Gonzalo X Ruiz : Soliloquies.
Baroque oboist extraordinaire.
Gonzalo Ruiz explains: three works on this disc were composed for cello and
the fourth for flute. The baroque oboe is not an instrument normally heard in an
unaccompanied setting. I don't believe Bach ever envisioned that these
particular pieces would be performed on oboe, although I like to think that he
would approve. The truth is that I play them simply because I love them and have
lived with them for many years.
When I first heard Johann Sebastian Bach's unaccompanied suites I practically had a crisis,
fearing that I had picked the wrong instrument. My love for the oboe was shaken
by the realization that there was nothing in its repertoire like these complete
masterpieces for a single player, and suddenly my warmup routines seemed
intolerably dry and boring next to those of cellists who started their day with
a bracing round of Bach. It was years before I dared tackle an arrangement of
one of them and then it was for strictly personal reasons. The suite became my
main etude, my biggest challenge, and a constant companion that traveled
everywhere in my instrument case. As the number of these arrangements grew, so
did my abilities on the instrument. I found that working on them was the best
way to prepare for the next concert, whatever repertoire it contained. I never
thought I'd perform or record them, but over time I ceased to think of them as
"music written for other instruments" and began to feel them simply as "music I
enjoy playing".
Listeners familiar with these works will notice the ways in which I altered them
to fit the oboe. These include the choice of key, some degree of octave
transposition, and adapting or omitting many double stops, but in some cases
they are simple esthetic choices. In measure 32 of the G minor Sarabande for
instance, I suspect I am plausibly correcting a copyist's mistake in the
surviving manuscript. In the repeat of measure 24 of the Sarabande of BWV1008
the F natural is not what Bach wrote but a beautiful alternative, and is
dedicated to Anner Bylsma and Michael Marissen as my talisman against the risks
involved in changing the text.
Songs:
1. Suite in A minor after BWV 1008 - Prelude (Johann Sebastian Bach)
2. Suite in A minor after BWV 1008 - Allemande (Johann Sebastian Bach)
3. Suite in A minor after BWV 1008 - Courante (Johann Sebastian Bach)
4. Suite in A minor after BWV 1008 - Sarabande (Johann Sebastian Bach)
5. Suite in A minor after BWV 1008 - Menuets (Johann Sebastian Bach)
6. Suite in A minor after BWV 1008 - Gigue (Johann Sebastian Bach)
7. Suite in G minor after BWV 1013 - Allemande (Johann Sebastian Bach)
8. Suite in G minor after BWV 1013 - Courante (Johann Sebastian Bach)
9. Suite in G minor after BWV 1013 - Sarabande (Johann Sebastian Bach)
10. Suite in G minor after BWV 1013 - Gigue (Johann Sebastian Bach)
11. Suite in F major after BWV 1007 - Prelude (Johann Sebastian Bach)
12. Suite in F major after BWV 1007 - Allemande (Johann Sebastian Bach)
13. Suite in F major after BWV 1007 - Courante (Johann Sebastian Bach)
14. Suite in F major after BWV 1007 - Sarabande (Johann Sebastian Bach)
15. Suite in F major after BWV 1007 - Menuets (Johann Sebastian Bach)
16. Suite in F major after BWV 1007 - Gigue (Johann Sebastian Bach)
17. Suite in A minor after BWV 1011 - Prelude (Johann Sebastian Bach)
18. Suite in A minor after BWV 1011 - Allemande (Johann Sebastian Bach)
19. Suite in A minor after BWV 1011 - Courante (Johann Sebastian Bach)
20. Suite in A minor after BWV 1011 - Sarabande (Johann Sebastian Bach)
21. Suite in A minor after BWV 1011 - Gavottes (Johann Sebastian Bach)
22. Suite in A minor after BWV 1011 - Gigue (Johann Sebastian Bach)
Listen to: the entire album.
License Baroque oboist extraordinaire by Gonzalo X Ruiz for your project.
Play the music of Gonzalo X Ruiz in your restaurant or store.
Release date: 9/24/2010
Gonzalo X Ruiz lives in California USA
Tagged as: Classical, Chamber Music, Baroque, Instrumental, Composer: Johann Sebastian Bach, Oboe
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