The guitar has given me the opportunity to immerse myself in the works of great and historical composers such as those recorded in Ancient Mosaic with Guitar. I consider it a privilege to be able to receive through their scores, the sensitivity of such maestros.

The works of Esaias Reusner, Luis de Milan, Ludovico Roncalli, etc, sound good on the modern Spanish guitar, a direct descendant of all those old instruments for which they were written. I just had to play them freely and with respect, feeling them as part of the guitar and without trying to make them sound as anything other than what they intrinsically are. The recording of Ancient Mosaic with Guitar was made several times over the last few years. I never consciously set out to make an album like this, I was simply interested in a particular piece, and so studied and recorded it. Finally, I found I had enough stylistically homogenous material to produce an album.

Two musical friends participated: the soprano Palmira Irisarri, who sings on tracks 3, 5, 7, 10, 13 and 15, and the percussionist Ángel Martín, who plays on track 16. My thanks to both of them.

It was very gratifying for me to work with Palmira Irisarri, an excellent soprano and musicologist. Her singing is distinguished by her sweet, natural timbre and the perfect tuning of her voice. No doubt her style is perfectly suited for these Spanish Renaissance pieces, so often interpreted with later centuries' approaches.

Track 16, "Improvisation about Quand voie", deserves a separate paragraph. It is not an old piece, but is based on a familiar melody in the repertoire of the troubadours "Quand voie la flor nouvelle", anonymous. This is a recreation of the original, but with a completely modern interpretation, adding parts of my own composition.

Esteban Canyar

1. Passacaglia (Esaias Reusner)
2. Sir John Smith His Almaine (John Dowland)
3. Quien Amores Ten (Luis de Milan)
4. Prelude (Johann Sebastian Bach)
5. Nova Angeletta (Luis de Milan)
6. Frog Galliard (John Dowland)
7. Levayme amor (Luis de Milan)
8. Preludio (Ludovico Roncalli)
9. Passacaglia (Ludovico Roncalli)
10. Poys Dezeys que me Quereis ben (Luis de Milan)
11. The Voice (John Dowland)
12. Allegro and Giga (Esaias Reusner)
13. Arded corazon arded (Luis de Narvaez)
14. Cancion Del Emperador (Luis de Narvaez)
15. Falay mina amor (Luis de Milan)
16. Improvisation About Quant Voie (Esteban Canyar)

Listen to: the entire album.

Release date: 4/16/2011
La Reverie lives in Granada Spain

Tagged as: Classical, Renaissance, Baroque, Classical Singing, Composer: Esaias Reusner, Composer: Esteban Canyar, Composer: Johann Sebastian Bach, Composer: John Dowland, Composer: Ludovico Roncalli, Composer: Luis de Milan, Composer: Luis de Narvaez, Classical Guitar

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8. The Black Dragon by Canconier: Medieval music from the 12th to the 15th centuries
9. Bach Cello Suites on 8 String Guitar by Daniel Estrem: colorful classical guitar
10. Messe a l'usage des Couvents by Craig Hanson: exquisitely moving Baroque organ music
11. Vivaldi Concertos on 8-string guitar by Daniel Estrem: colorful classical guitar
12. JS Bach Trios on Guitar by Daniel Estrem: colorful classical guitar
13. Sylvius Leopold Weiss Suites en si Bemol et la Majeur by Mauricio Buraglia: a marvelous classical spiral of lute sounds
14. Renaissance Lute by Ed Durbrow: Renaissance lute music.
15. Luis Milan - El Maestro by Edward Martin: vihuela, renaissance and baroque lute
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17. Musica da Camera by Streicher Trio: classical chamber music on period instruments
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20. Elegance and Refinement - Baroque Suites, French Sweets by Ivan Ilic: dazzling classical pianist

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