In early 2007, Senne bought a laptop computer and recorded the basic tracks for The Shapes That Shift Us. The album was mixed with additional instrumentation added at Crazy Beast Studios with Ben Durrant (Andrew Bird). The song "Caroline to Maine" is a catchy folk-rock gem that keeps listeners humming for days, while "Drift Gently" is reminiscent of the sparse finger-picking style found in Beck's album Sea Change. Brad frequently plays in Minneapolis as a solo musician and with the band Beight. Members & Instrument J Tyler O'Neill: Piano, synthesizer, vocals Ben Durrant: Electric guitar, arp, accordion, banjo, vocals Ryan Lovan: Drums Channy Moon Casselle: Violin:

The Shapes That Shift Us Aerial Views Brad Senne

Tagged as: Alt Rock, Pop, Indie Rock.

1. Andre Rodriguez: melodic rock combining memorable melodies with thoughtful storytelling
2. OGMA: deliciously melodic and energizing friendly folk rock
3. Mountain Sounds: a fresh new approach to lush indie pop
4. Where's Moo: moody, atmospheric, paranoid and definitely not typical rock and roll
5. Amoeba: cinematic pop-ambient
6. The Seldon Plan: sophisticated rock with emo undercurrents
7. Chinaski: dark and driving energetic alternative rock
8. Shadows from the Underground: edgy, gritty rock for music tastemakers
9. The Proper Authorities: pulse-pounding, booty-shaking rock
10. Connor B Fitz: a one man indie project - half shy romantic hermit, half loud obnoxious rocker
11. Chiwawa: He who sings thinks no evil
12. ANDROMEDA: Dance pop power vocal diva!
13. Alexander Lisenkov: Lounge and dance electronic music with elements of jazz and ethnic
14. Daniel Estrem: colorful classical guitar
15. Ambient Teknology: upbeat underground with shades of new wave
16. Richard MacKenzie: Virtuoso English Lutenist and Guitarist
17. Jacob Heringman: renaissance lute
18. Anamar: songs with a Latin and Afro mood, blended with Tango, Milonga, Morna, Rumba, Habanera
19. Alison Crum and Roy Marks: Ethereal, enigmatic and exhilarating renaissance miniature masterpieces for viol and lute
20. Piotr Janeczek: atmospheric, infinite spaces and ethereal worlds