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Daniel Estrem : JS Bach on Solo Mandola.
Colorful classical guitar.
All of the music on this album was written for the solo violin (Partitas) or
solo cello (Cello Suite #2). Johannes Sebastian Bach's compositions take these instruments to their
limit by providing an impressive display of what can be done on four strings,
while reflecting a sense of polyphony and harmony.
Within the mandolin family of instruments the mandolin is the counterpart to the
violin and its strings are tuned to the same pitches. It should be noted that
the mandolin family's metal strings are doubled (in unison) and generally played
with a plectrum. The mandola, on the other hand, has the viola as its cousin and
is tuned a fifth lower than the mandolin. Its body and neck are larger than the
mandolin and it has a somewhat deeper sound as compared to the treble-sounding
mandolin. The mandola, although now less common, is the ancestor of the
mandolin, the name of which means simply "little mandola". This recording
employs a somewhat non-traditional approach, as the mandola strings were strung
singly which allows for a fingerstyle technique (no plectrum).
Songs:
1. Preludio from Partita no3 BWV 1006 (Johann Sebastian Bach)
2. Loure from Partita no3 BWV1006 (Johann Sebastian Bach)
3. Gavotte en Rondeau from Partita no3 BWV1006 (Johann Sebastian Bach)
4. Menuet 1 and 2 from Partita no3 BWV1006 (Johann Sebastian Bach)
5. Bourree from Partita no3 BWV1006 (Johann Sebastian Bach)
6. Gigue from Partita no3 BWV1006 (Johann Sebastian Bach)
7. Prelude from Cello Suite no2 BWV1008 (Johann Sebastian Bach)
8. Allemande from Cello Suite no2 BWV1008 (Johann Sebastian Bach)
9. Courante from Cello Suite no2 BWV1008 (Johann Sebastian Bach)
10. Sarabande from Cello Suite no2 BWV1008 (Johann Sebastian Bach)
11. Menuets from Cello Suite no2 BWV1008 (Johann Sebastian Bach)
12. Gigue from Cello Suite no2 BWV1008 (Johann Sebastian Bach)
13. Allemanda from Partita no1 BWV1002 (Johann Sebastian Bach)
14. Double from Partita no1 BWV1002 (Johann Sebastian Bach)
15. Sarabande from Partita no1 BWV1002 (Johann Sebastian Bach)
16. Double from Partita no1 BWV1002 (Johann Sebastian Bach)
17. Bourree from Partita no1 BWV1002 (Johann Sebastian Bach)
18. Double from Partita no1 BWV1002 (Johann Sebastian Bach)
Listen to: the entire album.
License Colorful classical guitar by Daniel Estrem for your project.
Play the music of Daniel Estrem in your restaurant or store.
Release date: 08/24/2013
Daniel Estrem lives in Minnesota USA
Tagged as: Classical, Baroque, Instrumental, Composer: Johann Sebastian Bach, Mandola
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- Alessandro Piccinini by Paul Beier: solo lute of the Italian renaissance.
- SL Weiss on 11 Strings by Paul Berget: renaissance lute, modernized.
- Debut by AlmaNova: lively flute/guitar duo
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- Adam Falckenhagen and Sylvius Leopold Weiss, Opere Per Liuto by Paul Beier: solo lute of the Italian renaissance.
- She Waits by Alan Marchand: Toe Teasin' Jazz Tunes For All Occasions
- Orpheus by Federico Moscogiuri: Original and evocative lute music
- Elizabeth's Lutes by Alex McCartney: Reflective, historically-informed performance on the lute
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- Les Larmes of Johannes Fresneau by Edward Martin: vihuela, renaissance and baroque lute
- Michelagnolo Galilei by Paul Beier: solo lute of the Italian renaissance.
- The Siena Manuscript on renaissance lute by Paul Berget: renaissance lute, modernized.
- Goldberg Variations (JS Bach) by Andreas Almqvist: elegant classical guitar
- Dances and Suites of Rameau and Couperin by American Baroque: Spectacular Baroque and Classical chamber music
- JS Bach Goldberg Variations by Colin Booth: solo harpsichord music
- The Christmas Album by AlmaNova: lively flute/guitar duo
- Arpeggi by Federico Moscogiuri: Original and evocative lute music
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