 81a), it was composed during 1804 and 1805, and perhaps 1806, and was dedicated to Count Franz von Brunswick. The first edition was published in February 1807 in Vienna.\n\nUnlike the early Sonata No. 8, Pathetique, the Appassionata was not named during the composer's lifetime, but was so labeled in 1838 by the publisher of a four-hand arrangement of the work.\n\nThe Appassionata was considered by Beethoven to be his most tempestuous piano sonata until the twenty-ninth piano sonata (known as the Hammerklavier), being described as a \"brilliantly executed display of emotion and music\". 1803 was the year Beethoven came to grips with the irreversibility of his progressively deteriorating deafness.\n\nThe Piano Sonata No. 24 in F-sharp major, Op. 78, nicknamed \"a Therese\" (because it was written for Countess Therese von Brunswick) was written by Ludwig van Beethoven in 1809. It consists of two movements.\n\nMaynard Solomon notes that this and the \"Appassionata\" sonata, op.57, were Beethoven's favorite of his piano sonatas prior to the \"Hammerklavier.\"\n\nThe Piano Sonata No. 25 in G major, Op. 79, was written by Ludwig van Beethoven in 1809. It consists of three movements.\n\nIt is one of Beethoven's shorter sonatas with an approximate performance time of only eleven minutes, if Beethoven's prescribed repeats are all observed. It is also the shortest of his sonatas with more than two movements.\n\nLudwig van Beethoven's Piano Sonata No. 26 in E-flat major, Op. 81a, known as the Les Adieux sonata, was written during the years 1809 and 1810.\n\nThe title Les Adieux implies a programmatic nature. The French attack on Vienna, led by Napoleon Bonaparte in 1809, forced Beethoven's patron, Archduke Rudolph, to leave the city. Yet, there is some uncertainty about this nature of the piece - or at least, about the degree to which Beethoven wished this programmatic nature would be known. He titled the three movements \"Lebewohl,\" \"Abwesenheit,\" and \"Wiedersehen,\" and reportedly regarded the French \"Adieux\" (said to whole assemblies or cities) as a poor translation of the feeling of the German \"Lebewohl\" (said heartfully to a single person) (Kolodin, 1975). Indeed, Beethoven had written the syllables \"Le-be-wohl\" over the first three chords.\n\nOn the first 1811 publication, a dedication was added reading \"On the departure of his Imperial Highness, for the Archduke Rudolph in admiration\".\n\nHear Beethoven as you have never heard it before, getting lost in the world of invigorating ideas and emotional virtuosity that has made Sebastian Forster one of the outstanding interpreters of the classical repertoire currently working on the world stage today.", "release_date" : "2015-06-30", "genres" : ["Classical","Classical Period","Romantic Era","Instrumental Classical"], "collections" : [{ "name" : "Classical Piano", "slug" : "classical_piano", "web_url" : "https://magnatune.com/collections/classical_piano" },{ "name" : "Composer: Ludwig van Beethoven", "slug" : "composer:_ludwig_van_beethoven", "web_url" : "https://magnatune.com/collections/composer:_ludwig_van_beethoven" }], "duration_seconds" : 4375, "tracks" : [{ "track" : 1, "name" : 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Projects released while a member stay licensed for good; new projects need an active membership. Credit is required. TV or radio broadcast, cinema, and background music in shops, restaurants or on-hold lines are not included: license those from the musician. Membership: $10/month, $99/year or $299 lifetime; agents can buy one themselves with MPP at /api/member-pass ($10 month, $99 year, $299 lifetime, one-off).", "projects_status" : "available", "projects_signup" : "https://magnatune.com/member/signup", "details" : "https://magnatune.com/info/licensing", "how_to_credit" : "Name the artist and \"Magnatune\", with a link to the album's web_url." } }