Ireen Thomas: Lute sonatas from mozart's time.


"Despite the large church building not a single nuance of her gentle meditative playing was lost to the audience."
- German critic, Wolfsburger Stadtblatt

"Subtle" and "with character"
- Dutch newspaper review, NRC Handelsblad

It all started at a young age with the guitar. But at the Royal Conservatory in The Hague (Netherlands) Ireen Thomas quickly switched to the lute studying with Toyohiko Satoh, with whom she later published a Catalogue of Contemporary Lute Music. Workshops and private lessons with Hopkinson Smith contributed to her refined manner of playing.

With the Royal Concertgebouw Orchestra under the direction of Nicolaus Harnoncourt, Thomas performed several times in Bach's St. Johns Passion and with Edo de Waart as conductor, the operatic presentations of Wagner's Meistersinger von Nürnberg. With the Dutch Chamber Orchestra under Hartmuth Haenchen, she performed Gluck's Orfeo ed Euridice. During The Holland Festival of Early Music she performed Emilio Cavalieri's Rappresentatione di Anima e di Corpo under Frans Moonen as conductor.

In keeping with the lute, Thomas has extensively played chamber music, from very old to very contemporary. From the medieval period she played using her owl feather plectrum and with singer and musicologist Dr. Rebecca Stewart to Mauricio Kagel's Musik für Renaissance Instrumente and the young Greek composer Calliope Tsoupaki.

About ten years ago Ireen's first love, the guitar, began to ogle her from the dusty corner in which it had been lying for 20 years. Since then it is particularly the romantic guitar which has inspired her to make several varied and unconventional programs such as:

From Weiss via Mozart to Sor
Mozart's music, forms an interesting connection between the baroque lute and the romantic guitar as transcriptions of his works exist for both instruments. In addition to Mozart the program includes excellent music by Weiss, Hagen, Paganini and Sor.

For the Czar and the Miss from Cornewalle
A contribution to the life and works of Fernando Sor.

Satie and Sor on Lute and Guitar
The audience is be 'taken' to Paris and hears the romantic flamboyant music of Fernando Sor in contrast with the charming and singular tones of Erik Satie.

  Ireen Thomas

[Contemplations by Ireen Thomas]

Contemplations


[Indian Summer of the Lute by Ireen Thomas]

Indian Summer of the Lute



Ireen Thomas lives in Den Haag, Netherlands.

Tagged as: Classical, Classical Period, Renaissance, Avant-Garde, Instrumental, Composer: Erik Satie, Composer: Fernando Sor, Composer: Robert Ballard, Classical Guitar, Lute.


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  2. Daniel Estrem: colorful classical guitar
  3. Lara St John: Bach violin concertos
  4. Paul Berget: renaissance lute, modernized.
  5. American Baroque: Spectacular Baroque and Classical chamber music
  6. Richard MacKenzie: Virtuoso English Lutenist and Guitarist
  7. AlmaNova: lively flute/guitar duo
  8. Ensemble Mirable: rare and extraordinary music of the Baroque
  9. La Reverie: Recreating traditional music from a modern perspective
  10. Stephane Potvin and the Con Brio Choir: choral conductor extraordinaire
  11. In Nova Cantica: carols and chansons from the 13th - 17th Centuries for dancing, festivities and mayhem
  12. Mauricio Buraglia: a marvelous classical spiral of lute sounds
  13. Healing Muses: early music for healing
  14. Ingrid Matthews and Byron Schenkman: baroque violin & harpsichord
  15. Briddes Roune: 13th century medieval English songs
  16. Ensemble Libro Primo: A fantastic classical violin and lute duo interpreting Baroque composers
  17. Asteria: late-medieval vocal and instrumental music
  18. Dufay Collective: instrumental and vocal music from the Middle Ages and Reniassance
  19. Edward Martin: vihuela, renaissance and baroque lute
  20. Alison Crum and Roy Marks: Ethereal, enigmatic and exhilarating renaissance miniature masterpieces for viol and lute